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Padmini Review: ప్రేమించిన వాడితో భార్య వెళ్లిపోతే..? ‘పద్మిని’ మూవీ ఎలా ఉందంటే?

కున్‌చకో బొబన్‌ హీరోగా సెన్నా హెగ్డే తెరకెక్కించిన చిత్రం ‘పద్మిని’. ఈ సినిమా ఓటీటీ ‘నెట్‌ఫ్లిక్స్‌’లో స్ట్రీమింగ్‌ అవుతోంది. రివ్యూపై ఓ లుక్కేయండి..

చిత్రం:  పద్మిని; తారాగణం: కున్‌చ‌కో బొబన్‌, అప‌ర్ణా బాల‌ముర‌ళి, మడోన్నా సెబాస్టియన్‌,విన్సీ అలోషియస్‌, మాళవిక మేనన్‌, సజిన్‌ తదితరులు; మ్యూజిక్‌: జేక్స్‌ బెజోయ్‌; ఎడిటర్‌: మను ఆంటోనీ; సినిమాటోగ్రఫీ: శ్రీరాజ్‌ రవీంద్రన్‌; నిర్మాణ సంస్థ: లిటిల్‌ బిగ్‌ ఫిల్మ్స్‌; స్టోరీ: దీపు ప్రదీప్‌; డైరెక్షన్: సెన్నా హెగ్డే; ఓటీటీ ప్లాట్‌ఫామ్‌: నెట్‌ఫ్లిక్స్‌.

కున్‌చకో బొబన్‌ (Kunchacko Boban) కథానాయకుడిగా దర్శకుడు సెన్నా హెగ్డే (Senna Hegde) తెరకెక్కించిన చిత్రం ‘పద్మిని’ (Padmini). ఈ ఏడాది జులై 14న మలయాళంలో థియేటర్లలో విడుదలై, అక్కడి ప్రేక్షకులను అలరించింది. తాజాగా.. ఓటీటీ ‘నెట్‌ఫ్లిక్స్‌’ ( Netflix )లోకి వచ్చింది. తెలుగు సహా పలు భాషల్లో స్ట్రీమింగ్‌ అవుతోన్న ఈ సినిమా కథేంటి? ఎలా ఉందంటే? (Padmini Review)..

ఇదీ కథ: రమేశ్‌ (కున్‌చ‌కో బొబన్‌) ఓ కాలేజీలో ప్రొఫెసర్‌. కథలు రాయడం అతని హాబీ. ఎన్నో కలలతో వివాహ బంధంలోకి అడుగుపెడతాడు. తొలి రాత్రే ఊహించని ఘటనకు షాక్‌ అవుతాడు. తన భార్య స్మృతి (విన్సీ అలోషియస్‌).. ప్రేమించిన వ్యక్తితో వెళ్లిపోవడమే అందుకు కారణం. ఈ బాధలోంచి బయటకొచ్చిన రమేశ్‌కు రెండో వివాహం చేయాలని కుటుంబ సభ్యులు నిర్ణయిస్తారు. దానికి రమేశ్‌ కూడా అంగీకరించడంతో ‘రెండో’ పెళ్లి చూపులు మొదలుపెడతారు. ఓ అమ్మాయి తరఫు బంధువులు అధికారికంగా విడాకులు మంజూరైతేనే రమేశ్‌కు ఇచ్చి పెళ్లి చేస్తామనే షరతు పెడతారు. మరి, ఎక్కడికెళ్లిందో తెలియని భార్యను రమేశ్‌.. విడాకులు కోసం ఎలా వెతికిపట్టుకున్నాడు? ఈ క్రమంలో అతడికి ఎదురైన సవాళ్లేంటి? వకీల్‌ శ్రీదేవి (అపర్ణా బాలమురళీ) ఎలా సాయపడింది? అతడు రెండో వివాహం చేసుకున్నాడా, లేదా? అసలు పద్మిని ఎవరు? తెలియాలంటే సినిమా చూడాల్సిందే (Padmini Review).

ఎలా ఉందంటే: కొంత డ్రామా, కొంత కామెడీ మిక్స్‌ అయిన కథ ఇది. మర్రిచెట్టు, కాకి ప్రధానాంశాలుగా తాను రాసుకున్న కథను హీరో తన భార్యకు వివరించే సీన్‌తో ప్రారంభమైన సినిమా సరదాగా సాగిపోతుంది. మంచి కవిత్వంలా వీరి వైవాహిక జీవితం ఉండబోతుందని ప్రేక్షకుడు అనుకునేలోపు స్మృతి తన భర్తకు హగ్‌తోపాటు ‘హ్యాండ్‌’ ఇచ్చి వెళ్లిపోతుంది. ఇది ఊహించని మలుపే అయినా.. హీరోని చుట్టుపక్కల వారు హేళన చేయడం, అందుకు అతడు బాధపడడంలాంటి సన్నివేశాలు ఊహకు తగినవే. హీరో రెండో పెళ్లికి ప్రయత్నాలు మొదలుపెట్టిన దగ్గర నుంచి కథ వేగంగా ముందుకెళ్తుంది. ఈ క్రమంలో తెరపైకి వచ్చే హీరో బావ పాత్ర, పరుపుల వ్యాపారి (సజిన్‌) పాత్ర కడుపుబ్బా నవ్విస్తాయి. సహోద్యోగిని ప్రేమించి, పెళ్లాడాలనుకున్న హీరో.. విడాకులు తీసుకుంటేనే అది జరుగుతుందని తెలుసుకుని షాక్‌కు గురికావడం ఆడియన్స్‌కు హాస్యం పంచుతుంది. ఇంటర్వెల్‌ సీన్‌ ద్వితీయార్ధంపై ఆసక్తి పెంచుతుంది. పెళ్లి చూపుల్లో భాగంగా వకీల్‌ శ్రీదేవికి పరిచయమైన రమేశ్‌.. తన విడాకుల కోసం ఆమెనే సాయంకోరడం కొత్తగా ఉంటుంది. రెండేళ్ల క్రితం వెళ్లిపోయిన అమ్మాయి కోసం ఈ ఇద్దరు అన్వేషించే క్రమం అంతగా మెప్పించదు. వీరిద్దరి ప్రయాణం సోసో అనిపించినా.. వీరికి స్మృతికి ఇచ్చే ట్విస్ట్‌ మాత్రం అదిరిపోతుంది. దాంతో, ‘పెనం మీద నుంచి పొయ్యిలో పడినట్లు’ అన్నట్టుగా మారుతుంది హీరో పరిస్థితి. రెండో వివాహమై అతడేం నిర్ణయం తీసుకుంటాడనే ఆసక్తి ప్రేక్షకుడికి కలుగుతుంది. ఏ చెట్టు దగ్గరైతే హీరోని తన భార్య వదిలేసి వెళ్లిపోయిందో అదే చెట్టు దగ్గర సాయంకోరడాన్ని చిత్రీకరించిన తీరు బాగుంది. ఊహించని క్లైమాక్స్‌ ఎదురవుతుంది (Padmini Review).

ఎవరెలా చేశారంటే: కున్‌చకో బొబన్‌ తెలుగు ప్రేక్షకులకు సుపరిచితుడే. ‘నాయట్టు’, ‘2018’ వంటి చిత్రాలతో ఇక్కడి వారినీ మెప్పించారాయన. ఈ సినిమాలో.. లోపల బాధను పెట్టుకుని పైకి నవ్వుతూ కనిపించే రమేశ్‌ పాత్రలో ఒదిగిపోయారు. ఫ్యామిలీ కోర్టు వకీల్‌గా అపర్ణ బాలమురళీ అభినయం బాగుంది. సజిన్‌ కామెడీ టైమింగ్‌ ఆకట్టుకుంటుంది. మడోన్నా సెబాస్టియన్‌, మాళవిక మేనన్‌ కీలక పాత్రల్లో కనిపిస్తారు. పాత్ర నిడివి తక్కువే అయినా.. స్మృతిగా విన్సీ అలోషియస్‌ అలరిస్తారు. కథాగమనంలో వచ్చే పాటలు పెద్దగా ఆకట్టుకోకపోయినా నేపథ్య సంగీతం వినసొంపుగా ఉంది. విజువల్స్‌ బాగున్నాయి. దీపు ప్రదీప్‌ రాసిన విభిన్న కథను తెరకెక్కించడంలో దర్శకుడు సెన్నా హెగ్డే విజయం సాధించారు (Padmini Review).

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గమనిక: ఈనాడు.నెట్‌లో కనిపించే వ్యాపార ప్రకటనలు వివిధ దేశాల్లోని వ్యాపారస్తులు, సంస్థల నుంచి వస్తాయి. కొన్ని ప్రకటనలు పాఠకుల అభిరుచిననుసరించి కృత్రిమ మేధస్సుతో పంపబడతాయి. పాఠకులు తగిన జాగ్రత్త వహించి, ఉత్పత్తులు లేదా సేవల గురించి సముచిత విచారణ చేసి కొనుగోలు చేయాలి. ఆయా ఉత్పత్తులు / సేవల నాణ్యత లేదా లోపాలకు ఈనాడు యాజమాన్యం బాధ్యత వహించదు. ఈ విషయంలో ఉత్తర ప్రత్యుత్తరాలకి తావు లేదు.

రివ్యూ: లగ్గం.. కాబోయే అల్లుడి సాఫ్ట్‌వేర్‌ ఉద్యోగం పోతే?

రివ్యూ: దేవకీ నంద‌న వాసుదేవ‌.. మహేశ్‌బాబు మేనల్లుడి సినిమా ఎలా ఉందంటే?

రివ్యూ: జీబ్రా.. సత్యదేవ్‌, ధనంజయ క్రైమ్‌ థ్రిల్లర్‌ ఎలా ఉంది?

రివ్యూ: మెకానిక్‌ రాకీ.. విష్వక్‌సేన్‌ ఖాతాలో హిట్‌ పడిందా?

రూ.7 కోట్లతో సినిమా తీస్తే.. వసూళ్లు రూ.75 కోట్లు.. ‘కిష్కింద కాండం’ ఎలా ఉందంటే?

రివ్యూ: ‘నయనతార: బియాండ్‌ ది ఫెయిరీ టేల్‌’.. ఎలా ఉంది?

రివ్యూ: మట్కా.. వరుణ్‌ తేజ్‌ ఈ సినిమాతో హిట్‌ అందుకున్నారా?

రివ్యూ: కంగువా.. సూర్య కొత్త సినిమా ఎలా ఉందంటే..?

రివ్యూ: ది బకింగ్‌హామ్‌ మర్డర్స్‌.. డిటెక్టివ్‌గా కరీనా కపూర్‌ థ్రిల్‌ చేశారా?

రివ్యూ: అప్పుడో ఇప్పుడో ఎప్పుడో.. నిఖిల్‌ కొత్త మూవీ అలరించిందా?

రివ్యూ: సిటడెల్‌: హనీ బన్నీ.. సమంత, వరుణ్‌ధావన్‌ల స్పై థ్రిల్లర్‌ ఎలా ఉంది?

రివ్యూ: లబ్బర్‌ పందు.. కలిసి ఆడాలనుకున్న టీమ్‌తో పోటీ పడితే?

రివ్యూ: సింగం అగైన్‌.. రోహిత్‌శెట్టి రొటీన్‌ పచ్చడి..!

రివ్యూ: బఘీర.. కన్నడ యాక్షన్‌ థ్రిల్లర్‌ అలరించిందా?

రివ్యూ: అమరన్‌.. శివకార్తికేయన్‌ యాక్షన్‌ వార్‌ ఫిల్మ్‌ ఎలా ఉంది?

రివ్యూ: క.. కిరణ్‌ అబ్బవరం కొత్త మూవీ ఎలా ఉంది?

రివ్యూ: లక్కీ భాస్కర్‌.. దుల్కర్‌ సల్మాన్‌ ఖాతాలో హిట్‌ పడిందా?

రివ్యూ: ఐందామ్‌ వేదం.. ఈ మైథలాజికల్‌ థ్రిల్లర్‌ సిరీస్‌ ఎలా ఉందంటే?

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Padmini movie review: This Kunchacko Boban film had the potential to scale heights, but it chose not to

Despite starting off strongly, padmini, helmed by senna hegde and starring kunchacko boban, aparna balamurali, madonna sebastian and vincy aloshious in the lead roles, descends into a disappointingly convenient ending..

Kunchacko Boban’s presence in a romantic film has the magical ability to transport Malayalees back to their youthful days, immersing them in a whirlwind of love. While some may find the comparison a bit exaggerated, a deeper reflection reveals that the actor holds a similar position in Malayalam romantic cinema as Shah Rukh Khan does in Bollywood. Both of them have aged gracefully and despite their numerous appearances in such movies, fans always crave more.

Consequently, Kunchacko ‘s arrival with a romance film, after a considerable period of time, stirred up enough anticipation to maintain the excitement surrounding Padmini. The hype escalated further when news spread that the film was being directed by none other than Senna Hegde , renowned for making the groundbreaking Thinkalazhcha Nishchayam (2021). But, did it meet the expectations? Let’s see…

Without wasting any time, Padmini skillfully immerses the audience into its narrative, even before introducing the characters. While displaying the names of the crew members on-screen, the viewers are greeted with background dialogues from various characters discussing Rameshan’s wedding. Soon, we are introduced to Rameshan (Kunchacko Boban), a college lecturer-cum-poet, who just tied the knot with Smrithy (Vincy Aloshious), and they are preparing for their first night together. However, tragedy strikes when Smrithy elopes with her boyfriend on the very same night, leaving Rameshan as a silent witness to the event.

Without delay, we are transported two years into the future, where Rameshan continues to remain unmarried despite his strong desire to find a life partner. He resides with his mother (Seema G Nair) and brother (Ganapathi). Rameshan embarks on a quest for a bride with the assistance of his friend (Anand Manmadhan). His efforts lead him to meet Sreedevi (Aparna Balamurali). However, due to unforeseen circumstances, their connection fails to take off. It is during this time that Rameshan crosses paths with Padmini (Madonna Sebastian), a guest lecturer who recently joined his college. Love blossoms between them, and they decide to get married. However, as they proceed with their plans, another significant obstacle arises, causing a fresh dilemma for Rameshan. The remainder of the film revolves around Rameshan’s journey to disentangle himself from this newfound challenge.

Right from the start, Padmini consistently delivers plenty of laughter-inducing moments in a manner that reflects Senna Hegde’s naturalistic style, without forcing the jokes into the storyline. By skillfully utilising situations that naturally arise within the narrative and incorporating humour that aligns with these scenarios, Padmini maintains an authentic approach without deviating from its intended path.

In Padmini, despite featuring a star-studded cast, which differs from Senna’s previous works, the director has intentionally avoided incorporating elements that align with the established image of these talented actors. Even in the case of Kunchacko Boban, while effectively leveraging his romantic hero persona, the maker has tried to not include too many nostalgic reminders of the thespian’s past movies, though there are a few in that regard. The director has also skillfully ensured that the scenes in Padmini possess a refreshing quality, distinct from the usual tropes found in Malayalam romantic comedies.

While Deepu Pradeep’s script in Padmini offers ample moments to tickle the viewers’ funny bones and provides an enjoyable viewing experience, the narrative, unfortunately, falters towards the end, concluding abruptly. Despite the buildup towards a potentially intriguing climax, the film’s conclusion evokes a strong sense of déjà vu, reminiscent of Senna’s Thinkalazhcha Nishchayam, but not in a nostalgic manner. Instead, it feels more like a low-quality remake of the same. 

Furthermore, although the narrative skillfully depicts all characters as equally petty and desperate, the portrayal of women in Padmini, particularly those with brief appearances, aligns with the stereotype of women being nosy. This could have been easily avoided since these characters contribute nothing significant to the overall story. Additionally, a dialogue spoken by one of the characters that states, “ Ith chayakkada alla, paippin chuvadu aanu (This is not a tea shop, this looks like the surrounding of a public tap),” reeks of misogyny and elitism. If the filmmakers had exercised more caution and refrained from including such unnecessary moments and seemingly harmless quips, Padmini would have shone brighter despite its disappointing descent towards the end.

On the performance front, Kunchacko Boban undeniably steals hearts with his overwhelming cuteness and the way he handles humour with subtlety and composure. This is a notable contrast to his previous over-the-top comedic performances in films like Mallu Singh, Three Kings, and 101 Weddings, demonstrating his growth as an actor in every aspect. Simultaneously, he seldom compromises on effectively portraying the emotional turmoil experienced by his character.

However, it is Sajin Cherukayil’s portrayal of the extremely possessive yet foolish “Raareeram” Jayan that lingers in the minds of viewers even after the film ends. His ability to navigate comedy, seamlessly transitioning between natural and exaggerated depictions as required, continues to impress. Likewise, Vincy Aloshious’ performance as Smrithy shines despite her limited screen time, leaving a strong impression. Anand Manmadhan also delivers a commendable performance, showcasing his value as a supporting actor with his effortless portrayal. Aparna Balamurali excels in her role as the ultra-romantic family lawyer, showcasing her talent. However, unfortunately, Madonna Sebastian fails to make an impression here.

While cinematographer Sreeraj Raveendran has done a commendable job, despite limited opportunities to showcase the full range of a DOP’s skills, editor Manu Antony also deserves praise for his contribution. However, it is music director Jakes Bejoy who stands out among the technicians, hitting it out of the park with his captivating tracks that seamlessly align with the film’s narrative and bring a refreshing quality to it.

In short, While Padmini had the potential to be a soothing and feel-good romantic comedy, the film, which started off strongly, unfortunately, descends into a disappointingly convenient ending, preventing it from reaching its full potential and soaring to greater heights.

Padmini movie cast: Kunchacko Boban, Aparna Balamurali, Madonna Sebastian, Vincy Aloshious, Sajin Cherukayil, Anand Manmadhan Padmini movie director: Senna Hegde Padmini movie rating: 3 stars

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Anandu Suresh is a Senior sub-editor at Indian Express Online. He specialises in Malayalam cinema, but doesn't limit himself to it and explores various aspects of the art form. He also pens a column titled Cinema Anatomy, where he delves extensively into the diverse layers and dimensions of cinema, aiming to uncover deeper meanings and foster continuous discourse. Anandu previously worked with The New Indian Express' news desk in Hyderabad, Telangana. You can follow him on Twitter @anandu_suresh_ and write (or send movie recommendations) to him at [email protected]. ... Read More

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Home » Review » Padmini movie review: Kunchacko Boban and team are delightful in this charming film, blotted only by a terse final act »

Padmini movie review: Kunchacko Boban and team are delightful in this charming film, blotted only by a terse final act

The first hour of Padmini will have the viewer smiling throughout, thanks to Kunchacko Boban and others’ lovely performances

• Sanjith Sidhardhan

Last Updated: 04.34 PM, Jul 14, 2023

Story: Two years after an embarrassing incident that made him the butt of all jokes, to move on, college lecturer Rameshan must revisit people he had left behind and some who left him behind.

Review: Though most of the Malayalam audience might have only got to see two of Senna Hegde’s movies – Thinkalazhcha Nishchyam and 1744 White Alto, by now, you have a fair idea of what to expect when the filmmaker is at the helm, at least in terms of humour. Padmini is also bolstered – in terms of commercial appeal and cast – with a script by Kunjiramayanam writer Deepu Pradeep, and the resultant light-hearted film benefits from all these aspects.

To start off, it’s a welcome comeback for Kunchacko Boban to his ‘chocolate boy’ roots; not exactly as a romantic-hero, but someone with all the love to give but just he can’t seem to find the right person to give it to. And even when he does, the hurdles make it tougher. Seena and Deepu have also peppered the film with references from the actor’s romcom days in the most subtle of manner, be it exchanging of a letter in a library setting, the dance moves or even the song from Kalyanaraman.

Also read: Kunchacko Boban: I used to read Padmini’s script to relax when I was emotionally drained during Ariyippu’s shoot  

The plot is simple. Two years lafter an embarasing incident, Rameshan’s (Kunchacko) life crosses paths with two other women. To move on from a heartbreak he had experienced that also made him the butt of all jokes, he must retrace the people he has tried to leave behind.

How the makers set up the protagonist’s plight and his present in the first half is what makes Padmini, one of the most charming Malayalam films this year. The first hour will have the viewer smiling throughout and that’s not just because of Kunchacko’s lovely performance, but also those of the other characters and their subplots.

For instance, as Aparna Balamurali’s character Sridevi gets ready to see a prospective groom, for whom it’s his second marriage, her mother tells her that at 32 years of age, she shouldn’t have a sky-high criterion of a romantic man, who would suffocate her with love and surprises. Sridevi’s retort is plain and simple, a reminder to the situation of her mother who has been living with her husband for years now, ‘Where is the husband you had married when you were just 18?’

The subplot between Sajin Cherukayil’s hilarious mattress entrepreneur and his prospective bride also adds to the joy element in the movie, which emanates with positive vibes from all of its characters including Madonna Sebastian, Vincy Aloshius and Anand Manmadhan. The film is breezy, but at the same time, it ensures that we feel and cheer for Rameshan. In a scene, you would smile when he smiles after hearing the name that annoyed him the hell out of him, also becomes the reason for him to overcome that shock.

Where the movie does take a predictable route is when Rameshan has to face a predicament. How the characters go about this, though has its moments and changes the relationship dynamics, it doesn’t quite sustain the momentum that the first half had going for it. The abrupt final act also leaves much to be desired.

Kunchacko seems to be so much at ease with Rameshan and that’s why he manages to hook the audience from the very beginning. It’s also a fun outing for Aparna, Vincy and Madonna, who is a refreshing casting choice in the role. Sajin adds to the humour element of the film and is becoming a natural choice to take over the comedian mantle in Malayalam cinema now.

That said, the duration of the movie, which is just two hours long, very few would walk out of theatres unsatisfied. Jakes Bejoy’s music and Sreeraj Raveendran’s soothing visuals, along with the work of the costume department, give it the sunny treatment it warranted to complete the magic.

Verdict: Boosted by Kunchacko Boban, Aparna Balamurali, Madonna Sebastian and Sajin Cherukayil’s performances, Senna Hegde’s Padmini is a definitely one of the best feel-good movies in Malayalam this year, in spite of its terse ending.

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