difference between creative writing & narrative

Creative Writing

• Icon Calendar 18 May 2024
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Many people think that creative writing and narrative does not mean the same type of paper. However, even if these writings cover different aspects, they cannot exist without each other. It is because both writings require people to use their thoughts and ideas. Also, they do not need to follow a specific structure. In this case, people cannot write interesting narratives if they do not have creative approaches to represent their stories. Thus, creative writing and narrative shape the story and make it interesting for reading.

General Aspects

Because writing is a valuable exercise, it helps people to express their ideas and thoughts. Basically, there are different types of papers in writing. Also, it includes imagery, narrative, and drama. The level of creativity makes these forms of writing unique. In creative writing, people use artistic expression and draw on imagination to express meaning through descriptions, narratives, and performance. Besides, creative writing included different genres, like poetry, fiction, scripts, screenplay, and non-fiction narratives. In turn, people give their life experiences through narrative writing. Thus, a comparison between the two types of writing reveals that they are not different because creativity makes narratives exciting and unique.

Narrative Writing

Narrative writing is a formal peace that recounts a story from a real-life experience. For example, an author can give an account of a motivating experience in his or her life (Roy, 2012). In this case, the author makes a clear description of the experience. Besides, the person may include other characters or objects present during the encounter. Basically, narrative writing should define a story with main characters who take part in various events. Main characters in a tale engage in stimulating, significant, or entertaining experiences. Hence, people give a concise description of events in narrative writing to attract the attention of the audience.

Writing and Creativity

Creative narratives attract the audience’s attention to read through the story. For example, a writer chooses an interesting topic or experience to narrate (Roy, 2012). In this case, the heading and introduction of a narrative should be attractive. Besides, the structure of the narrative should have a good flow of ideas. Hence, the creativity level of a writer determines its quality. The opinions and tone used in a narrative should show the uniqueness of the author. Along these lines, creative writing relies on ingenious ideas. Through creativity, an author of a narrative progresses to use unusual conventions, word choice, and sentence fluency (Roy, 2012). The claim above suggests that creative writing is crucial in narratives. Writers meet the needs of the audience through ingenious ideas and styles of presentation. In consequence, an author should rely on creative writing when giving a narrative.

The Connection Between Creative and Narrative Writing

Creative writing makes narratives unique and outstanding. For example, different people can narrate a single event in various exciting ways (Roy, 2012). Basically, the levels of creativity of an author determine the uniqueness of a story. The distinctiveness of a narrative makes it one of its kind. Moreover, the authors make tales unique through character development. An author imagines and portrays characters in a way that appears real to the audience. In this case, creative writing requires an author to provide enough details of events. Thus, creative writing helps to make narratives unique.   

Conclusion on Creative Writing

In conclusion, creative writing makes narratives thought-provoking and unique. Compelling narratives attract the reader’s attention. In this case, the structure of a narrative should encourage the audience to keep reading through a story. Besides, creative writing makes tales unique and outstanding. Through creativity, different writers can give a recount of a single event in diverse and appealing ways. Good narratives require high levels of creativity. Therefore, creative writing is not different from narratives.

Roy, J. (2012). Sharpen your story or narrative writing skills . Berkeley Heights, NJ: Enslow.

Narrative Writing: A Complete Guide for Teachers and Students

MASTERING THE CRAFT OF NARRATIVE WRITING

Narratives build on and encourage the development of the fundamentals of writing. They also require developing an additional skill set: the ability to tell a good yarn, and storytelling is as old as humanity.

We see and hear stories everywhere and daily, from having good gossip on the doorstep with a neighbor in the morning to the dramas that fill our screens in the evening.

Good narrative writing skills are hard-won by students even though it is an area of writing that most enjoy due to the creativity and freedom it offers.

Here we will explore some of the main elements of a good story: plot, setting, characters, conflict, climax, and resolution . And we will look too at how best we can help our students understand these elements, both in isolation and how they mesh together as a whole.

WHAT IS A NARRATIVE?

A narrative is a story that shares a sequence of events , characters, and themes. It expresses experiences, ideas, and perspectives that should aspire to engage and inspire an audience.

A narrative can spark emotion, encourage reflection, and convey meaning when done well.

Narratives are a popular genre for students and teachers as they allow the writer to share their imagination, creativity, skill, and understanding of nearly all elements of writing.  We occasionally refer to a narrative as ‘creative writing’ or story writing.

The purpose of a narrative is simple, to tell the audience a story.  It can be written to motivate, educate, or entertain and can be fact or fiction.

A COMPLETE UNIT ON TEACHING NARRATIVE WRITING

Teach your students to become skilled story writers with this HUGE   NARRATIVE & CREATIVE STORY WRITING UNIT . Offering a  COMPLETE SOLUTION  to teaching students how to craft  CREATIVE CHARACTERS, SUPERB SETTINGS, and PERFECT PLOTS .

Over 192 PAGES of materials, including:

TYPES OF NARRATIVE WRITING

There are many narrative writing genres and sub-genres such as these.

We have a complete guide to writing a personal narrative that differs from the traditional story-based narrative covered in this guide. It includes personal narrative writing prompts, resources, and examples and can be found here.

As we can see, narratives are an open-ended form of writing that allows you to showcase creativity in many directions. However, all narratives share a common set of features and structure known as “Story Elements”, which are briefly covered in this guide.

Don’t overlook the importance of understanding story elements and the value this adds to you as a writer who can dissect and create grand narratives. We also have an in-depth guide to understanding story elements here .

CHARACTERISTICS OF NARRATIVE WRITING

Narrative structure.

ORIENTATION (BEGINNING) Set the scene by introducing your characters, setting and time of the story. Establish your who, when and where in this part of your narrative

COMPLICATION AND EVENTS (MIDDLE) In this section activities and events involving your main characters are expanded upon. These events are written in a cohesive and fluent sequence.

RESOLUTION (ENDING) Your complication is resolved in this section. It does not have to be a happy outcome, however.

EXTRAS: Whilst orientation, complication and resolution are the agreed norms for a narrative, there are numerous examples of popular texts that did not explicitly follow this path exactly.

NARRATIVE FEATURES

LANGUAGE: Use descriptive and figurative language to paint images inside your audience’s minds as they read.

PERSPECTIVE Narratives can be written from any perspective but are most commonly written in first or third person.

DIALOGUE Narratives frequently switch from narrator to first-person dialogue. Always use speech marks when writing dialogue.

TENSE If you change tense, make it perfectly clear to your audience what is happening. Flashbacks might work well in your mind but make sure they translate to your audience.

THE PLOT MAP

This graphic is known as a plot map, and nearly all narratives fit this structure in one way or another, whether romance novels, science fiction or otherwise.

It is a simple tool that helps you understand and organise a story’s events. Think of it as a roadmap that outlines the journey of your characters and the events that unfold. It outlines the different stops along the way, such as the introduction, rising action, climax, falling action, and resolution, that help you to see how the story builds and develops.

Using a plot map, you can see how each event fits into the larger picture and how the different parts of the story work together to create meaning. It’s a great way to visualize and analyze a story.

Be sure to refer to a plot map when planning a story, as it has all the essential elements of a great story.

THE 5 KEY STORY ELEMENTS OF A GREAT NARRATIVE (6-MINUTE TUTORIAL VIDEO)

This video we created provides an excellent overview of these elements and demonstrates them in action in stories we all know and love.

HOW TO WRITE A NARRATIVE

Now that we understand the story elements and how they come together to form stories, it’s time to start planning and writing your narrative.

In many cases, the template and guide below will provide enough details on how to craft a great story. However, if you still need assistance with the fundamentals of writing, such as sentence structure, paragraphs and using correct grammar, we have some excellent guides on those here.

USE YOUR WRITING TIME EFFECTIVELY: Maximize your narrative writing sessions by spending approximately 20 per cent of your time planning and preparing.  This ensures greater productivity during your writing time and keeps you focused and on task.

Use tools such as graphic organizers to logically sequence your narrative if you are not a confident story writer.  If you are working with reluctant writers, try using narrative writing prompts to get their creative juices flowing.

Spend most of your writing hour on the task at hand, don’t get too side-tracked editing during this time and leave some time for editing. When editing a  narrative, examine it for these three elements.

• Spelling and grammar ( Is it readable?)
• Story structure and continuity ( Does it make sense, and does it flow? )
• Character and plot analysis. (Are your characters engaging? Does your problem/resolution work? )

1. SETTING THE SCENE: THE WHERE AND THE WHEN

The story’s setting often answers two of the central questions in the story, namely, the where and the when. The answers to these two crucial questions will often be informed by the type of story the student is writing.

The story’s setting can be chosen to quickly orient the reader to the type of story they are reading. For example, a fictional narrative writing piece such as a horror story will often begin with a description of a haunted house on a hill or an abandoned asylum in the middle of the woods. If we start our story on a rocket ship hurtling through the cosmos on its space voyage to the Alpha Centauri star system, we can be reasonably sure that the story we are embarking on is a work of science fiction.

Such conventions are well-worn clichés true, but they can be helpful starting points for our novice novelists to make a start.

Having students choose an appropriate setting for the type of story they wish to write is an excellent exercise for our younger students. It leads naturally onto the next stage of story writing, which is creating suitable characters to populate this fictional world they have created. However, older or more advanced students may wish to play with the expectations of appropriate settings for their story. They may wish to do this for comic effect or in the interest of creating a more original story. For example, opening a story with a children’s birthday party does not usually set up the expectation of a horror story. Indeed, it may even lure the reader into a happy reverie as they remember their own happy birthday parties. This leaves them more vulnerable to the surprise element of the shocking action that lies ahead.

Once the students have chosen a setting for their story, they need to start writing. Little can be more terrifying to English students than the blank page and its bare whiteness stretching before them on the table like a merciless desert they must cross. Give them the kick-start they need by offering support through word banks or writing prompts. If the class is all writing a story based on the same theme, you may wish to compile a common word bank on the whiteboard as a prewriting activity. Write the central theme or genre in the middle of the board. Have students suggest words or phrases related to the theme and list them on the board.

You may wish to provide students with a copy of various writing prompts to get them started. While this may mean that many students’ stories will have the same beginning, they will most likely arrive at dramatically different endings via dramatically different routes.

A bargain is at the centre of the relationship between the writer and the reader. That bargain is that the reader promises to suspend their disbelief as long as the writer creates a consistent and convincing fictional reality. Creating a believable world for the fictional characters to inhabit requires the student to draw on convincing details. The best way of doing this is through writing that appeals to the senses. Have your student reflect deeply on the world that they are creating. What does it look like? Sound like? What does the food taste like there? How does it feel like to walk those imaginary streets, and what aromas beguile the nose as the main character winds their way through that conjured market?

Also, Consider the when; or the time period. Is it a future world where things are cleaner and more antiseptic? Or is it an overcrowded 16th-century London with human waste stinking up the streets? If students can create a multi-sensory installation in the reader’s mind, then they have done this part of their job well.

Popular Settings from Children’s Literature and Storytelling

• Fairytale Kingdom
• Magical Forest
• Village/town
• Underwater world
• Space/Alien planet

2. CASTING THE CHARACTERS: THE WHO

Now that your student has created a believable world, it is time to populate it with believable characters.

In short stories, these worlds mustn’t be overpopulated beyond what the student’s skill level can manage. Short stories usually only require one main character and a few secondary ones. Think of the short story more as a small-scale dramatic production in an intimate local theater than a Hollywood blockbuster on a grand scale. Too many characters will only confuse and become unwieldy with a canvas this size. Keep it simple!

Creating believable characters is often one of the most challenging aspects of narrative writing for students. Fortunately, we can do a few things to help students here. Sometimes it is helpful for students to model their characters on actual people they know. This can make things a little less daunting and taxing on the imagination. However, whether or not this is the case, writing brief background bios or descriptions of characters’ physical personality characteristics can be a beneficial prewriting activity. Students should give some in-depth consideration to the details of who their character is: How do they walk? What do they look like? Do they have any distinguishing features? A crooked nose? A limp? Bad breath? Small details such as these bring life and, therefore, believability to characters. Students can even cut pictures from magazines to put a face to their character and allow their imaginations to fill in the rest of the details.

Younger students will often dictate to the reader the nature of their characters. To improve their writing craft, students must know when to switch from story-telling mode to story-showing mode. This is particularly true when it comes to character. Encourage students to reveal their character’s personality through what they do rather than merely by lecturing the reader on the faults and virtues of the character’s personality. It might be a small relayed detail in the way they walk that reveals a core characteristic. For example, a character who walks with their head hanging low and shoulders hunched while avoiding eye contact has been revealed to be timid without the word once being mentioned. This is a much more artistic and well-crafted way of doing things and is less irritating for the reader. A character who sits down at the family dinner table immediately snatches up his fork and starts stuffing roast potatoes into his mouth before anyone else has even managed to sit down has revealed a tendency towards greed or gluttony.

Understanding Character Traits

Again, there is room here for some fun and profitable prewriting activities. Give students a list of character traits and have them describe a character doing something that reveals that trait without ever employing the word itself.

It is also essential to avoid adjective stuffing here. When looking at students’ early drafts, adjective stuffing is often apparent. To train the student out of this habit, choose an adjective and have the student rewrite the sentence to express this adjective through action rather than telling.

When writing a story, it is vital to consider the character’s traits and how they will impact the story’s events. For example, a character with a strong trait of determination may be more likely to overcome obstacles and persevere. In contrast, a character with a tendency towards laziness may struggle to achieve their goals. In short, character traits add realism, depth, and meaning to a story, making it more engaging and memorable for the reader.

Popular Character Traits in Children’s Stories

• Determination
• Imagination
• Perseverance
• Responsibility

We have an in-depth guide to creating great characters here , but most students should be fine to move on to planning their conflict and resolution.

3. NO PROBLEM? NO STORY! HOW CONFLICT DRIVES A NARRATIVE

This is often the area apprentice writers have the most difficulty with. Students must understand that without a problem or conflict, there is no story. The problem is the driving force of the action. Usually, in a short story, the problem will center around what the primary character wants to happen or, indeed, wants not to happen. It is the hurdle that must be overcome. It is in the struggle to overcome this hurdle that events happen.

Often when a student understands the need for a problem in a story, their completed work will still not be successful. This is because, often in life, problems remain unsolved. Hurdles are not always successfully overcome. Students pick up on this.

We often discuss problems with friends that will never be satisfactorily resolved one way or the other, and we accept this as a part of life. This is not usually the case with writing a story. Whether a character successfully overcomes his or her problem or is decidedly crushed in the process of trying is not as important as the fact that it will finally be resolved one way or the other.

A good practical exercise for students to get to grips with this is to provide copies of stories and have them identify the central problem or conflict in each through discussion. Familiar fables or fairy tales such as Three Little Pigs, The Boy Who Cried Wolf, Cinderella, etc., are great for this.

While it is true that stories often have more than one problem or that the hero or heroine is unsuccessful in their first attempt to solve a central problem, for beginning students and intermediate students, it is best to focus on a single problem, especially given the scope of story writing at this level. Over time students will develop their abilities to handle more complex plots and write accordingly.

Popular Conflicts found in Children’s Storytelling.

• Good vs evil
• Individual vs society
• Nature vs nurture
• Self vs others
• Man vs self
• Man vs nature
• Man vs technology
• Individual vs fate
• Self vs destiny

Conflict is the heart and soul of any good story. It’s what makes a story compelling and drives the plot forward. Without conflict, there is no story. Every great story has a struggle or a problem that needs to be solved, and that’s where conflict comes in. Conflict is what makes a story exciting and keeps the reader engaged. It creates tension and suspense and makes the reader care about the outcome.

Like in real life, conflict in a story is an opportunity for a character’s growth and transformation. It’s a chance for them to learn and evolve, making a story great. So next time stories are written in the classroom, remember that conflict is an essential ingredient, and without it, your story will lack the energy, excitement, and meaning that makes it truly memorable.

4. THE NARRATIVE CLIMAX: HOW THINGS COME TO A HEAD!

The climax of the story is the dramatic high point of the action. It is also when the struggles kicked off by the problem come to a head. The climax will ultimately decide whether the story will have a happy or tragic ending. In the climax, two opposing forces duke things out until the bitter (or sweet!) end. One force ultimately emerges triumphant. As the action builds throughout the story, suspense increases as the reader wonders which of these forces will win out. The climax is the release of this suspense.

Much of the success of the climax depends on how well the other elements of the story have been achieved. If the student has created a well-drawn and believable character that the reader can identify with and feel for, then the climax will be more powerful.

The nature of the problem is also essential as it determines what’s at stake in the climax. The problem must matter dearly to the main character if it matters at all to the reader.

Have students engage in discussions about their favorite movies and books. Have them think about the storyline and decide the most exciting parts. What was at stake at these moments? What happened in your body as you read or watched? Did you breathe faster? Or grip the cushion hard? Did your heart rate increase, or did you start to sweat? This is what a good climax does and what our students should strive to do in their stories.

The climax puts it all on the line and rolls the dice. Let the chips fall where the writer may…

Popular Climax themes in Children’s Stories

• A battle between good and evil
• The character’s bravery saves the day
• Character faces their fears and overcomes them
• The character solves a mystery or puzzle.
• The character stands up for what is right.
• Character reaches their goal or dream.
• The character learns a valuable lesson.
• The character makes a selfless sacrifice.
• The character makes a difficult decision.
• The character reunites with loved ones or finds true friendship.

5. RESOLUTION: TYING UP LOOSE ENDS

After the climactic action, a few questions will often remain unresolved for the reader, even if all the conflict has been resolved. The resolution is where those lingering questions will be answered. The resolution in a short story may only be a brief paragraph or two. But, in most cases, it will still be necessary to include an ending immediately after the climax can feel too abrupt and leave the reader feeling unfulfilled.

An easy way to explain resolution to students struggling to grasp the concept is to point to the traditional resolution of fairy tales, the “And they all lived happily ever after” ending. This weather forecast for the future allows the reader to take their leave. Have the student consider the emotions they want to leave the reader with when crafting their resolution.

While the action is usually complete by the end of the climax, it is in the resolution that if there is a twist to be found, it will appear – think of movies such as The Usual Suspects. Pulling this off convincingly usually requires considerable skill from a student writer. Still, it may well form a challenging extension exercise for those more gifted storytellers among your students.

Popular Resolutions in Children’s Stories

• Our hero achieves their goal
• The character learns a valuable lesson
• A character finds happiness or inner peace.
• The character reunites with loved ones.
• Character restores balance to the world.
• The character discovers their true identity.
• Character changes for the better.
• The character gains wisdom or understanding.
• Character makes amends with others.
• The character learns to appreciate what they have.

Once students have completed their story, they can edit for grammar, vocabulary choice, spelling, etc., but not before!

As mentioned, there is a craft to storytelling, as well as an art. When accurate grammar, perfect spelling, and immaculate sentence structures are pushed at the outset, they can cause storytelling paralysis. For this reason, it is essential that when we encourage the students to write a story, we give them license to make mechanical mistakes in their use of language that they can work on and fix later.

Good narrative writing is a very complex skill to develop and will take the student years to become competent. It challenges not only the student’s technical abilities with language but also her creative faculties. Writing frames, word banks, mind maps, and visual prompts can all give valuable support as students develop the wide-ranging and challenging skills required to produce a successful narrative writing piece. But, at the end of it all, as with any craft, practice and more practice is at the heart of the matter.

TIPS FOR WRITING A GREAT NARRATIVE

• Start your story with a clear purpose: If you can determine the theme or message you want to convey in your narrative before starting it will make the writing process so much simpler.
• Choose a compelling storyline and sell it through great characters, setting and plot: Consider a unique or interesting story that captures the reader’s attention, then build the world and characters around it.
• Develop vivid characters that are not all the same: Make your characters relatable and memorable by giving them distinct personalities and traits you can draw upon in the plot.
• Use descriptive language to hook your audience into your story: Use sensory language to paint vivid images and sequences in the reader’s mind.
• Show, don’t tell your audience: Use actions, thoughts, and dialogue to reveal character motivations and emotions through storytelling.
• Create a vivid setting that is clear to your audience before getting too far into the plot: Describe the time and place of your story to immerse the reader fully.
• Build tension: Refer to the story map earlier in this article and use conflict, obstacles, and suspense to keep the audience engaged and invested in your narrative.
• Use figurative language such as metaphors, similes, and other literary devices to add depth and meaning to your narrative.
• Edit, revise, and refine: Take the time to refine and polish your writing for clarity and impact.
• Stay true to your voice: Maintain your unique perspective and style in your writing to make it your own.

NARRATIVE WRITING EXAMPLES (Student Writing Samples)

Below are a collection of student writing samples of narratives.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to read these creative stories in detail and the teacher and student guides which highlight some of the critical elements of narratives to consider before writing.

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of story writing.

We recommend reading the example either a year above or below, as well as the grade you are currently working with, to gain a broader appreciation of this text type.

NARRATIVE WRITING PROMPTS (Journal Prompts)

When students have a great journal prompt, it can help them focus on the task at hand, so be sure to view our vast collection of visual writing prompts for various text types here or use some of these.

• On a recent European trip, you find your travel group booked into the stunning and mysterious Castle Frankenfurter for a single night…  As night falls, the massive castle of over one hundred rooms seems to creak and groan as a series of unexplained events begin to make you wonder who or what else is spending the evening with you. Write a narrative that tells the story of your evening.
• You are a famous adventurer who has discovered new lands; keep a travel log over a period of time in which you encounter new and exciting adventures and challenges to overcome.  Ensure your travel journal tells a story and has a definite introduction, conflict and resolution.
• You create an incredible piece of technology that has the capacity to change the world.  As you sit back and marvel at your innovation and the endless possibilities ahead of you, it becomes apparent there are a few problems you didn’t really consider. You might not even be able to control them.  Write a narrative in which you ride the highs and lows of your world-changing creation with a clear introduction, conflict and resolution.
• As the final door shuts on the Megamall, you realise you have done it…  You and your best friend have managed to sneak into the largest shopping centre in town and have the entire place to yourselves until 7 am tomorrow.  There is literally everything and anything a child would dream of entertaining themselves for the next 12 hours.  What amazing adventures await you?  What might go wrong?  And how will you get out of there scot-free?
• A stranger walks into town…  Whilst appearing similar to almost all those around you, you get a sense that this person is from another time, space or dimension… Are they friends or foes?  What makes you sense something very strange is going on?   Suddenly they stand up and walk toward you with purpose extending their hand… It’s almost as if they were reading your mind.

NARRATIVE WRITING VIDEO TUTORIAL

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

When teaching narrative writing, it is essential that you have a range of tools, strategies and resources at your disposal to ensure you get the most out of your writing time.  You can find some examples below, which are free and paid premium resources you can use instantly without any preparation.

FREE Narrative Graphic Organizer

THE STORY TELLERS BUNDLE OF TEACHING RESOURCES

A MASSIVE COLLECTION of resources for narratives and story writing in the classroom covering all elements of crafting amazing stories. MONTHS WORTH OF WRITING LESSONS AND RESOURCES, including:

NARRATIVE WRITING CHECKLIST BUNDLE

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• What Is Creative Writing? The ULTIMATE Guide!

At Oxford Royale Academy, we offer a range of summer school programmes that have become extremely popular amongst students of all ages. The subject of creative writing continues to intrigue many academics as it can help to develop a range of skills that will benefit you throughout your career and life.

Nevertheless, that initial question is one that continues to linger and be asked time and time again: what is creative writing? More specifically, what does it mean or encompass? How does creative writing differ from other styles of writing?

During our Oxford Summer School programme , we will provide you with in-depth an immersive educational experience on campus in the colleges of the best university in the world. However, in this guide, we want to provide a detailed analysis of everything to do with creative writing, helping you understand more about what it is and why it could benefit you to become a creative writer.

The best place to start is with a definition.

What is creative writing?

The dictionary definition of creative writing is that it is original writing that expresses ideas and thoughts in an imaginative way. [1] Some academics will also define it as the art of making things up, but both of these definitions are too simplistic in the grand scheme of things.

It’s challenging to settle on a concrete definition as creative writing can relate to so many different things and formats. Naturally, as the name suggests, it is all built around the idea of being creative or imaginative. It’s to do with using your brain and your own thoughts to create writing that goes outside the realms of what’s expected. This type of writing tends to be more unique as it comes from a personal place. Each individual has their own level of creativity, combined with their own thoughts and views on different things. Therefore, you can conjure up your own text and stories that could be completely different from others.

Understanding creative writing can be challenging when viewed on its own. Consequently, the best way to truly understand this medium is by exploring the other main forms of writing. From here, we can compare and contrast them with the art of creative writing, making it easier to find a definition or separate this form of writing from others.

What are the main forms of writing?

In modern society, we can identify five main types of writing styles [1] that will be used throughout daily life and a plethora of careers:

• Narrative Writing
• Descriptive Writing
• Persuasive Writing
• Expository Writing
• Creative Writing

Narrative writing refers to storytelling in its most basic form. Traditionally, this involves telling a story about a character and walking the readers through the journey they go on. It can be a long novel or a short story that’s only a few hundred words long. There are no rules on length, and it can be completely true or a work of fiction.

A fundamental aspect of narrative writing that makes it different from other forms is that it should includes the key elements of storytelling. As per UX Planet, there are seven core elements of a good story or narrative [2] : the plot, characters, theme, dialogue, melody, decor and spectacle. Narrative writing will include all of these elements to take the ready on a journey that starts at the beginning, has a middle point, but always comes to a conclusion. This style of writing is typically used when writing stories, presenting anecdotes about your life, creating presentations or speeches and for some academic essays.

Descriptive writing, on the other hand, is more focused on the details. When this type of writing is used, it’s focused on capturing the reader’s attention and making them feel like they are part of the story. You want them to live and feel every element of a scene, so they can close their eyes and be whisked away to whatever place or setting you describe.

In many ways, descriptive writing is writing as an art form. Good writers can be given a blank canvas, using their words to paint a picture for the audience. There’s a firm focus on the five senses all humans have; sight, smell, touch, sound and taste. Descriptive writing touches on all of these senses to tell the reader everything they need to know and imagine about a particular scene.

This is also a style of writing that makes good use of both similes and metaphors. A simile is used to describe something as something else, while a metaphor is used to show that something is something else. There’s a subtle difference between the two, but they both aid descriptive writing immensely. According to many writing experts, similes and metaphors allow an author to emphasise, exaggerate, and add interest to a story to create a more vivid picture for the reader [3] .

Looking at persuasive writing and we have a form of writing that’s all about making yourself heard. You have an opinion that you want to get across to the reader, convincing them of it. The key is to persuade others to think differently, often helping them broaden their mind or see things from another point of view. This is often confused with something called opinionative writing, which is all about providing your opinions. While the two seem similar, the key difference is that persuasive writing is built around the idea of submitting evidence and backing your thoughts up. It’s not as simple as stating your opinion for other to read; no, you want to persuade them that your thoughts are worth listening to and perhaps worth acting on.

This style of writing is commonly used journalistically in news articles and other pieces designed to shine a light on certain issues or opinions. It is also typically backed up with statistical evidence to give more weight to your opinions and can be a very technical form of writing that’s not overly emotional.

Expository writing is more focused on teaching readers new things. If we look at its name, we can take the word exposure from it. According to Merriam-Webster [4] , one of the many definitions of exposure is to reveal something to others or present them with something they otherwise didn’t know. In terms of writing, it can refer to the act of revealing new information to others or exposing them to new ideas.

Effectively, expository writing focuses on the goal of leaving the reader with new knowledge of a certain topic or subject. Again, it is predominately seen in journalistic formats, such as explainer articles or ‘how-to’ blogs. Furthermore, you also come across it in academic textbooks or business writing.

This brings us back to the centre of attention for this guide: what is creative writing?

Interestingly, creative writing is often seen as the style of writing that combines many of these forms together in one go. Narrative writing can be seen as creative writing as you are coming up with a story to keep readers engaged, telling a tale for them to enjoy or learn from. Descriptive writing is very much a key part of creative writing as you are using your imagination and creative skills to come up with detailed descriptions that transport the reader out of their home and into a different place.

Creative writing can even use persuasive writing styles in some formats. Many writers will combine persuasive writing with a narrative structure to come up with a creative way of telling a story to educate readers and provide new opinions for them to view or be convinced of. Expository writing can also be involved here, using creativity and your imagination to answer questions or provide advice to the reader.

Essentially, creative writing can combine other writing types to create a unique and new way of telling a story or producing content. At the same time, it can include absolutely none of the other forms at all. The whole purpose of creative writing is to think outside the box and stray from traditional structures and norms. Fundamentally, we can say there are no real rules when it comes to creative writing, which is what makes it different from the other writing styles discussed above.

What is the purpose of creative writing?

Another way to understand and explore the idea of creative writing is to look at its purpose. What is the aim of most creative works of writing? What do they hope to provide the reader with?

We can look at the words of Bryanna Licciardi, an experienced creative writing tutor, to understand the purpose of creative writing. She writes that the primary purpose is to entertain and share human experiences, like love or loss. Writers attempt to reveal the truth with regard to humanity through poetics and storytelling. [5] She also goes on to add that the first step of creative writing is to use one’s imagination.

When students sign up to our creative writing courses, we will teach them how to write with this purpose. Your goal is to create stories or writing for readers that entertain them while also providing information that can have an impact on their lives. It’s about influencing readers through creative storytelling that calls upon your imagination and uses the thoughts inside your head. The deeper you dive into the art of creative writing, the more complex it can be. This is largely because it can be expressed in so many different formats. When you think of creative writing, your instinct takes you to stories and novels. Indeed, these are both key forms of creative writing that we see all the time. However, there are many other forms of creative writing that are expressed throughout the world.

What are the different forms of creative writing?

Looking back at the original and simple definition of creative writing, it relates to original writing in a creative and imaginative way. Consequently, this can span across so many genres and types of writing that differ greatly from one another. This section will explore and analyse the different types of creative writing, displaying just how diverse this writing style can be – while also showcasing just what you’re capable of when you learn how to be a creative writer.

The majority of students will first come across creative writing in the form of essays . The point of an essay is to present a coherent argument in response to a stimulus or question. [6] In essence, you are persuading the reader that your answer to the question is correct. Thus, creative writing is required to get your point across as coherently as possible, while also using great descriptive writing skills to paint the right message for the reader.

Moreover, essays can include personal essays – such as writing a cover letter for work or a university application. Here, great creativity is needed to almost write a story about yourself that captivates the reader and takes them on a journey with you. Excellent imagination and persuasive writing skills can help you tell your story and persuade those reading that you are the right person for the job or university place.

Arguably, this is the most common way in which creative writing is expressed. Fictional work includes novels, novellas, short stories – and anything else that is made up. The very definition of fiction by the Cambridge Dictionary states that it is the type of book or story that is written about imaginary characters and events not based on real people and facts. [7] As such, it means that your imagination is called upon to create something out of nothing. It is a quintessential test of your creative writing skills, meaning you need to come up with characters, settings, plots, descriptions and so much more.

Fictional creative writing in itself takes on many different forms and can be completely different depending on the writer. That is the real beauty of creative writing; you can have entirely different stories and characters from two different writers. Just look at the vast collection of fictional work around you today; it’s the perfect way to see just how versatile creative writing can be depending on the writer.

Similarly, scripts can be a type of creative writing that appeals to many. Technically, a script can be considered a work of fiction. Nevertheless, it depends on the script in question. Scripts for fictional television shows, plays or movies are obviously works of fiction. You, the writer, has come up with the characters and story of the show/play/movie, bringing it all to life through the script. But, scripts can also be non-fictional. Creating a play or movie that adapts real-life events will mean you need to write a script based on something that genuinely happened.

Here, it’s a perfect test of creative writing skills as you take a real event and use your creative talents to make it more interesting. The plot and narrative may already be there for you, so it’s a case of using your descriptive writing skills to really sell it to others and keep readers – or viewers – on the edge of their seats.

A speech is definitely a work of creative writing. The aim of a speech can vary depending on what type of speech it is. A politician delivering a speech in the House of Commons will want to get a point across to persuade others in the room. They’ll need to use creative writing to captivate their audience and have them hanging on their every word. A recent example of a great speech was the one by Sir David Attenborough at the recent COP26 global climate summit. [8] Listening to the speech is a brilliant way of understanding how creative writing can help get points across. His speech went viral around the world because of how electrifying and enthralling it is. The use of many descriptive and persuasive words had people hanging onto everything he said. He really created a picture and an image for people to see, convincing them that the time is now to work on stopping and reversing climate change.

From this speech to a completely different one, you can see creative writing at play for speeches at weddings and other jovial events. Here, the purpose is more to entertain guests and make them laugh. At the same time, someone giving a wedding speech will hope to create a lovely story for the guests to enjoy, displaying the true love that the married couple share for one another. Regardless of what type of speech an individual is giving, creative writing skills are required for it to be good and captivating.

Poetry & Songs

The final example of creative writing is twofold; poetry and songs. Both of these formats are similar to one another, relying on creativity to deliver a combination of things. Poetry can take so many forms and styles, but it aims to inspire readers and get them thinking. Poems often have hidden meanings behind them, and it takes a great deal of imagination and creativity to come up with these meanings while also creating a powerful poem. Some argue that poetry is the most creative of all creative writing forms.

Songwriting is similar in that you use creativity to come up with lyrics that can have powerful meanings while also conjuring up a story for people. The best songwriters will use lyrics that stay in people’s minds and get them thinking about the meaning behind the song. If you lack imagination and creativity, you will never be a good songwriter.

In truth, there are so many other types and examples of creative writing that you can explore. The ones listed above are the most common and powerful, and they all do a great job of demonstrating how diverse creative writing can be. If you can hone your skills in creative writing, it opens up many opportunities for you in life. Primarily, creative writing focuses on fictional pieces of work, but as you can see, non-fiction also requires a good deal of creativity.

What’s needed to make a piece of creative writing?

Our in-depth analysis of creative writing has led to a point where you’re aware of this style of writing and its purpose, along with some examples of it in the real world. The next question to delve into is what do you need to do to make a piece of creative writing. To phrase this another way; how do you write something that comes under the creative heading rather than another form of writing?

There is an element of difficulty in answering this question as creative writing has so many different types and genres. Consequently, there isn’t a set recipe for the perfect piece of creative writing, and that’s what makes this format so enjoyable and unique. Nevertheless, we can discover some crucial elements or principles that will help make a piece of writing as creative and imaginative as possible:

A target audience

All creative works will begin by defining a target audience. There are many ways to define a target audience, with some writers suggesting that you think about who is most likely to read your work. However, this can still be challenging as you’re unsure of the correct demographic to target. Writer’s Digest makes a good point of defining your target audience by considering your main motivation for writing in the first place. [9] It’s a case of considering what made you want to start writing – whether it’s a blog post, novel, song, poem, speech, etc. Figuring out your motivation behind it will help you zero in on your target audience.

Defining your audience is vital for creative writing as it helps you know exactly what to write and how to write it. All of your work should appeal to this audience and be written in a way that they can engage with. As a simple example, authors that write children’s stories will adapt their writing to appeal to the younger audience. Their stories include lots of descriptions and words that children understand, rather than being full of long words and overly academic writing.

Establishing the audience lets the writer know which direction to take things in. As a result, this can aid with things like character choices, plot, storylines, settings, and much more.

A story of sorts

Furthermore, great works of creative writing will always include a story of sorts. This is obvious for works such as novels, short stories, scripts, etc. However, even for things like poems, songs or speeches, a story helps make it creative. It gives the audience something to follow, helping them make sense of the work. Even if you’re giving a speech, setting a story can help you create a scene in people’s minds that makes them connect to what you’re saying. It’s a very effective way of persuading others and presenting different views for people to consider.

Moreover, consider the definition of a story/narrative arc. One definition describes it as a term that describes a story’s full progression. It visually evokes the idea that every story has a relatively calm beginning, a middle where tension, character conflict and narrative momentum builds to a peak and an end where the conflict is resolved. [10]

Simplifying this, we can say that all works of creative writing need a general beginning, middle and end. It’s a way of bringing some sort of structure to your writing so you know where you are going, rather than filling it with fluff or waffle.

A good imagination

Imagination is a buzzword that we’ve used plenty of times throughout this deep dive into creative writing. Every creative writing course you go on will spend a lot of time focusing on the idea of using your imagination. The human brain is a marvellously powerful thing that holds the key to creative freedom and expressing yourself in new and unique ways. If you want to make something creative, you need to tap into your imagination.

People use their imagination in different ways; some will be able to conjure up ideas for stories or worlds that exist beyond our own. Others will use theirs to think of ways of describing things in a more creative and imaginative way. Ultimately, a good imagination is what sets your work apart from others within your genre. This doesn’t mean you need to come up with the most fantastical novel of all time to have something classified as creative writing. No, using your imagination and creativity can extend to something as simple as your writing style.

Ultimately, it’s more about using your imagination to find your own personal flair and creative style. You will then be able to write unique pieces that stand out from the others and keep audiences engaged.

How can creative writing skills benefit you?

When most individuals or students consider creative writing, they imagine a world where they are writing stories for a living. There’s a common misconception that creative writing skills are only beneficial for people pursuing careers in scriptwriting, storytelling, etc. Realistically, enhancing ones creative writing skills can open up many windows of opportunity throughout your education and career.

• Improve essay writing – Naturally, creative writing forms a core part of essays and other written assignments in school and university. Improving your skills in this department can help a student get better at writing powerful essays and achieving top marks. In turn, this can impact your career by helping you get better grades to access better jobs in the future.
• Become a journalist – Journalists depend on creative writing to make stories that capture audiences and have people hanging on their every word. You need high levels of creativity to turn a news story into something people are keen to read or watch.
• Start a blog – In modern times, blogging is a useful tool that can help people find profitable and successful careers. The whole purpose of a blog is to provide your opinions to the masses while also entertaining, informing and educating. Again, having a firm grasp of creative writing skills will aid you in building your blog audience.
• Write marketing content – From advert scripts to content on websites, marketing is fuelled by creative writing. The best marketers will have creative writing skills to draw an audience in and convince them to buy products. If you can learn to get people hanging on your every word, you can make it in this industry.

These points all demonstrate the different ways in which creative writing can impact your life and alter your career. In terms of general career skills, this is one that you simply cannot go without.

How to improve your creative writing

One final part of this analysis of creative writing is to look at how students can improve. It begins by reading as much as you can and taking in lots of different content. Read books, poems, scripts, articles, blogs – anything you can find. Listen to music and pay attention to the words people use and the structure of their writing. It can help you pick up on things like metaphors, similes, and how to use your imagination. Of course, writing is the key to improving; the more you write, the more creative you can get as you will start unlocking the powers of your brain.

Conclusion: What is creative writing

In conclusion, creative writing uses a mixture of different types of writing to create stories that stray from traditional structures and norms. It revolves around the idea of using your imagination to find a writing style that suits you and gets your points across to an audience, keeping them engaged in everything you say. From novels to speeches, there are many forms of creative writing that can help you in numerous career paths throughout your life.

[1] SkillShare: The 5 Types of Writing Styles with Examples

[2] Elements of Good Story Telling – UX Planet

[3] Simile vs Metaphor: What’s the Difference? – ProWritingAid

[4] Definition of Exposure by Merriam-Webster

[5] The Higher Purpose of Creative Writing | by Terveen Gill

[6] Essay purpose – Western Sydney University

[7] FICTION | meaning in the Cambridge English Dictionary

[8] ‘Not fear, but hope’ – Attenborough speech in full – BBC News

[9] Writer’s Digest: Who Is Your Target Reader?

[10] What is a Narrative Arc? • A Guide to Storytelling Structure

What is Narrative Writing?

Written by Haley Boyce

You’re sitting in front of your computer, the blinking cursor a silent tease on a blank page. You stare at your fingers hovering motionless above the keys, asking them to please, please tell the story you’ve imagined a thousand times. The characters are developed and the world you’ve built for them is detailed. You’ve got it all worked out, from the houses they live in to the scent of the air. You know this material has the potential to inform, to entertain, to change readers’ lives. 

So why won’t it flow onto the page? 

Your shoulders slump and your heart sinks just a little. You lean back into your chair, away from the taunting emptiness of the screen and into the realization that you don’t know where to start.  

Fact is that storytelling is hard work. Sometimes the difficulty is enough to make a person settle for a different daydream. But not you. Your story starts now. It’s happening – your novel is bound for the top of best sellers lists and to-be-read piles. Book tours, a Netflix deal, and a lucrative contract with your publisher? If could be all yours. But first, you’ve got to put your words to paper. 

Whether it’s a case of writer’s block or a realization that you don’t know the first place to begin, enrolling in a college or university creative writing program could be your pathway toward a fulfilling career as a writer. 

So, what is narrative writing? Narrative writing tells a story. This story can be totally true and based on your own experience. Are you a mountain climber? Cool. Tell the harrowing story about the time you reached the top of Mount Everest. Or do you have an imaginary world in your head? One with characters who have a problem and a way to solve it? If the answer is yes, then you’ve got a narrative on your hands. 

In short, narrative = story.

What Are Some Well-Known Examples of Narrative Writing?

Examples of notable narrative fiction are:

• “The Great Gatsby” by F. Scott Fitzgerald
• “To Kill a Mockingbird” by Harper Lee
• “ The Outsiders ” by S.E. Hinton
• “ The Catcher in the Rye” by J.D. Salinger
• “ The Hunger Games series” by Suzanne Collins

Examples of notable narrative nonfiction are: 

• “ The Glass Castle” by Jeanette Wells
• “ The Year of Magical Thinking” by Joan Didion
• “ Unbroken” Laura Hillenbrand
• “ Between the World and Me” by Ta-Nehisi Coates
• “ A Moveable Feast” by Ernest Hemingway

What is the Narrative Writing Process?

The first unofficial step is to be prepared to repeat a few of the following steps as needed to improve each draft (of which there will be several). Keep in mind that the process is sequential but can be moved around to fit your personal creative process.

• Research: Develop your characters and build your world
• First draft: Put it all out there. Don’t worry about perfection here.
• Revise: This is where you work out the plot holes and other big parts of the narrative. Workshop the first draft, keep what works, fix what doesn’t. Then repeat.
• Edit: Check each and every line for grammar, syntax, etc.
• Publish: Find the best possible platform for your piece and share!

How Many Drafts Should I Write?

That’s a question every writer asks no matter how long they’ve been working on their craft. The difference, though, is the struggle some of us have gone through to accept that no story is perfect or complete with the first draft. The more years you spend as a writer the more accepting you become of the need for another draft. Even when you turn in the final draft to your editor, there will still be room for improvement.

The goal with each draft that you write is to work out the kinks by intensifying the rising action, breathing life into the characters or setting (or both), tidying up messy or unclear details, etc. Sometimes that can be accomplished in three drafts, other times it takes several more than that.

You’ll know you have a final draft on your hands when it’s as tight as it can be. 

How do you know if you’ve written a tight final draft? Your peer group of writers will tell you! If you’ve been waiting for a sign to join a group of fellow writers who share a common goal of perfecting their craft, this is it. A solid group of writerly friends will be active readers of your material. Pen in hand, they will ask questions in the margins, point out errors in grammar and sentence structure, and present this information to you in a way that is productive to the revision of your story, and you will do the same for them. If you find yourself in a writers group that only gives you praise, find a new one. 

How Do I Find a Writers Group?

Writers of all genres and styles, from all ages and walks of life benefit from creative writing courses. Enrolling in a creative writing program means you will be included in workshops designed to strengthen your craft. Trust us, gathering feedback from other writers hits differently than a friend or family member who doesn’t necessarily know how to give constructive feedback. It’s also critical to avoid thinking that your own opinion of your story is enough. You’ll find that the structured setting of a workshop opens you up to perspectives you might not have considered, thus stretching your own perspectives to new lengths and inevitably strengthening your craft in the process. 

How Will I Get Published?

That largely depends on what you want published. Short stories, op-eds, and informational articles can be submitted by yourself to literary journals, newspapers, and online magazines when their submission windows are open. Search for literary journals that have open submissions and take note of their deadlines. Be mindful of their requirements for submission, or risk not getting read at all. 

It’s advised to work toward publishing in journals and magazines to establish a resume before attempting to have a novel published. And if you haven’t already, cannonball into the social media pool in order to establish a following. That way, when you’re pitching to agents (and they pitch your work to publishers), you’ll be seen as a marketable writer whose work people are eager to read. 

What Kind of Writing Jobs Are There?

Where would any company be without words and someone who knows what to do with them? You’ll need to pay the bills while writing your novel. You can find work as a:

• Content writer
• Technical writer
• Ghostwriter
• Newspaper journalist
• Social media manager

If you’re just starting out as a writer, it’s a good idea to lend some credibility to your resume by enrolling in a writing program.

Doing so will build and diversify your body of work, making you more marketable. Networking is also a huge benefit of being in a writing program. If you’re interested in making money with your words, knowing people in the field will get you where you need to be. The right creative writing program will do that.

Do I Have to Be Published to Be Called a Writer?

Absolutely not! If you’re writing and you feel fulfilled by it, you’re a writer. Do you know how many unpublished writers are out there working on their craft, perfectly content keeping their stories to themselves? Plenty. If you identify with that, you’re a writer. If you find yourself pitching your stories to agents and submitting to journals and magazines all the while sharpening your skills in a creative writing program – guess what? You’re a writer. Being a writer is very much a behind the scenes form of art. For every published author out there, there’s an unpublished one right behind them, about to get their big break (probably you).

How Do I Write a Narrative?

With your imagination!

Formulaic writing tends to be dry and takes the artistry out of writing as a craft.

However, there are some essential elements to storytelling that you’ll need to sustain your piece. Every story, regardless of genre or length, has some sort of plot. The five elements of plot are: 

This is usually the very beginning of the story, where you will set the tone and grab your reader by the collar and pull them into your world. Here, you will establish the setting, the main characters, and the basic gist of the story. As you’re writing, imagine you’re watching your story unfold on a movie screen. Your job is to write what you want the audience to see. 

Rising Action

This is where the conflict starts to change. Possibly, your protagonist has a near-death experience that enlightens them and shows them how to solve the conflict presented in the rising action. No matter the actions surrounding the climax – may it be a helicopter crash or an intense conversation between lovers – emotion drives the scene here. 

Falling Action

Stories don’t end after the climax. Read any narrative and you’ll find that just when the protagonist thinks they’ve got the conflict figured out, smaller issues arise to keep them from reaching the resolution. 

The most deceiving part of the narrative writing process. By definition, it seems simple: Resolution is how the conflict gets solved. The trick is to be mindful of confusing how the conflict gets solved with how the entire narrative ends. The resolution is designated for solving the rising action, the end of the book includes wrapping up subplots and any other details that need to be addressed for the story to feel complete. A conflict’s resolution can certainly be at the very end of the piece, too, if that’s what feels right. Just make sure the rising action is solved in some way. 

What is Theme?

Here’s the simple truth: Theme is a lesson a story teaches the reader about life. In any narrative, there has to be something in it for the reader. Theme accomplishes that. 

A story is not confined to just one theme. Because we all have different personalities and come from different walks of life, we – as readers – will see events in a story from different perspectives. In the fable “The Three Little Pigs” (as a basic example), one person might say the lesson learned (the theme) is to take care of your family. Another person will read the exact same story and say the theme is to work hard today in order to have an easier tomorrow. Both answers are correct. In fact, any theme is possible if a reader can cite examples in the story that prove it to be true. 

It’s crucial to know the difference between theme and topic. While the theme is the message a story sends, the topic describes what happens in the story. Unlike the theme where there is no wrong answer, the topic has one correct response. Back to the pigs for an example: 

• Topic: Three pigs build houses for themselves. One works harder and is able to keep everyone safe from the Big Bad Wolf.
• Theme: Work hard today for an easier tomorrow.

What is Close Reading?

To strengthen your writing, you’ve got to dissect your reading. While you’re reading a work of literature it’s helpful to look at how the author gets the job done. Struggling with writing the exposition?  Read and reread a beginning written by an author you respect. How do they begin their story – description of character or setting? Or with a shocking line of prose? The more closely you pay attention to not just what the author says but how they say it, the more habits you will acquire for your own prose. 

It’s also critical to diversify the literature you read to improve your craft. If you typically read nonfiction, pick up a quest novel. If you’re a science fiction reader (or writer) challenge yourself with a memoir. Writers must be readers. Creative writing programs are an excellent and surefire way to gain access to short stories, novels of all genres, poetry, and nonfiction narratives that will be given a close read within a structured, enlightening setting. Your own narratives will strengthen as you close-read someone else’s. 

What is Linear Narrative?

Linear narrative tells a story in sequential order. One purpose of a narrative is to tell a story of connected events. One way to tell that story is in the order in which the events happen. Many stories are written in a linear fashion. 

What is Nonlinear Narrative?

Like linear narrative, nonlinear narratives tell a story of connected events. However, a nonlinear technique tells the events out of order. This often appears in storytelling as a flashback. A nonlinear technique is typically by a writer to add an element of mystery or drama to the story. For some expert examples of nonlinear narrative, check out Stephen King’s “It” (if you dare), “Slaughterhouse-Five” by Kurt Vonneghut, “The Time Traveler’s Wife” by Audrey Niffenegger, “The Handmaid’s Tale” by Margaret Atwood, and “All the Light We Cannot See” by Anthony Doerr. 

Narrative Writing By Any Other Name Still Tells a Story

Let’s say you’re into reading fantasy fiction. So much so that the novel you intend to write is based on the fantasy world you’ve created in your head, the very same one you’re struggling to get onto the page. It’s great to have a wheelhouse, to know what you’re comfortable with and feel is your area of expertise. But what would happen if you challenged yourself to read beyond your comfort zone? Sometimes our problems as writers stem from the rut we are stuck in. Pick up some science fiction by Ray Bradbury or historical fiction by James Michener. Spend some time in someone else’s world, and see how it alters your approach to storytelling.

The same is true when we read and workshop one another’s work in a college or university setting. Creative writing programs are designed to meet you where you are, take you by the hand, and launch you into your best writer-self.

The classes you take are set up to explore the many genres of storytelling in a way that is accessible and meaningful for everyone.You’ll find classes that will introduce you to and improve your technique in:

• Short story
• Fiction writing (courses will often be genre-specific)
• Creative nonfiction
• Screenplay writing
• Crafting the novel
• Writing the memoir
• Character development
• The art of the pitch

What is a Novel?

People tend to look at a book with a lot of pages and assume by its length that it’s a novel. But a novel is much more than meets the eye.

Specifically, a novel is a fiction narrative with a minimum page count of two hundred (any less and we enter a different genre called the novella). A novel can be any genre (or span several genres), provided it has the elements of plot and meets the two aforementioned requirements of fiction and minimum page count. 

What is a Short Story?

These are another genre of narrative that live up to their name: Stories that are short. All elements of the plot are present, but the whole shebang is complete in ten to twenty-five pages. These can crossover with any of the other genres mentioned on this page. 

The beauty of writing a short story is that it can become the foundation of a novel. If that’s your goal and don’t know how to begin, make the short story your starting point. Because short stories require a detailed beginning, middle, and end, it’s a great opportunity to develop each element of the plot and work out any kinks through the process of several drafts before embarking on several hundred pages of a novel. 

Exemplars of short story include:

• “St. Lucy’s School For Girls Raised By Wolves” by Karen Russell
• “Brokeback Mountain” by Annie Prouix
• “Hills Like White Elephants” by Ernest Hemingway
• “The Monkey’s Paw” by W.W. Jacobs
• “Eleven” by Sandra Cisneros

What is a Narrative Essay?

This one is personal. Literally. A narrative essay is one in which you tell a story about an experience you had. It focuses on the event in your life that brought about some sort of change in your life. It should also have a universal truth (some sort of lesson that can apply to anyone reading it). This not only brings substance to your story (gives it the ‘so what’) but also provokes your reader to consider how the truth you discover applies to their own life. What you reveal could very well be what helps a reader discover truths about their own life. Pretty cool what words can do.

Whereas an academic or informational essay tends to be more about delivering facts with formal language, a narrative essay benefits from setting a tone that reflects personality and heart. If you’re writing a narrative essay, you’ve likely chosen a topic that means something special to you. If you have, you’re on the right track. If you have a difficult time choosing a topic for a narrative essay, push yourself to be vulnerable. Tell the story that makes you just a tiny bit uncomfortable to explore. By doing so, you will find yourself writing a compelling story straight from your heart and into that of your readers’. 

Some of the great essayists of our time are Joan Didion, Rebecca Solnit, Haruki Murakami, James Baldwin, and Valeria Luiselli.  

What is Quest Narrative?

You ever want something so much you’ll stop at nothing to get it? Yeah, us too. The journey to attaining that goal is called a quest, and a quest narrative is – you guessed it – a story about a protagonist working toward a goal.

A quest narrative isn’t so much about the goal that’s being worked toward, but how passionate the protagonist is about reaching it.

In short, there’s got to be an important reason the protagonist is on a quest to reach the goal. In a quest narrative, the protagonist tends to find themselves facing villains and overcoming some intense physical, emotional, or psychological obstacles. Examples of quest narratives are “Harry Potter and the Sorcerer’s Stone” (and the rest of the Harry Potter series) by J.K. Rowling, “Neverwhere” by Neil Gaiman, “The Lord of the Rings” by J.R.R. Tolkein, “Mr. Penumbra’s 24-Hour Bookstore” by Robin Sloane, and “The Book Thief” by Markus Zusak.

What is the Difference Between Autobiography and Memoir?

An autobiography is intended to inform. Its message is factual and, though it may have entertaining components, it doesn’t read like a story with a clear beginning, middle, or end. While still considered a narrative, it’s a pretty clear cut one without elements of plot. The parts of plot are essentially absent so the timeline of the writer’s life can take the lead. Autobiographies can be comical and touching like Tina Fey’s “Bossypants”, poignant and pivotal like “I Know Why the Caged Bird Sings ” by Maya Angelou, or informal and quippy as in James Patterson’s “James Patterson by James Patterson: The Story of My Life”. Celebrities drop autobiographies all the time. Sometimes more than once. These are well-liked because the subject is already a topic of interest to the reader. It can feel like this genre is dominated by people who already have an audience, but if your goal is to write the story of your life, be encouraged in knowing that there is no limit to who can write an autobiography. Perhaps even consider writing a memoir.

Memoir tells a story of a specific time in a person’s life. Think of a memoir as similar to a narrative essay. Its lens homes in on that one experience, that one era in the writer’s life that is so unusual, so compelling (or harrowing, funny, heartbreaking – insert your favorite adjective here) that it deserves the readers complete attention. Though your story is nonfiction, it should contain the elements of plot. 

Recent memoirs on the New York Times Best Sellers List are “Crying in H Mart” by Michelle Zauner, “Educated: A Memoir” by Tara Westover, and “When Breath Becomes Air” by Paul Kalanithi. Each of these stories is about a very specific and unique experience in the writer’s life, their purpose is to equally inform, engage, and share an overarching lesson or message that can apply to a vast audience. 

What is Historical Fiction?

Historical fiction is a genre that tells a story from a time or event in history. Within this genre, authors take artistic liberties to fill in the unseen parts of a historical event. Usually, you’ll find that the events are completely true but most of the characters are made up. For a historical fiction narrative to work, the author must be careful about how far they push the envelope. The trick is to write in a way that is so believable the reader pauses their reading to ask, “this is true?” If you’ve ever found yourself researching if something is true about orphan trains, a leper colony in Hawaii, the events of September eleventh, or Laotong relationships in nineteenth century China, the author has done an excellent job of combining truth and fiction. Some examples of historical fiction about these unique topics are “Orphan Train” by Christina Baker Kline (also a good example of nonlinear narrative), “Moloka’i” by Alan Brennert, “Extremely Loud and Incredibly Close” by Jonathan Safran Foer, and “Snowflower and the Secret Fan” by Lisa See, respectively.  

What is Science Fiction?

The easiest way to describe science fiction (sometimes called speculative fiction) is to understand that it is a made-up story about science. This genre has all the elements of plot and its major conflict is centered on something scientific. This can include communicable diseases (“The Plague” by Albert Camus), dystopian society (“A Planet for Rent” by Yoss), or attempts at human creation (“Frankenstein” by Mary Shelley). 

There are also subgenres of science fiction. This list is expansive, but a few examples of subgenres include space opera, space western, steampunk, apocalyptic, post-apocalyptic or dystopian, zombies, hard science fiction, soft science fiction. 

An equation to nail this narrative: science + characters + plot → science fiction. 

What is Fantasy?

To be considered fantasy fiction, a story’s plot typically involves magical, supernatural, or mystical elements that do not exist in the real world. The author does all of the world building to create a setting in which these fantastical elements can occur. Here, the characters can be talking trees and animals, they can bounce from the tops of mushrooms as their main mode of transportation, their clothing can be fashioned from the clouds and sewn together with licorice. Whatever you decide should happen, will happen without the confines that some other genres face (historical and science fiction for example, where facts matter). Though many fantasy narratives do include magic or some other form of the supernatural, it is not necessary for a narrative to fit within this category.

As writers, what we want more than anything is for a reader to become engaged, to feel so invested in the story that they feel a kindred connection to us, the authors.

Achieving this requires the author to tell their story in such a way that the reader will experience a suspension of belief. In fantasy narrative, this means creating a fictitious world so believable that your reader is able to abandon knowledge of reality while reading your story. 

Narrative vs Descriptive Writing: Understanding the Key Differences

By: Author Paul Jenkins

Posted on May 13, 2023

Categories Storytelling , Writing

Narrative and descriptive writing are two of the most common writing styles used in literature. Both styles are used to convey a story, but they differ in their purpose and approach. Narrative writing is designed to tell a complete story, while descriptive writing conveys an intense description of a particular place, object, or concept.

Narrative writing involves telling a story with a beginning, middle, and end. It is often used in novels, short stories, and memoirs. Narrative writing can entertain, inform, or persuade the reader. It is a powerful tool for writers to convey their message and connect with their audience.

On the other hand, descriptive writing creates a vivid image in the reader’s mind. It is often used in poetry, descriptive essays, and travel writing. Descriptive writing allows the writer to use sensory details to create a picture in the reader’s mind. It is a powerful tool for writers to create a mood or atmosphere. Descriptive writing can entertain, inform, or persuade the reader.

Narrative Writing

Narrative writing is a style of writing that tells a story or describes an event. It can be fiction or non-fiction and is often written in the first-person point of view. The purpose of narrative writing is to entertain, inform or persuade the reader.

Narrative writing aims to engage the reader by telling a story that captures their attention. Narrative writing is often used in fiction writing, but it can also be used in non-fiction writing, such as memoirs or personal essays. The purpose of narrative writing is to create a vivid picture in the reader’s mind and make them feel like they are part of the story.

Narrative writing has several key elements that help to create a compelling story. These elements include characters, plot, point of view, narration, chronological order, action, setting, and theme. Characters are the people or animals that are involved in the story. The plot is the sequence of events that make up the story. Point of view is the perspective from which the story is told. Narration is how the story is told, such as first-person or third-person narration. Chronological order is the order in which events occur in the story. Action is the events that take place in the story. The setting is the time and place in which the story takes place. The theme is the underlying message or meaning of the story.

Examples of narrative writing include novels, short stories, and narrative essays. In fiction writing, the protagonist is the main character who drives the story forward. In a narrative essay, the writer tells a personal story that has a point or lesson to be learned. Narrative writing often uses first-person narration to create a more personal connection between the reader and the story.

In summary, narrative writing is a style of writing that tells a story or describes an event. It has several key elements that help to create a compelling story, including characters, plot, point of view, narration, chronological order, action, setting, and theme. Narrative writing can be used in fiction and non-fiction and is often used to entertain, inform, or persuade the reader.

Descriptive Writing

Descriptive writing is a type of writing that aims to provide a detailed description of a person, place, object, or event. It uses sensory details to create an image in the reader’s mind. The writer tries to make the reader feel like they are experiencing the scene.

Descriptive writing aims to create a vivid and detailed picture in the reader’s mind. It is often used to set the scene in a story or to provide a detailed description of a character or place. Descriptive writing can also create an emotional response in the reader.

Descriptive writing uses sensory details to create an image in the reader’s mind. It should be written in a logical order, so the reader can easily follow along. The following elements are commonly used in descriptive writing:

• Sensory detail (smell, taste, sight, sound, touch)
• Appearance and characteristics of the subject
• Description of the place or object
• Exposition of the subject
• Figurative language (metaphors, similes, onomatopoeia)

Here are a few examples of descriptive writing:

• The sun was setting over the mountains, casting a warm glow across the valley. The air was filled with the sweet scent of wildflowers and birds singing in the trees.
• The old house sat at the end of the street, its peeling paint and broken shutters a testament to its age. The front porch creaked as I stepped onto it, and the door groaned as I pushed it open.
• The chocolate cake was rich and decadent, with a moist crumb and a smooth, velvety frosting. Each bite was like a little slice of heaven, the flavors blending perfectly.

In conclusion, descriptive writing is a powerful tool for creating vivid and detailed images in the reader’s mind. The writer can transport the reader to another time and place using sensory details and logical order.

Narrative vs. Descriptive Writing

Differences.

Narrative writing and descriptive writing are two distinct forms of writing that have different purposes. Narrative writing is used to tell a story, while descriptive writing is used to describe something in detail. The following table summarizes some of the key differences between the two:

In narrative writing, the writer is trying to convey a specific message or theme through the story they are telling. In contrast, descriptive writing is more concerned with creating a sensory experience for the reader. Descriptive writing often uses figurative language, such as metaphors and similes, to create vivid images in the reader’s mind.

Similarities

Despite their differences, narrative writing and descriptive writing also share some similarities. Both forms of writing require the writer to use descriptive language to create a vivid picture in the reader’s mind. Both can also be used in both fiction and non-fiction writing.

Another similarity is that both forms of writing can create emotional connections with the reader. In narrative writing, this is achieved by creating relatable characters and situations. Descriptive writing is achieved by using sensory details to create a visceral experience for the reader.

In conclusion, while narrative writing and descriptive writing have different purposes, they require the writer to use descriptive language to create a vivid picture in the reader’s mind. Understanding the differences and similarities between these two forms of writing can help writers choose the appropriate style for their writing project.

Narrative Writing Techniques

Narrative writing is a form of storytelling that conveys a series of events or experiences through a particular perspective. This section will explore some of the key techniques used in narrative writing.

The narrator is the voice that tells the story. They can be a character within the story or an outside observer. The narrator’s perspective can greatly affect the reader’s interpretation of events. For example, a first-person narrator may provide a more personal and subjective account of events, while a third-person narrator may offer a more objective perspective.

Dialogue is the spoken or written words of characters within the story. It can reveal character traits, advance the plot, and provide insight into relationships between characters. Effective dialogue should sound natural and reflect the character’s personality and background.

Point of View

Point of view refers to the perspective from which the story is told. It can be first-person, third-person limited, or third-person omniscient. The choice of point of view can affect the reader’s understanding of the story and its characters.

The plot is the sequence of events that make up the story. It should have a clear beginning, middle, and end, with each event building upon the previous one. A well-crafted plot should be engaging and keep the reader interested.

Characterization

Characterization is the process of creating and developing characters within the story. This can be achieved through various techniques, including dialogue, actions, and inner thoughts. Effective characterization should create characters that are believable and relatable to the reader.

In conclusion, narrative writing techniques are essential for creating a compelling and engaging story. Using techniques such as a well-developed narrator, natural-sounding dialogue, and effective characterization, writers can create stories that captivate and entertain their readers.

Descriptive Writing Techniques

Sensory details.

One of the most critical aspects of descriptive writing is the use of sensory details. This means including information that appeals to the five senses: sight, sound, smell, taste, and touch. Sensory details help the reader experience the scene or object being described, making the writing more vivid and engaging.

For example, instead of simply stating that a flower is beautiful, a writer might describe the vibrant colors of its petals, the sweet fragrance it emits, and the soft texture of its petals. This level of detail allows the reader to fully imagine the flower and feel like they are experiencing it themselves.

Logical Order

Descriptive writing should also be organized in a logical order. This can mean starting with a general description and moving on to more specific details. For example, describing a room starts with an overview, then moves on to describe individual items.

It’s also important to consider the perspective of the reader. For example, if describing a landscape, the writer should consider the reader’s viewpoint and describe the scene from left to right, top to bottom, or in another logical order that makes sense for the reader.

Descriptive writing should create a clear mental image in the reader’s mind. This can be achieved through the use of vivid imagery and figurative language. For example, a writer might describe a sunset as a “golden blanket draped over the sky” or a forest as a “lush, green cathedral.”

It’s important to balance detailed descriptions and allow readers to use their imagination. The goal is to provide enough detail to create a mental image but not so much that the reader feels overwhelmed or bored.

Finally, descriptive writing should aim to evoke emotions in the reader. This can be achieved through descriptive language conveying a mood or feeling. For example, a writer might describe a storm as “fierce and unrelenting,” creating a sense of danger and foreboding.

It’s important to consider the emotions that the reader should feel based on the subject being described. For example, if describing a peaceful meadow, the writer should use language that conveys a sense of calm and relaxation.

By using these techniques, writers can create engaging and vivid descriptions that allow the reader to experience the scene or object being described fully.

Narrative vs. Descriptive Essays

When it comes to writing essays, there are two main types: narrative and descriptive. While they may seem similar, they have distinct differences in purpose, structure, and examples.

The purpose of a narrative essay is to tell a story. It typically includes characters, a plot, and a setting. It is meant to engage the reader and create an emotional response. Narrative essays can be based on real-life experiences or fictional stories.

On the other hand, the purpose of a descriptive essay is to provide a detailed description of a person, place, or thing. It is meant to paint a picture in the reader’s mind and create a sensory experience. Descriptive essays can be based on real-life experiences or imaginary scenarios.

Narrative essays typically have a chronological structure, meaning they follow a timeline. They often include dialogue and sensory details to create a vivid picture for the reader. The structure of a narrative essay can vary depending on the story being told.

On the other hand, descriptive essays typically have a spatial structure, meaning they describe something in a specific order. They often use sensory details and figurative language to create a vivid picture for the reader. The structure of a descriptive essay can vary depending on the topic being described.

A narrative essay example could be a personal experience, such as a memorable vacation or a life-changing event. It could also be a fictional story, such as a short story or novel.

A descriptive essay example could be describing a favorite place, such as a beach or a park. It could also be a description of a person, such as a family member or a celebrity.

In conclusion, narrative and descriptive essays have distinct differences in purpose, structure, and examples. It is important to understand these differences when deciding which type of essay to write.

Argumentative Essays

Argumentative essays are a type of writing that requires the writer to take a position on a topic and defend it using evidence and reasoning. This type of essay is often used in academic settings, such as in college courses or on standardized tests like the GRE or SAT.

An argumentative essay aims to persuade the reader to agree with the writer’s point of view. To do this, the writer must present a clear and compelling argument supported by evidence. The writer must also anticipate and address counterarguments to strengthen their argument.

An argumentative essay typically follows a five-paragraph structure, which includes an introduction, three body paragraphs, and a conclusion. The introduction should include a clear thesis statement that states the writer’s position on the topic. Each body paragraph should focus on a single point that supports the thesis statement. The conclusion should summarize the essay’s main points and restate the thesis statement in a new way.

Rhetorical Analysis

To write an effective argumentative essay, it is important to consider the rhetorical situation. This includes the audience, purpose, and context of the essay. The writer should also consider using ethos, pathos, and logos in their argument. Ethos refers to the writer’s credibility, pathos refers to emotional appeals, and logos refers to logical appeals.

Thesis Statement

The thesis statement is the most important part of an argumentative essay. It should be clear, concise, and specific. The thesis statement should state the writer’s position on the topic and provide a roadmap for the rest of the essay. It should also be arguable, meaning there should be evidence and reasoning to support the writer’s position.

Expository Essays

Expository essays are a common type of academic writing that aims to inform or explain a topic to the reader. This section will discuss the purpose, structure, and examples of expository essays.

The purpose of an expository essay is to present a balanced analysis of a topic or issue. The writer aims to explain or clarify the topic to the reader, using evidence and facts to support their arguments. Unlike narrative or descriptive writing, expository writing is focused on presenting information clearly and concisely.

The structure of an expository essay typically follows a five-paragraph format. The first paragraph is the introduction, which includes a thesis statement that summarizes the essay’s main point. The following three paragraphs are the body, which presents the evidence and arguments to support the thesis. Finally, the last paragraph is the conclusion, which restates the thesis and summarizes the essay’s main points.

Here are some examples of topics that could be covered in an expository essay:

• The causes and effects of climate change
• The history and significance of a particular event or invention
• The benefits and drawbacks of a particular technology or practice
• The process of learning a new skill or language

In conclusion, expository essays are academic writing that aims to inform or explain a topic to the reader. They follow a five-paragraph structure and present a balanced analysis using evidence and facts.

In conclusion, narrative and descriptive writing are two important styles of writing that serve different purposes. Narrative writing tells a story and conveys events, while descriptive writing paints a vivid picture of a person, place, or thing. Both styles can be used in various types of writing, such as fiction, poetry, biographies, and human interest stories.

When it comes to narrative writing, it is important to consider the basic elements of a story, such as the characters, plot, setting, and theme. Dialogue can also be used to add depth and realism to the story. On the other hand, descriptive writing focuses on sensory details, such as sight, sound, smell, taste, and touch, to create a vivid image in the reader’s mind.

It is important to note that narrative and descriptive writing are distinct styles, but they can also be used together to create a more engaging and compelling piece of writing. For example, a narrative essay can include descriptive elements to enhance the reader’s understanding and emotional connection to the story.

Overall, the key to effective narrative and descriptive writing is to use clear, concise, and engaging language. By mastering these styles, writers can create powerful and memorable works that resonate with readers long after they have finished reading.

What is creative nonfiction? Despite its slightly enigmatic name, no literary genre has grown quite as quickly as creative nonfiction in recent decades. Literary nonfiction is now well-established as a powerful means of storytelling, and bookstores now reserve large amounts of space for nonfiction, when it often used to occupy a single bookshelf.

Like any literary genre, creative nonfiction has a long history; also like other genres, defining contemporary CNF for the modern writer can be nuanced. If you’re interested in writing true-to-life stories but you’re not sure where to begin, let’s start by dissecting the creative nonfiction genre and what it means to write a modern literary essay.

What Creative Nonfiction Is

Creative nonfiction employs the creative writing techniques of literature, such as poetry and fiction, to retell a true story.

How do we define creative nonfiction? What makes it “creative,” as opposed to just “factual writing”? These are great questions to ask when entering the genre, and they require answers which could become literary essays themselves.

In short, creative nonfiction (CNF) is a form of storytelling that employs the creative writing techniques of literature, such as poetry and fiction, to retell a true story. Creative nonfiction writers don’t just share pithy anecdotes, they use craft and technique to situate the reader into their own personal lives. Fictional elements, such as character development and narrative arcs, are employed to create a cohesive story, but so are poetic elements like conceit and juxtaposition.

The CNF genre is wildly experimental, and contemporary nonfiction writers are pushing the bounds of literature by finding new ways to tell their stories. While a CNF writer might retell a personal narrative, they might also focus their gaze on history, politics, or they might use creative writing elements to write an expository essay. There are very few limits to what creative nonfiction can be, which is what makes defining the genre so difficult—but writing it so exciting.

Different Forms of Creative Nonfiction

From the autobiographies of Mark Twain and Benvenuto Cellini, to the more experimental styles of modern writers like Karl Ove Knausgård, creative nonfiction has a long history and takes a wide variety of forms. Common iterations of the creative nonfiction genre include the following:

Also known as biography or autobiography, the memoir form is probably the most recognizable form of creative nonfiction. Memoirs are collections of memories, either surrounding a single narrative thread or multiple interrelated ideas. The memoir is usually published as a book or extended piece of fiction, and many memoirs take years to write and perfect. Memoirs often take on a similar writing style as the personal essay does, though it must be personable and interesting enough to encourage the reader through the entire book.

Personal Essay

Personal essays are stories about personal experiences told using literary techniques.

When someone hears the word “essay,” they instinctively think about those five paragraph book essays everyone wrote in high school. In creative nonfiction, the personal essay is much more vibrant and dynamic. Personal essays are stories about personal experiences, and while some personal essays can be standalone stories about a single event, many essays braid true stories with extended metaphors and other narratives.

Personal essays are often intimate, emotionally charged spaces. Consider the opening two paragraphs from Beth Ann Fennelly’s personal essay “ I Survived the Blizzard of ’79. ”

We didn’t question. Or complain. It wouldn’t have occurred to us, and it wouldn’t have helped. I was eight. Julie was ten.

We didn’t know yet that this blizzard would earn itself a moniker that would be silk-screened on T-shirts. We would own such a shirt, which extended its tenure in our house as a rag for polishing silver.

The word “essay” comes from the French “essayer,” which means “to try” or “attempt.” The personal essay is more than just an autobiographical narrative—it’s an attempt to tell your own history with literary techniques.

Lyric Essay

The lyric essay contains similar subject matter as the personal essay, but is much more experimental in form.

The lyric essay contains similar subject matter as the personal essay, with one key distinction: lyric essays are much more experimental in form. Poetry and creative nonfiction merge in the lyric essay, challenging the conventional prose format of paragraphs and linear sentences.

The lyric essay stands out for its unique writing style and sentence structure. Consider these lines from “ Life Code ” by J. A. Knight:

The dream goes like this: blue room of water. God light from above. Child’s fist, foot, curve, face, the arc of an eye, the symmetry of circles… and then an opening of this body—which surprised her—a movement so clean and assured and then the push towards the light like a frog or a fish.

What we get is language driven by emotion, choosing an internal logic rather than a universally accepted one.

Lyric essays are amazing spaces to break barriers in language. For example, the lyricist might write a few paragraphs about their story, then examine a key emotion in the form of a villanelle or a ghazal . They might decide to write their entire essay in a string of couplets or a series of sonnets, then interrupt those stanzas with moments of insight or analysis. In the lyric essay, language dictates form. The successful lyricist lets the words arrange themselves in whatever format best tells the story, allowing for experimental new forms of storytelling.

Literary Journalism

Much more ambiguously defined is the idea of literary journalism. The idea is simple: report on real life events using literary conventions and styles. But how do you do this effectively, in a way that the audience pays attention and takes the story seriously?

You can best find examples of literary journalism in more “prestigious” news journals, such as The New Yorker , The Atlantic , Salon , and occasionally The New York Times . Think pieces about real world events, as well as expository journalism, might use braiding and extended metaphors to make readers feel more connected to the story. Other forms of nonfiction, such as the academic essay or more technical writing, might also fall under literary journalism, provided those pieces still use the elements of creative nonfiction.

Consider this recently published article from The Atlantic : The Uncanny Tale of Shimmel Zohar by Lawrence Weschler. It employs a style that’s breezy yet personable—including its opening line.

So I first heard about Shimmel Zohar from Gravity Goldberg—yeah, I know, but she insists it’s her real name (explaining that her father was a physicist)—who is the director of public programs and visitor experience at the Contemporary Jewish Museum, in San Francisco.

How to Write Creative Nonfiction: Common Elements and Techniques

What separates a general news update from a well-written piece of literary journalism? What’s the difference between essay writing in high school and the personal essay? When nonfiction writers put out creative work, they are most successful when they utilize the following elements.

Just like fiction, nonfiction relies on effective narration. Telling the story with an effective plot, writing from a certain point of view, and using the narrative to flesh out the story’s big idea are all key craft elements. How you structure your story can have a huge impact on how the reader perceives the work, as well as the insights you draw from the story itself.

Consider the first lines of the story “ To the Miami University Payroll Lady ” by Frenci Nguyen:

You might not remember me, but I’m the dark-haired, Texas-born, Asian-American graduate student who visited the Payroll Office the other day to complete direct deposit and tax forms.

Because the story is written in second person, with the reader experiencing the story as the payroll lady, the story’s narration feels much more personal and important, forcing the reader to evaluate their own personal biases and beliefs.

Observation

Telling the story involves more than just simple plot elements, it also involves situating the reader in the key details. Setting the scene requires attention to all five senses, and interpersonal dialogue is much more effective when the narrator observes changes in vocal pitch, certain facial expressions, and movements in body language. Essentially, let the reader experience the tiny details – we access each other best through minutiae.

The story “ In Transit ” by Erica Plouffe Lazure is a perfect example of storytelling through observation. Every detail of this flash piece is carefully noted to tell a story without direct action, using observations about group behavior to find hope in a crisis. We get observation when the narrator notes the following:

Here at the St. Thomas airport in mid-March, we feel the urgency of the transition, the awareness of how we position our bodies, where we place our luggage, how we consider for the first time the numbers of people whose belongings are placed on the same steel table, the same conveyor belt, the same glowing radioactive scan, whose IDs are touched by the same gloved hand[.]

What’s especially powerful about this story is that it is written in a single sentence, allowing the reader to be just as overwhelmed by observation and context as the narrator is.

We’ve used this word a lot, but what is braiding? Braiding is a technique most often used in creative nonfiction where the writer intertwines multiple narratives, or “threads.” Not all essays use braiding, but the longer a story is, the more it benefits the writer to intertwine their story with an extended metaphor or another idea to draw insight from.

“ The Crush ” by Zsofia McMullin demonstrates braiding wonderfully. Some paragraphs are written in first person, while others are written in second person.

The following example from “The Crush” demonstrates braiding:

Your hair is still wet when you slip into the booth across from me and throw your wallet and glasses and phone on the table, and I marvel at how everything about you is streamlined, compact, organized. I am always overflowing — flesh and wants and a purse stuffed with snacks and toy soldiers and tissues.

The author threads these narratives together by having both people interact in a diner, yet the reader still perceives a distance between the two threads because of the separation of “I” and “you” pronouns. When these threads meet, briefly, we know they will never meet again.

Speaking of insight, creative nonfiction writers must draw novel conclusions from the stories they write. When the narrator pauses in the story to delve into their emotions, explain complex ideas, or draw strength and meaning from tough situations, they’re finding insight in the essay.

Often, creative writers experience insight as they write it, drawing conclusions they hadn’t yet considered as they tell their story, which makes creative nonfiction much more genuine and raw.

The story “ Me Llamo Theresa ” by Theresa Okokun does a fantastic job of finding insight. The story is about the history of our own names and the generations that stand before them, and as the writer explores her disconnect with her own name, she recognizes a similar disconnect in her mother, as well as the need to connect with her name because of her father.

The narrator offers insight when she remarks:

I began to experience a particular type of identity crisis that so many immigrants and children of immigrants go through — where we are called one name at school or at work, but another name at home, and in our hearts.

How to Write Creative Nonfiction: the 5 R’s

CNF pioneer Lee Gutkind developed a very system called the “5 R’s” of creative nonfiction writing. Together, the 5 R’s form a general framework for any creative writing project. They are:

• Write about r eal life: Creative nonfiction tackles real people, events, and places—things that actually happened or are happening.
• Conduct extensive r esearch: Learn as much as you can about your subject matter, to deepen and enrich your ability to relay the subject matter. (Are you writing about your tenth birthday? What were the newspaper headlines that day?)
• (W) r ite a narrative: Use storytelling elements originally from fiction, such as Freytag’s Pyramid , to structure your CNF piece’s narrative as a story with literary impact rather than just a recounting.
• Include personal r eflection: Share your unique voice and perspective on the narrative you are retelling.
• Learn by r eading: The best way to learn to write creative nonfiction well is to read it being written well. Read as much CNF as you can, and observe closely how the author’s choices impact you as a reader.

You can read more about the 5 R’s in this helpful summary article .

How to Write Creative Nonfiction: Give it a Try!

Whatever form you choose, whatever story you tell, and whatever techniques you write with, the more important aspect of creative nonfiction is this: be honest. That may seem redundant, but often, writers mistakenly create narratives that aren’t true, or they use details and symbols that didn’t exist in the story. Trust us – real life is best read when it’s honest, and readers can tell when details in the story feel fabricated or inflated. Write with honesty, and the right words will follow!

Ready to start writing your creative nonfiction piece? If you need extra guidance or want to write alongside our community, take a look at the upcoming nonfiction classes at Writers.com. Now, go and write the next bestselling memoir!

Sean Glatch

Thank you so much for including these samples from Hippocampus Magazine essays/contributors; it was so wonderful to see these pieces reflected on from the craft perspective! – Donna from Hippocampus

Absolutely, Donna! I’m a longtime fan of Hippocampus and am always astounded by the writing you publish. We’re always happy to showcase stunning work 🙂

I like how it is written about him”…When he’s not writing, which is often, he thinks he should be writing.”

[…] Source: https://www.masterclass.com/articles/a-complete-guide-to-writing-creative-nonfiction#5-creative-nonfiction-writing-promptshttps://writers.com/what-is-creative-nonfiction […]

So impressive

Thank you. I’ve been researching a number of figures from the 1800’s and have come across a large number of ‘biographies’ of figures. These include quoted conversations which I knew to be figments of the author and yet some works are lauded as ‘histories’.

excellent guidelines inspiring me to write CNF thank you

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The Creative Nonfiction (CNF) genre can be rather elusive. It is focused on story, meaning it has a narrative plot with an inciting moment, rising action, climax and denoument, just like fiction. However, nonfiction only works if the story is based in truth, an accurate retelling of the author’s life experiences. The pieces can vary greatly in length, just as fiction can; anything from a book-length autobiography to a 500-word food blog post can fall within the genre.

Additionally, the genre borrows some aspects, in terms of voice, from poetry; poets generally look for truth and write about the realities they see. While there are many exceptions to this, such as the persona poem, the nonfiction genre depends on the writer’s ability to render their voice in a realistic fashion, just as poetry so often does. Writer Richard Terrill, in comparing the two forms, writes that the voice in creative nonfiction aims “to engage the empathy” of the reader; that, much like a poet, the writer uses “personal candor” to draw the reader in.

Creative Nonfiction encompasses many different forms of prose. As an emerging form, CNF is closely entwined with fiction. Many fiction writers make the cross-over to nonfiction occasionally, if only to write essays on the craft of fiction. This can be done fairly easily, since the ability to write good prose—beautiful description, realistic characters, musical sentences—is required in both genres.

So what, then, makes the literary nonfiction genre unique?

The first key element of nonfiction—perhaps the most crucial thing— is that the genre relies on the author’s ability to retell events that actually happened. The talented CNF writer will certainly use imagination and craft to relay what has happened and tell a story, but the story must be true. You may have heard the idiom that “truth is stranger than fiction;” this is an essential part of the genre. Events—coincidences, love stories, stories of loss—that may be expected or feel clichéd in fiction can be respected when they occur in real life .

A writer of Creative Nonfiction should always be on the lookout for material that can yield an essay; the world at-large is their subject matter. Additionally, because Creative Nonfiction is focused on reality, it relies on research to render events as accurately as possible. While it’s certainly true that fiction writers also research their subjects (especially in the case of historical fiction), CNF writers must be scrupulous in their attention to detail. Their work is somewhat akin to that of a journalist, and in fact, some journalism can fall under the umbrella of CNF as well. Writer Christopher Cokinos claims, “done correctly, lived well, delivered elegantly, such research uncovers not only facts of the world, but reveals and shapes the world of the writer” (93). In addition to traditional research methods, such as interviewing subjects or conducting database searches, he relays Kate Bernheimer’s claim that “A lifetime of reading is research:” any lived experience, even one that is read, can become material for the writer.

The other key element, the thing present in all successful nonfiction, is reflection. A person could have lived the most interesting life and had experiences completely unique to them, but without context—without reflection on how this life of experiences affected the writer—the reader is left with the feeling that the writer hasn’t learned anything, that the writer hasn’t grown. We need to see how the writer has grown because a large part of nonfiction’s appeal is the lessons it offers us, the models for ways of living: that the writer can survive a difficult or strange experience and learn from it. Sean Ironman writes that while “[r]eflection, or the second ‘I,’ is taught in every nonfiction course” (43), writers often find it incredibly hard to actually include reflection in their work. He expresses his frustration that “Students are stuck on the idea—an idea that’s not entirely wrong—that readers need to think” (43), that reflecting in their work would over-explain the ideas to the reader. Not so. Instead, reflection offers “the crucial scene of the writer writing the memoir” (44), of the present-day writer who is looking back on and retelling the past. In a moment of reflection, the author steps out of the story to show a different kind of scene, in which they are sitting at their computer or with their notebook in some quiet place, looking at where they are now, versus where they were then; thinking critically about what they’ve learned. This should ideally happen in small moments, maybe single sentences, interspersed throughout the piece. Without reflection, you have a collection of scenes open for interpretation—though they might add up to nothing.

CRAFT: What’s the Difference Between Memoir and Personal Essay? by Suzanne Farrell Smith

January 11, 2022.

It’s the most common question my creative nonfiction students ask. We know memoir and personal essay overlap. Both tell true stories from the author’s life with intimacy and honesty. And both are crafted with literary devices: scene, dialogue, sensory detail… That’s what makes creative nonfiction compelling. We love true stories and we love to be entertained.

So where do they differ? To answer, I draw from several resources on writing creative nonfiction and illustrate with two Hippocampus pieces. By my measure, memoir and personal essay differ along four lines: focus, mining, voice, and sense.

• Focus on Self vs. Focus on Relating

The memoirist focuses on the self and what has changed over time. Readers may identify— I went through something similar or I changed in the same way —but the memoirist’s driving force is self-exploration.

In the memoir essay “Fits and Starts,” Matthew Zanoni Müller tells a short, significant story about an afternoon in childhood as a relatively new immigrant to the United States. Müller’s friend, David, coaxes him out of the house and into the world. While Müller’s descriptions of David and others are important to the story, we really only know Müller. We are inside his child mind, being pushed, gently, along with him, step by step.

The personal essayist focuses on the self, too, but seeks to relate. Where, in culture, place, and time, does her story fit in? Which of her questions do others ask? Accordingly, we talk about personal essay’s “universal theme.” The writer paints herself against the backdrop of humanity.

Linda Anne Silver announces the universal with her title, “The Capacity of a Human.” In the wake of her daughter’s death, Silver searches for a new normal that incorporates profound grief. With her husband, she travels around Lake Superior, and along the way gains insight from novelists, fellow travelers, parents of children who’ve died in mass tragedies, and the lake itself.

• Memory Mining vs. Experiential Mining

My boys love the game Minecraft, gathering materials to build underwater palaces and schools in the sky. Where you mine determines what you find. The same goes for writing. The memoirist “relies almost solely on memory,” writes Sue William Silverman in “The Meandering River.” He mines his mind, perhaps consults artifacts from his past.

In Müller’s memoir, all the important details, the who-and-what and beginning-middle-end, come from the author’s memory. “Mostly we’d play with cars,” he recalls, “arranging them in a long line and driving them slowly down the hallway toward the bedroom, moving each one forward an inch at a time.” Müller remembers how playtime mirrored the halting way he adapted to the U.S. “ Autoschlange , I called it, and my friend understood what it meant, because his father was German too.”

The personal essayist mines her memory, too, but also mines the landscape of her evolving life. She collects data and processes in-the-moment interactions.

Silver writes, “I examine things and snap photos, acting as a tourist.” We understand she is not just examining flora, fauna, and food, but also the circumstances, the places hope might surface. She draws from the novel Grief is the Thing with Feathers to understand “the crow of grief had moved in with us when Allison was first diagnosed.” She sets herself apart from “[t]he parents of Newtown or Manchester or Aleppo” while associating with all parents who’ve lost a child. She even researches on the page: “I try Googling, ‘Ontario stone piles,’ on my phone, but there’s no signal here.”

• Voices vs. Voice

Memoir contains multiple voices, including, at minimum, the voices of the past self and present self (what Sue William Silverman calls “song of innocence” and “song of experience”). Voices speak to readers, who reply. Someone who knows a memoirist might say, I had no idea that happened to you .

Müller’s memoir is entirely from his young self’s point of view. That big world he was persuaded to explore? A car, a grocery store, David’s house… places that, to a child in a new country, loomed large. “I was happy,” Müller’s child-voice writes, “because I knew that … soon we’d come back down and around the block and I’d be home again.” Moments later, as his child voice considers turning back, his adult voice offers meaning: “I didn’t want to compromise the heroic feelings I had just earned.”

In personal essay, one voice dominates. The narrator is a current version of the author who opines, worries, delights, fears. Friends might listen and say, I had no idea you felt that way .

Silver wrestles with herself. “Our daughter’s death feels like a failure,” she admits, “as if we weren’t paying attention when danger stalked.” She notices beauty for the first time since the death, then wonders how she’ll ever find it again. She questions, doubts, and guesses, seemingly in real time. There’s no divide between innocence and experience: the song is both.

• Past Sense vs. Present Sense

Memoir conveys a sense of the past, even if the events happened recently. The author has emerged and looks back to articulate meaning. Whether written in past or present tense, what’s palpable is the past sense . The author asks, what happened?

Müller signals the past sense with his opening line: “The first couple years we were in America…” It’s a before-time story, one that proved pivotal in some way. The author can examine the past because his life is different now. To underscore, Müller uses the past real conditional tense: “We’d play under the shadows of the cherry trees.” Memoirists use this tense to convey the general past in a way that feels both fresh and wistful.

In personal essay, there’s a sense things aren’t buttoned up. The author writes not to articulate meaning, but to find meaning in the first place. Personal essay feels open, like a thought experiment. The author asks, what is happening?

Silver’s first paragraph lists inspirations for her trip, ending with, “the need comes after our fifty-year-old daughter dies on a midsummer’s morning and we are numb: wanting to flee the sadness, not knowing how to move forward.” She’s in limbo: “I don’t know the answer, don’t know how I should grieve.” She repeatedly questions. About a missed chance to see the northern lights, she wonders, “Had we seen them, I might have latched on to the experience as a sign of—what? Hope? Resolution? Transformation?”

It’s true that memoir and personal essay often blend. New, hybrid forms emerge. Undefinable forms. So why draw lines between them?

I tell my students that understanding is power; when you get into your writing workshop, sharpen your tools, practice your craft moves, shape your piece . If we know what makes a memoir, we can push that much deeper into our past, search for the particular nerve that will animate our past selves, give us ah-ha insights. And if we know what makes a personal essay, we can reach that much wider into the tangle of free-floating human stories, search for, maybe even find, connections that change everything.

References and Resources:

• Faulkner, Sandra L., and Sheila Squillante. Writing the Personal: Getting Your Stories onto the Page . Rotterdam, The Netherlands: Brill | Sense, 2016.
• Miller, Brenda, and Suzanne Paola. Tell It Slant: Writing and Shaping Creative Nonfiction. New York, NY: McGraw-Hill, 2005.
• Müller, Matthew Zanoni. “ Fits and Starts .” Hippocampus Magazine (December 2013).
• Silver, Linda Anne. “ The Capacity of a Human .” Hippocampus Magazine (May 2020).
• Silverman, Sue William. “The Meandering River.” The Writer’s Chronicle (September 2008).

Meet the Contributor

  2 comments for “ CRAFT: What’s the Difference Between Memoir and Personal Essay? by Suzanne Farrell Smith ”

This was so helpful, I even took notes! Thank you for writing this.

As fabulous as ever, Suzanne. Love, Aunt Mary

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What are the differences between narrative and descriptive writing?

What are the differences between narrative and descriptive writing? What should we keep in mind while writing it?

• 2 Can you clarify this question by telling us where you encountered these terms, and what the context is? This is difficult to answer otherwise. –  Goodbye Stack Exchange Commented Jun 9, 2014 at 5:45

7 Answers 7

Narrative writing tells a story or part of a story.

Descriptive writing vividly portrays a person, place, or thing in such a way that the reader can visualize the topic and enter into the writer’s experience.

See here and here .

So in narrative writing, the writer is perfectly capable of telling you the plot of the story, while in descriptive writing there does not have to be a plot, but something has to become very easy for the reader to visualize.

Let's look at the Lord of the Rings. The way J.R.R. Tolkien describes a hobbit is very descriptive, and the reason the movies were so successful was not only because the story was told correctly (the book being narrative writing also), but because the readers did not have to come up with their own imagination of a hobbit (or other figures, places, and such). They were described in detail, giving everybody a very precise framework of imagination to work from. Therefore everybody could relate to and agree upon the characters and the make-up of the artists.

• @malach how do I know, that I should stop description and go on narration? –  gaussblurinc Commented Apr 16, 2013 at 17:28
• 1 The 'here' and 'here' links a broken –  alan Commented Mar 16, 2017 at 17:35
• Descriptive Writing paints pictures with words or recreates a scene or experience for the reader.
• Narrative Writing on the other hand, relates a series of events either real or imaginary or chronologically arranged and from a particular point of view.

For short, the descriptive is to describe and the narrative is to tell information.

Narrative - is when the author is narrating a story or part of a story. Usually, it has introduction, body and its conclusion. It let readers create their own imagination. It may be exact as what the author wants to express or not.

Descriptive - describing what the author wants to impart. It expresses emotion about its certain topic. It leads the way and not letting you fall out of nowhere.

Differences Narration often employs first person point of view, using words like "I" and "me," while other modes including description do not. The biggest difference between the two is that a narrative essay includes action, but the descriptive essay does not. Narration follows a logical order, typically chronological. In contrast, description typically contains no time elements, so organize descriptive essays by some other reasonable means, such as how you physically move around in a space or with a paragraph for each of the senses you use to describe.

The core of narrative writing is strong verbs. Descriptive writing might have some verbs, usually weak ones, but the main tools are nouns and adjectives.

Narrative writing involves the writer's personal experience and he tells it in the form of story.. e.g my first day at college descriptive writing involves the characters observed by five senses and does not contain a plot

• 1 Can you add a contrast to what descriptive writing is? And maybe provide some links to support this? –  Nicole Commented May 12, 2015 at 18:42
• 2 Can you edit to expand this? We're looking for longer answers that explain why and how, not just one-liners. Thanks. –  Monica Cellio Commented Jan 13, 2016 at 23:39

Narrative is the experience of the narrator in his own words whereas descriptive story is analysis of any topic desired..

• 3 "descriptive story is analysis of any topic desired" By that logic, an academic essay or a political polemic would be descriptive writing. –  Goodbye Stack Exchange Commented Oct 27, 2014 at 2:49
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Frequently asked questions

What’s the difference between a narrative essay and a descriptive essay.

The key difference is that a narrative essay is designed to tell a complete story, while a descriptive essay is meant to convey an intense description of a particular place, object, or concept.

Narrative and descriptive essays both allow you to write more personally and creatively than other kinds of essays , and similar writing skills can apply to both.

Frequently asked questions: Writing an essay

For a stronger conclusion paragraph, avoid including:

• Important evidence or analysis that wasn’t mentioned in the main body
• Generic concluding phrases (e.g. “In conclusion…”)
• Weak statements that undermine your argument (e.g. “There are good points on both sides of this issue.”)

Your conclusion should leave the reader with a strong, decisive impression of your work.

Your essay’s conclusion should contain:

• A rephrased version of your overall thesis
• A brief review of the key points you made in the main body
• An indication of why your argument matters

The conclusion may also reflect on the broader implications of your argument, showing how your ideas could applied to other contexts or debates.

The conclusion paragraph of an essay is usually shorter than the introduction . As a rule, it shouldn’t take up more than 10–15% of the text.

An essay is a focused piece of writing that explains, argues, describes, or narrates.

In high school, you may have to write many different types of essays to develop your writing skills.

Academic essays at college level are usually argumentative : you develop a clear thesis about your topic and make a case for your position using evidence, analysis and interpretation.

The “hook” is the first sentence of your essay introduction . It should lead the reader into your essay, giving a sense of why it’s interesting.

To write a good hook, avoid overly broad statements or long, dense sentences. Try to start with something clear, concise and catchy that will spark your reader’s curiosity.

Your essay introduction should include three main things, in this order:

• An opening hook to catch the reader’s attention.
• Relevant background information that the reader needs to know.
• A thesis statement that presents your main point or argument.

The length of each part depends on the length and complexity of your essay .

Let’s say you’re writing a five-paragraph  essay about the environmental impacts of dietary choices. Here are three examples of topic sentences you could use for each of the three body paragraphs :

• Research has shown that the meat industry has severe environmental impacts.
• However, many plant-based foods are also produced in environmentally damaging ways.
• It’s important to consider not only what type of diet we eat, but where our food comes from and how it is produced.

Each of these sentences expresses one main idea – by listing them in order, we can see the overall structure of the essay at a glance. Each paragraph will expand on the topic sentence with relevant detail, evidence, and arguments.

The topic sentence usually comes at the very start of the paragraph .

However, sometimes you might start with a transition sentence to summarize what was discussed in previous paragraphs, followed by the topic sentence that expresses the focus of the current paragraph.

Topic sentences help keep your writing focused and guide the reader through your argument.

In an essay or paper , each paragraph should focus on a single idea. By stating the main idea in the topic sentence, you clarify what the paragraph is about for both yourself and your reader.

A topic sentence is a sentence that expresses the main point of a paragraph . Everything else in the paragraph should relate to the topic sentence.

The thesis statement is essential in any academic essay or research paper for two main reasons:

• It gives your writing direction and focus.
• It gives the reader a concise summary of your main point.

Without a clear thesis statement, an essay can end up rambling and unfocused, leaving your reader unsure of exactly what you want to say.

The thesis statement should be placed at the end of your essay introduction .

Follow these four steps to come up with a thesis statement :

• Ask a question about your topic .
• Write your initial answer.
• Develop your answer by including reasons.
• Refine your answer, adding more detail and nuance.

A thesis statement is a sentence that sums up the central point of your paper or essay . Everything else you write should relate to this key idea.

An essay isn’t just a loose collection of facts and ideas. Instead, it should be centered on an overarching argument (summarized in your thesis statement ) that every part of the essay relates to.

The way you structure your essay is crucial to presenting your argument coherently. A well-structured essay helps your reader follow the logic of your ideas and understand your overall point.

The structure of an essay is divided into an introduction that presents your topic and thesis statement , a body containing your in-depth analysis and arguments, and a conclusion wrapping up your ideas.

The structure of the body is flexible, but you should always spend some time thinking about how you can organize your essay to best serve your ideas.

The vast majority of essays written at university are some sort of argumentative essay . Almost all academic writing involves building up an argument, though other types of essay might be assigned in composition classes.

Essays can present arguments about all kinds of different topics. For example:

• In a literary analysis essay, you might make an argument for a specific interpretation of a text
• In a history essay, you might present an argument for the importance of a particular event
• In a politics essay, you might argue for the validity of a certain political theory

At high school and in composition classes at university, you’ll often be told to write a specific type of essay , but you might also just be given prompts.

Look for keywords in these prompts that suggest a certain approach: The word “explain” suggests you should write an expository essay , while the word “describe” implies a descriptive essay . An argumentative essay might be prompted with the word “assess” or “argue.”

In rhetorical analysis , a claim is something the author wants the audience to believe. A support is the evidence or appeal they use to convince the reader to believe the claim. A warrant is the (often implicit) assumption that links the support with the claim.

Logos appeals to the audience’s reason, building up logical arguments . Ethos appeals to the speaker’s status or authority, making the audience more likely to trust them. Pathos appeals to the emotions, trying to make the audience feel angry or sympathetic, for example.

Collectively, these three appeals are sometimes called the rhetorical triangle . They are central to rhetorical analysis , though a piece of rhetoric might not necessarily use all of them.

The term “text” in a rhetorical analysis essay refers to whatever object you’re analyzing. It’s frequently a piece of writing or a speech, but it doesn’t have to be. For example, you could also treat an advertisement or political cartoon as a text.

The goal of a rhetorical analysis is to explain the effect a piece of writing or oratory has on its audience, how successful it is, and the devices and appeals it uses to achieve its goals.

Unlike a standard argumentative essay , it’s less about taking a position on the arguments presented, and more about exploring how they are constructed.

You should try to follow your outline as you write your essay . However, if your ideas change or it becomes clear that your structure could be better, it’s okay to depart from your essay outline . Just make sure you know why you’re doing so.

If you have to hand in your essay outline , you may be given specific guidelines stating whether you have to use full sentences. If you’re not sure, ask your supervisor.

When writing an essay outline for yourself, the choice is yours. Some students find it helpful to write out their ideas in full sentences, while others prefer to summarize them in short phrases.

You will sometimes be asked to hand in an essay outline before you start writing your essay . Your supervisor wants to see that you have a clear idea of your structure so that writing will go smoothly.

Even when you do not have to hand it in, writing an essay outline is an important part of the writing process . It’s a good idea to write one (as informally as you like) to clarify your structure for yourself whenever you are working on an essay.

Comparisons in essays are generally structured in one of two ways:

• The alternating method, where you compare your subjects side by side according to one specific aspect at a time.
• The block method, where you cover each subject separately in its entirety.

It’s also possible to combine both methods, for example by writing a full paragraph on each of your topics and then a final paragraph contrasting the two according to a specific metric.

Your subjects might be very different or quite similar, but it’s important that there be meaningful grounds for comparison . You can probably describe many differences between a cat and a bicycle, but there isn’t really any connection between them to justify the comparison.

You’ll have to write a thesis statement explaining the central point you want to make in your essay , so be sure to know in advance what connects your subjects and makes them worth comparing.

Some essay prompts include the keywords “compare” and/or “contrast.” In these cases, an essay structured around comparing and contrasting is the appropriate response.

Comparing and contrasting is also a useful approach in all kinds of academic writing : You might compare different studies in a literature review , weigh up different arguments in an argumentative essay , or consider different theoretical approaches in a theoretical framework .

If you’re not given a specific prompt for your descriptive essay , think about places and objects you know well, that you can think of interesting ways to describe, or that have strong personal significance for you.

The best kind of object for a descriptive essay is one specific enough that you can describe its particular features in detail—don’t choose something too vague or general.

If you’re not given much guidance on what your narrative essay should be about, consider the context and scope of the assignment. What kind of story is relevant, interesting, and possible to tell within the word count?

The best kind of story for a narrative essay is one you can use to reflect on a particular theme or lesson, or that takes a surprising turn somewhere along the way.

Don’t worry too much if your topic seems unoriginal. The point of a narrative essay is how you tell the story and the point you make with it, not the subject of the story itself.

Narrative essays are usually assigned as writing exercises at high school or in university composition classes. They may also form part of a university application.

When you are prompted to tell a story about your own life or experiences, a narrative essay is usually the right response.

The majority of the essays written at university are some sort of argumentative essay . Unless otherwise specified, you can assume that the goal of any essay you’re asked to write is argumentative: To convince the reader of your position using evidence and reasoning.

In composition classes you might be given assignments that specifically test your ability to write an argumentative essay. Look out for prompts including instructions like “argue,” “assess,” or “discuss” to see if this is the goal.

At college level, you must properly cite your sources in all essays , research papers , and other academic texts (except exams and in-class exercises).

Add a citation whenever you quote , paraphrase , or summarize information or ideas from a source. You should also give full source details in a bibliography or reference list at the end of your text.

The exact format of your citations depends on which citation style you are instructed to use. The most common styles are APA , MLA , and Chicago .

An argumentative essay tends to be a longer essay involving independent research, and aims to make an original argument about a topic. Its thesis statement makes a contentious claim that must be supported in an objective, evidence-based way.

An expository essay also aims to be objective, but it doesn’t have to make an original argument. Rather, it aims to explain something (e.g., a process or idea) in a clear, concise way. Expository essays are often shorter assignments and rely less on research.

An expository essay is a common assignment in high-school and university composition classes. It might be assigned as coursework, in class, or as part of an exam.

Sometimes you might not be told explicitly to write an expository essay. Look out for prompts containing keywords like “explain” and “define.” An expository essay is usually the right response to these prompts.

An expository essay is a broad form that varies in length according to the scope of the assignment.

Expository essays are often assigned as a writing exercise or as part of an exam, in which case a five-paragraph essay of around 800 words may be appropriate.

You’ll usually be given guidelines regarding length; if you’re not sure, ask.

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• Narrative Writing

Narrative Writing - Definition, Types, Tips and Techniques

Narrative writing is a style of writing that uses the technique of narration to present a series of events that leads to an expected or unexpected end. In other words, it is a writing style that is used to tell a story. Read through the article to learn more about narrative writing, the types of narrative writing, and the tips and techniques you can use to write a narrative piece.

Table of Contents

What is narrative writing – meaning and definition, characteristics of a narrative – the 7 key elements, types of narrative writing, linear narrative, nonlinear narrative, descriptive narrative, viewpoint narrative, list of narrative forms, how to write a narrative piece – tips and techniques, examples of narrative writing, frequently asked questions on narrative writing.

A narrative gives an account of events that happen at a particular time and place; it can be fictional or non-fictional. The Oxford Learner’s Dictionary defines a narrative in three different ways – “a description of events”, “the part of a novel that tells the story, rather than the dialogue”, and “a way of explaining events to illustrate a set of aims or values”. The Concise Oxford Dictionary of Literary Terms explains ‘narration’ as “the process of relating a sequence of events”, and a ‘narrative’ as “a telling of some true or fictitious event or connected sequence of events, recounted by a narrator to a narratee (although there may be more than one of each)”.

A narrative includes the smallest of details to the most important information. It is a mixture of these that make the narrative interesting, informative and appealing. A narrative, especially when written in the form of a story, must have the following elements.

• Point of view

Characters refer to the animate and inanimate objects that are involved in the story. They drive the story from the beginning till the end. A narrative story can have just one character or a number of characters, all of them contributing to the process in the most minute or most noticeable way.

Setting refers to the surroundings where the story or the events being narrated happen. It can be any place – a house, a forest, a car, a classroom, a playground, a bus, the middle of the road, etc. The setting of the narrative plays an important role in setting the mood of the entire piece.

Plot refers to all the events that contribute to the story. It has a starting point – the exposition – where the story begins, and the characters and the setting are introduced to the audience. This is followed by the rising action – the point where the main character(s) faces an impediment that disturbs the course of the narrative. Climax comes next and is the turning point in the story, which then leads to the falling action. It is here that the problem starts resolving. This finally leads the story to a conclusion. In simple words, it can be said that the plot is the order in which the events take place.

Conflict is the point of tension in the narrative where a problem arises. This point changes the course of the narrative and leads it to the expected or unexpected end.

Theme refers to the central idea the narrative is based on. The whole piece revolves around it. Popular themes include good and evil, justice, love, friendship, brotherhood, change, music, etc.

Style is characterised by the kind of language used by the writer to narrate, and this differs from genre to genre.

Point of view refers to who tells the story. It can be a first, second or third-person narrative. First-person narration is when a character who is part of what is happening tells the story from their perspective. It is characterised by the usage of pronouns such as ‘I’, ‘me’, ‘my’, ‘mine’, ‘myself’, ‘we’, ‘us’, ‘our’, ‘ourselves’, ‘ours’, etc. Second-person narration is characterised by the usage of pronouns such as ‘you’, ‘your’, ‘yourself’, and ‘yourselves’. Third-person narration is when there is a narrator (a character who is not part of the story) or a character in the story who narrates what is going on in the story. It is done with the usage of pronouns such as ‘he’, ‘she’, ‘it’, ‘they’, ‘his’, ‘hers’, ‘him’, ‘hers’, ‘their’, ‘theirs’, ‘himself’, ‘herself’, ‘themselves’, etc.

Narratives can include historical pieces, novels, short stories, epics, ballads, etc. Poetry can be narrative too. An example of a narrative poem would be ‘Snake’ by D.H. Lawrence. However, narrative writing can be divided into four main types, namely,

• Descriptive

In this type of narrative, the writer follows a chronological order of narration. The fictional or non-fictional narrative is presented from the beginning till the end. Bildungsroman (also known as coming-of-age novels) follow the linear narrative style. ‘The Catcher in the Rye’ by J.D. Salinger, ‘The Adventures of Huckleberry Finn’ by Mark Twain, ‘Great Expectations’ by Charles Dickens, etc., are some famous examples of linear narratives. Historical pieces, biographies and autobiographies are also forms of writing that follow a narrative style.

The movie ‘Moana’ is a perfect example of a linear narrative. It starts with Moana as a little girl who is taught all about her culture and her duties towards her tribe. This style perfectly supports the theme and the plot. You see that Moana is always drawn to the ocean, identifies the purpose of her life and travels across the ocean to save her people from complete doom.

A nonlinear narrative is one in which the happenings are not narrated chronologically. This is the kind of narrative that includes flashbacks. It starts at a point and goes back and forth. Most suspense thriller novels and movies follow this style of narration. There are also lighter themes that are presented in this fashion. ‘Wuthering Heights’ by Emily Bronte, ‘The Sound and the Fury’ by William Faulkner and ‘Catch-22’ by Joseph Heller are some examples of novels that follow the nonlinear narrative style.

Stream of consciousness is a nonlinear narrative technique that presents all the thoughts and feelings that go on in the mind of the narrator as things happen. Through this technique, one can also portray the character’s flow of thoughts in a realistic manner. James Joyce’s novel ‘Ulysses’ is a well-known example that uses this technique.

The series ‘This Is Us’ is a great example of the nonlinear narrative style. You will see the story of the Pearson family always oscillating between the past and present. Every episode is a series of events that happened on the same day during the different stages of their lives or the same emotion experienced by the different characters. This is an effective way of telling a story as it keeps the viewers always wanting to know more.

This is a narrative style in which the audience is made to see and feel the characters’ world. In a descriptive narrative, the writer uses descriptive words and phrases that create vivid images in the minds of the readers. ‘The Perks of Being a Wallflower’ by Stephen Chbosky, ‘The Song of Achilles’ by Madeline Miller, and ‘The God of Small Things’ by Arundhati Roy are some examples of descriptive narrative.

Most of you may have watched both ‘Avatar’ and ‘Avatar: Way of the Water’. The descriptive technique is used in both movies. The way of the Avatar realm is portrayed in a manner that makes the audience feel one with the characters and the setting.

A viewpoint narrative is a style of writing in which there is the presence of a first, second or third-person narrator. The usage of pronouns changes based on who narrates the happenings in the story. The most common viewpoint narratives seen are the first-person narrative and the third-person narrative. Autobiographies are written in the first-person point of view, and biographies in the third-person point of view.

‘The Fault in our Stars’ by John Green and ‘To Kill a Mockingbird’ by Harper Lee are examples of a first-person narrative. ‘Little Women’ by Louisa May Alcott and ‘Beloved’ by Toni Morrison are two among the many examples of third-person narratives. There are not as many books in the second-person narrative as in the first and third-person narratives. However, there are some that are wonderfully presented. ‘Ghost Light’ by Joseph O’ Connor and ‘If on a Winter’s Night a Traveler’ by Italo Calvino are novels written in the second-person narrative. Try reading these novels and analyse the kind of effect the different viewpoints have on the readers.

Piscine Molitor Patel (Pi), the protagonist, narrates throughout the movie, ‘The Life of Pi’, thereby rendering it an example of a first-person narrative. Bagheera, the panther in ‘The Jungle Book’, narrates how Mowgli came to live with the wolves and all that has happened and is happening in the present. This, therefore, can be considered to follow a third-person narrative structure.

The narrative style of writing is commonly employed in the following forms.

• Short stories
• Biographies
• Autobiographies
• Travelogues

Here are some tips and techniques you can follow to write a good narrative piece.

• Before you start writing your first draft, brainstorm your ideas.
• You will not know what will inspire you. So, when you talk to people, pay attention to how they are narrating; read the works of different authors in the genre that you are planning to write; explore the different voices and employ them creatively to suit your characters and narrative on the whole.
• Jot down who your characters are and how you expect them to be; visualise the setting and lay out the details; think about the point at which you want your narrative to start and end.
• The point of view you are using to narrate plays a major role. If you want your readers to be a part of what is happening, use the first-person point of view. This will help your readers see and feel it just like you do. If you want your readers to be a spectator and analyse everything, you can use the third-person point of view. Contrary to both, if you want your readers to be a part of everything and have their own experiences, use the second-person narrative.
• Remember that you can have more than one narrator. Using multiple narrators will help you build different perspectives of a given situation.
• Use descriptions to give your readers a magnified and clearer view of the setting and characters.
• Have a strong theme and see to it that it reaches your audience.
• Bear in mind that every word matters. The diction you choose and the manner in which you employ them to form sentences is what builds the desired effect.
• Also, remember that you need not stick to one narrative style. For instance, you can write a linear or nonlinear descriptive first-person narrative. Do not limit yourself too much with the style. Choose what suits your narrative best and use them in the best possible way.
• When you write, you have your freedom. Make up your own techniques, style, and use literary devices to support your writing. Nothing works better than authenticity.
• Allow your creative mind to work at its own pace. Do not interrupt or force the flow of thoughts.
• Proofread before you finalise the final draft.

Here is an example of a narrative verse – the first few lines of the poem ‘Snake’ by D.H. Lawrence. See how the poet uses words to narrate the incident of the snake appearing at his water trough and everything that happens further.

“A snake came to my water-trough

On a hot, hot day, and I in pyjamas for the heat,

To drink there.

In the deep, strange-scented shade of the great dark carob tree

I came down the steps with my pitcher

And must wait, must stand and wait, for there he was at the trough

He reached down from a fissure in the earth-wall in the gloom

And trailed his yellow-brown slackness soft-bellied down, over

the edge of the stone trough

And rested his throat upon the stone bottom,

And where the water had dripped from the tap, in a small clearness,

He sipped with his straight mouth,

Softly drank through his straight gums, into his slack long body,

This short paragraph given below is an excerpt from the novel, ‘If on a Winter’s Night a Traveler’ by Italo Calvino. See how second-person narrative works. The narrative style makes the reader feel included and one with the characters in the story. In the following example, the writer instructs the reader to get comfortable and do everything that is necessary so as to not be disturbed in between the reading.

“Adjust the light so you won’t strain your eyes. Do it now, because once you’re absorbed in reading there will be no budging you. Make sure the page isn’t in shadow, a clotting of black letters on a gray background, uniform as a pack of mice; but be careful that the light cast on it isn’t too strong, doesn’t glare on the cruel white of the paper, gnawing at the shadows of the letters as in a southern noonday. Try to foresee now everything that might make you interrupt your reading.”

What is narrative writing?

Narrative writing is a style of writing that uses the technique of narration to present a series of events that leads to an expected or unexpected end. It can be fictional or non-fictional.

What is the definition of a narrative?

The Oxford Learner’s Dictionary defines a narrative in three different ways – “a description of events”, “the part of a novel that tells the story, rather than the dialogue”, and “a way of explaining events to illustrate a set of aims or values”. The Concise Oxford Dictionary of Literary Terms explains ‘narration’ as “the process of relating a sequence of events” and a ‘narrative’ as “a telling of some true or fictitious event or connected sequence of events, recounted by a narrator to a narratee (although there may be more than one of each)”.

What are the elements of a narrative?

A narrative, especially when written in the form of a story, must have the following elements.

What are the types of narrative writing?

Narrative writing can be characterised into four categories, namely,

• Linear narrative
• Nonlinear narrative
• Descriptive narrative
• Viewpoint narrative

List some narrative forms.

Some examples of narrative forms are epics, ballads, short stories, novels, biographies, autobiographies, and travelogues.

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