types of essay prompts

What Is a Prompt in Writing? (Ultimate Guide + 200 Examples)

Ever stumbled upon a blank page and didn’t know where to start?

That’s where a writing prompt steps in, kicking your creativity into gear and guiding your pen (or cursor) in the right direction.

What is a prompt in writing?

A prompt in writing is a starting point designed to ignite creativity, guiding writers to explore themes, genres, or emotions. It can be a word, question, image, or scenario, aiding in overcoming writer’s block.

Keep reading to learn everything you need to know about prompts in writing.

What Is a Prompt in Writing (Long Description)?

Book with lightbulb and inspiration - - What Is a Prompt in Writing

Table of Contents

A writing prompt is essentially a starting point.

Think of it as a spark designed to ignite your creativity and guide your thoughts in a specific direction.

This little nudge can come in various forms – a word, a sentence, a question, or even a picture – and serves the purpose of inspiring you to write.

Whether you’re drafting a story, an essay, or just jotting down your thoughts, prompts help overcome the intimidation of a blank page.

It sets a predefined theme or direction for your writing.

They’re not just about what you write, but how you think and approach writing, encouraging you to explore new ideas, genres, and perspectives.

Here is a good video that explains prompts in writing:

Types of Prompts in Writing

Now let’s go over different types of prompts in writing.

Common prompt types include:

The Story Starter

The question quest, picture this, the first line frenzy.

The Story Starter is your classic nudge towards narrative creativity.

It’s a sentence or scenario meant to kick off your storytelling journey, helping you dive straight into the plot, characters, or setting.

This type of prompt is great for fiction writers looking for a jumping-off point to explore various themes or genres.

It can be as detailed or as open-ended as you like, providing just enough information to spark an idea without dictating the direction of your story.

“When the clock struck midnight, she realized…”
“Lost in the forest, he stumbled upon a hidden village…”
“The last person on Earth sat alone in a room. Suddenly, there was a knock at the door…”
“In a world where magic is real, a young apprentice discovers…”
“The photograph in the old book revealed a secret that would change everything…”
“Stranded on a desert island, they found a message in a bottle…”
“On her hundredth birthday, she received a letter that took her back to her youth…”
“The map led them to a place that wasn’t supposed to exist…”
“In the midst of war, a forbidden love blossomed…”
“He inherited an old mansion, not knowing the ancestors would still be around…”

The Question Quest prompt type uses intriguing questions to push your thinking boundaries and explore ideas in depth.

It’s perfect for essays, reflective writing, or exploring complex themes and issues.

These prompts challenge you to consider different perspectives, analyze situations, and develop reasoned arguments or narratives based on the question posed.

“What would you do if you could travel back in time?”
“How would society change if humans lived to be 300 years old?”
“Is it possible to live a completely ethical life in today’s world?”
“What does true bravery look like?”
“How would the discovery of extraterrestrial life impact humanity?”
“What is the true cost of progress?”
“Can happiness be measured?”
“What role does fate play in our lives?”
“Is technology bringing us closer together or driving us apart?”
“What would you change if you were the leader of your country for a day?”

Picture This prompts use images as the springboard for writing.

A photograph, painting, or even a random doodle can unlock a flood of creativity.

Which makes it an excellent tool for both fiction and non-fiction writers.

This visual cue encourages you to dive into descriptive writing, storytelling, or even analytical essays, exploring the emotions, stories, or ideas evoked by the image.

A deserted street at dawn, with an old bicycle leaning against a lamppost.
A vintage suitcase, open and filled with letters and photographs.
A bustling market scene in a foreign country.
A child gazing out of a rain-spattered window.
A majestic mountain range under the stars.
An abandoned house, its rooms still furnished but covered in dust.
A close-up of a spider web with dewdrops.
A lively street festival, with people dancing and musicians playing.
An old, faded map with several places marked in red.
A serene lake at sunset, with a lone boat tied to a wooden dock.

The First Line Frenzy is a thrilling way to dive into a story.

These prompts provide the opening sentence of your narrative, setting the tone and direction for everything that follows.

It’s a fantastic method for overcoming writer’s block and sparking your imagination, as the initial line can lead to unexpected and exciting story developments.

“The day began with a mysterious package on my doorstep.”
“I never believed in ghosts until I moved into the old Henderson house.”
“The moment I heard the news, I knew my life would never be the same.”
“Under the light of a full moon, the city revealed its true secrets.”
“It was the kind of café you’d stumble upon once and never find again.”
“With a deep breath, I stepped into the unknown.”
“The letter, sealed with a wax emblem, contained a proposition I couldn’t refuse.”
“As the train pulled away, she realized her mistake.”
“In the heart of the ancient forest, a hidden path led to unexpected wonders.”
“The discovery promised to rewrite history, but at what cost?”

Dialogue Driven

Dialogue Driven prompts center around a snippet of conversation, offering a dynamic entry point into your writing.

This approach is particularly effective for character development and exploring relationships through direct speech.

It can set the scene, reveal personalities, and drive the plot forward, all through the power of dialogue.

“Did you really think I wouldn’t find out?” “I was hoping.”
“Why is this door always locked?” “You’re not ready to know what’s behind it.”
“Just because you can, doesn’t mean you should.” “That’s where you’re wrong.”
“The stars look different here.” “Everything does.”
“I wish I could stay.” “Then why are you leaving?”
“It’s not about what I want anymore.” “Then what’s it about?”
“I’ve never seen anything like it.” “And you never will again.”
“Can you keep a secret?” “Depends on the secret.”
“We’re not in Kansas anymore.” “We’re not even on the same planet.”
“It was supposed to be a simple plan.” “Since when does anything go according to plan?”

The Sensory Dive

The Sensory Dive prompts are designed to immerse you and your reader in vivid, sensory-rich experiences.

These prompts encourage descriptive writing that appeals to the senses, painting a scene so tangible that readers feel they can touch, taste, hear, see, and smell it.

It’s a powerful tool for creating immersive worlds and experiences.

Describe the cacophony of a bustling city market at noon.
The taste of the first snowflake of winter.
The scent of old books in a forgotten library.
The feeling of sand between your toes as waves crash on the shore.
The sight of a landscape transformed by autumn’s touch.
The sound of a distant thunderstorm approaching.
The warmth of a crackling fire on a cold night.
The chill of walking through a foggy graveyard at dusk.
The texture of an ancient, carved stone.
The silence of a snow-covered forest.

The What-If Wonder

The What-If Wonder prompts take you on a journey of imagination, exploring alternate realities and scenarios.

These prompts ask you to consider how different choices, events, or conditions might alter the world, characters, or story.

It’s an excellent way to delve into speculative fiction, science fiction, and fantasy, pushing the boundaries of reality.

What if humans had the ability to communicate telepathically?
What if gravity suddenly became a variable force on Earth?
What if you woke up 100 years in the past with your current memories intact?
What if plants were the dominant intelligent species on the planet?
What if you could see the future but only 24 hours ahead?
What if water was as rare as gold?
What if everyone had their lifespan displayed above their heads?
What if you found a door that could take you to parallel universes?
What if animals could petition for their rights?
What if dreams were actually glimpses into alternate realities?

The Emotional Rollercoaster

The Emotional Rollercoaster prompt is all about exploring the depths of human emotion, challenging you to convey complex feelings and reactions.

These prompts are perfect for delving into character development, interpersonal relationships, and personal reflection.

By focusing on the emotional landscape, writers can create compelling narratives that resonate with readers on a deeply personal level.

The moment you realized you were in love.
Feeling utterly lost in a place you once called home.
The bitter sweetness of a farewell.
Overcoming a fear that once held you back.
The complex emotions of reuniting with someone after many years.
The guilt of a lie that spiraled out of control.
The rush of achieving something you thought was impossible.
The profound sadness of losing a cherished memory to time.
The unexpected joy found in a simple act of kindness.
The peace of accepting things you cannot change.

The Genre Blender

The Genre Blender prompts encourage you to mix elements from different genres, creating unique and innovative narratives.

These prompts are excellent for writers looking to break the mold and experiment with their storytelling.

Whether it’s combining science fiction with historical fiction or fantasy with mystery, the possibilities are endless.

A detective in a dystopian future solving a crime that could change the course of history.
A romance blossoming in the midst of a zombie apocalypse.
A fantasy world where magic is dying, and technology is on the rise.
A historical drama set in ancient Rome, but with a twist of time travel.
A horror story set in space, aboard a ship with a mysterious alien artifact.
A western where the frontier towns are protected by wizards instead of gunslingers.
A cyberpunk thriller featuring a heist in a virtual reality world.
A mystery set in a magical school where the students must uncover a dark secret.
A superhero story grounded in the real-world challenges of modern society.
An adventure tale that blends deep-sea exploration with ancient mythology.

The Time Traveler’s Gateway

The Time Traveler’s Gateway prompts explore the intricacies of time travel, its implications, and its paradoxes.

This type of prompt is perfect for science fiction and speculative fiction writers, offering a playground for the imagination that challenges our understanding of time, history, and causality.

Discovering a time machine in your backyard and deciding where to go first.
A message from the future warning of an impending disaster.
The consequences of changing a small event in the past.
A society where time travel is common, but strictly regulated.
An ancient civilization that had advanced time travel technology.
Meeting your ancestors and learning their secrets.
The ethical dilemmas of using time travel for personal gain.
A love story that transcends time barriers.
The discovery that history is a construct, shaped by time travelers.
A time loop where the protagonist must solve a puzzle to escape.

The World Builder’s Dream

The World Builder’s Dream prompts invite you to create entire worlds from scratch.

This type of prompt is a boon for fantasy and science fiction writers, offering the freedom to craft unique settings, cultures, laws of nature, and societies.

It’s an opportunity to let your imagination run wild and establish the groundwork for epic tales.

A planet where the seasons last for decades.
A city built entirely on the back of a giant, wandering creature.
A society where people’s roles are determined by their innate magical abilities.
An underwater civilization that has never seen the surface.
A world where dreams can be entered and manipulated.
A floating island nation that travels the skies.
A dystopian future where memories can be bought and sold.
A kingdom where music is the source of all magic.
A realm where the night lasts half the year.
An alternate Earth where the continents never split apart.

The Unseen Perspective

The Unseen Perspective prompts challenge you to write from the viewpoint of non-human characters or entities.

This approach forces you to step outside the human experience and consider the world from a completely different angle.

It’s a fantastic way to explore themes of consciousness, nature, and the interconnectedness of life.

The life of a tree over centuries, witnessing the changes in the world.
A day in the life of a household pet during a major family event.
The thoughts of a spaceship AI as it travels through the cosmos.
The experiences of a ghost haunting an old mansion.
A story told from the perspective of a river, from source to sea.
The journey of a single leaf from sprout to falling to the ground.
The collective consciousness of a hive of bees facing environmental challenges.
The ancient spirit of a mountain overseeing its surroundings.
The adventures of a book as it passes from reader to reader, experiencing different interpretations and emotions.
The perspective of a city as it grows and evolves over centuries, through peace and conflict.

The Emotional Journey

The Emotional Journey prompts focus on the internal growth and transformation of characters.

It invites writers to delve into personal development, self-discovery, and the overcoming of obstacles.

This type of prompt is ideal for character-driven narratives, where the emphasis is on emotional depth and the evolution of the protagonist’s inner self.

A character grappling with the loss of a loved one and finding a way to move forward.
The journey of self-acceptance for someone who feels out of place in their world.
A hero facing their darkest fears in order to save what they cherish most.
A villain’s realization of the impact of their actions and their quest for redemption.
A young adult’s transition into independence and the challenges they face along the way.
The transformation of a skeptic into a believer through a series of unexplainable events.
The struggle of a character to forgive themselves and others for past mistakes.
The process of rebuilding one’s life after a catastrophic event.
A character’s journey from indifference to passionate advocacy for a cause.
The evolving relationship between two characters who start as rivals and become allies.

The Moral Dilemma

The Moral Dilemma prompts put characters in situations where they must make difficult choices, often between two equally undesirable options.

These prompts are great for exploring ethical questions, character morality, and the complexity of human nature.

They challenge writers to think deeply about what it means to make a “right” decision.

Choosing between saving a loved one or a group of strangers from danger.
Deciding whether to expose a painful truth that could destroy a friend’s happiness.
The choice of upholding the law or doing what is morally right in a corrupt society.
A character must decide whether to seek revenge or forgive an unforgivable act.
The dilemma of sacrificing personal dreams for the greater good.
Deciding whether to keep a secret that protects one person but harms others.
A leader’s choice between peace at the cost of justice or war for the sake of freedom.
The ethical implications of using advanced technology to alter human nature.
A scientist faces a moral conflict over a discovery that could change the world but has dangerous implications.
The struggle of a character who finds out that their entire life is based on a lie and must choose how to react.

The Creative Challenge

The Creative Challenge prompts are designed to push the boundaries of conventional storytelling.

It encourages experimentation with narrative structure, style, and content.

These prompts invite writers to play with unconventional formats, such as a story told in reverse, a narrative composed entirely of dialogue, or a tale that weaves multiple perspectives into a cohesive whole.

A story told through a series of diary entries, each revealing a piece of the puzzle.
A narrative structured as a series of text messages between characters.
A tale that begins with its conclusion and works backward to the start.
A story where each chapter is from the perspective of a different character, all revolving around a single event.
A narrative composed entirely of letters sent between two characters.
A story told through the lens of an inanimate object witnessing events unfold.
A tale that intertwines the past and present, revealing how they mirror and affect each other.
A narrative that challenges the concept of linear time, mixing moments from various points in the characters’ lives.
A story where the setting changes in each chapter, influencing the plot and characters in unique ways.
A narrative that plays with genre conventions, blending elements from different genres in unexpected ways.

Final Thoughts: What Is a Prompt in Writing?

I hope this guide “prompts” you to understanding, creativity, and motivation to write.

Check out some of our other great guides below.

Center for Excellence in Teaching and Learning

Developing writing prompts.

A writing prompt introduces and focuses the writing topic. The purposes of a writing prompt are to encourage the student’s interest in a topic and encourage them to write about it in a thoughtful and creative way. While an effective prompt introduces and limits the writing topic, it should also provide clear instructions about the writing task.

An effective writing prompt includes two basic components;

A situation: The situation presents the general topic students are to write about. It is intended to spark the students interest and be consistent with their experience; and
Directions: The directions, describing the task students must complete, should be stated in a way that encourages students to share their knowledge and experience or inspires their thought and creativity.

When developing a writing prompt, the instructor should consider:

Essay type : The type of essay can influence the type and content of the prompt. When writing a prompt, first determine which type of essay the students will be writing. Common essay types include: argument, descriptive, expository (also known as evaluative, reflective, or analytic), narrative, opinion, and persuasive.
Prompt construction: One useful approach to prompt writing is to break it into three parts. The first part introduces the topic to the students; the second part encourages students to think about the topic, possibly with a pre-writing activity in which students brainstorm for ideas; the final part describes the writing task
Brevity: Writing prompt should be short and focused to avoid confusing students, but the instructor must ensure they provide sufficient information in order for students to clearly understand the assigned writing task.
Repetition: The parts of the prompt may be repetitive. Using parallel wording helps students remain focused on the specific writing task.
Bias and sensitivity: Topics should be inclusive of and equitable to all of your students. Prompts should be written in a manner that all students will have knowledge and experience to understand them regardless of cultural and other factors. Prompts should avoid cultural, ethnic, gender, or other stereotyping.

Writing prompt construction:

Part 1. Introduce the topic or writing situation with a statement or generalization to orient the student to the topic.
Part 2. Encourage students to brainstorm and to make a personal connection with the topic. The instructor might include specific ideas promote ideas.
Part 3. Describe the writing task, purpose, and audience. The instructor should provide sufficient information for the students to fully understand their task.

Before writing your prompt, be sure to determine the purpose of the assignment, how the assignment aligns with the learning objectives, and the criteria evaluate the writing, and, finally, which type of prompt will achieve those goals best. Writing prompts can be:

Descriptive: Asks students to create or describe an image or experience;
Narrative: Describes a real or fictitious scenario and invites students to tell a story about it;
Expository: Asks students to provide information about a topic. or
Persuasive:. Presents an opinion or viewpoint, requiring students to take a stance and defend it.

Descriptive Prompts

Descriptive prompts often contain cue terms, such as “describe in detail”, “describe how something looked/felt/smelled/tasted”, to help the reader to experience the same thing. This is in contrast to an expository prompt which would ask the student explain or tell “why”. Example descriptive prompt

Many people have a favorite childhood toy. Sometimes these favorite childhood toys are not even expensive but were giving to you by someone special or as a reward.. Think about your favorite toy. It could be a stuffed animal or doll. It could even be the toy you made out of an everyday object, such as a blanket. Think about this favorite childhood toy, memories created with this toy, what it looked like, how it felt to have it with you. Write an essay that will be posted in your e-portfolio in which you describe your favorite childhood toy. Make sure you provide enough details so your readers can see it and feel what it is like to be there.

Narrative Prompts

Narrative writing recounts a personal or fictional experience or tells a story based on real or imagined events. Narrative writing is often characterized by insight, creativity, drama, suspense, humor, and/or fantasy. Narrative prompts use cue terms such as “tell about…”, “tell what happened”, or “write a story.” Similar to descriptive prompts, narrative prompts should avoid asking the students to explain “why.”

Example Narrative Prompt

Vacations can create some wonderful and not-so-wonderful memories. Sometimes vacations turn out to be funny, strange, scary, or weird. Think about a vacation with your family or friends that either became a favorite memory because it was the best, strangest, funniest, or worst vacation. Think about what you did, what else was happening at the time, where you were, who was involved, and the time of day or year it happened.

Write a story about the best, strangest, funniest, or worst vacation. Make sure you include enough details so the instructor can understand and follow your story.

Expository Prompts

Expository writing informs, clarifies, explains, defines, and/or instructs. Problem and solution, cause and effect, and how-to essays are subtypes of expository writing. Expository writing is guided by a purpose and with a specific audience in mind, therefore the voice and essay organization must align with the subject and audience. Expository prompts use the cue words: why, how, what, and explain.

Example Expository Prompt

Some animals have evolved to live and thrive under extreme climate conditions or to eat a very specific diet. Think about an animal that has evolved to live under extreme climate conditions or to eat a very specific diet. Think about where this animal lives, what the climate conditions are like, the types of food it eats, and how it gets its food. Think about the possible advantage and disadvantages for the animal of living in this habitat or eating this diet. Write an essay for your e-portfolio that identifies the animal and its unique habitat or diet and explains (with specific details to support your explanation) why it is an advantage for the animal to have evolved this way.

Persuasive Prompts

Persuasive writing is intended to convince the reader that a point of view is valid or to take a specific action. Persuasive writing should address the strengths and weakness of both sides of an issue but ultimately support one perspective. Persuasive prompts use the cue words “convince”, “persuade”, and “why,” rather than using terms like “how.”

Example Persuasive Prompt

Some parents are concerned about administering vaccines to their infants and children because they believe vaccines can lead to autism. Your sister who is currently pregnant is considering not vaccinating her child. Think about whether you agree or disagree with her plan to not vaccinate her child. Think about the advantages and disadvantages of vaccinating a child and what the scientific literature says. Write a letter to your pregnant sister in which you state your opinion on the decision to not vaccinate. Include enough specific details to support your opinion and to convince your sister that your position on the issue is correct.

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English & EAL

The Five Types of Text Response Prompts

June 4, 2012

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Go ahead and tilt your mobile the right way (portrait). the kool kids don't use landscape..., last updated 20/10/19.

Planning is an essential part of any successful text response essay. It helps you ensure that you’re answering the prompt, utilising enough quotes and writing the most unique and perceptive analysis possible! The hard part of this is that you only have about FIVE MINUTES to plan each essay in the Year 12 English exam… (more info on the best way to tackle that challenge in this video !)

So, I developed the FIVE TYPES of essay prompts to help students streamline their planning process and maximise every minute of their SACs and exams.

By identifying the type of prompt you’re being challenged with immediately, a number of parameters or guidelines are already set in place. For a specific type of prompt, you have specific criteria to meet – for example, in a metalanguage-based prompt , you immediately know that any evidence you brainstorm in your planning stage should be based around the literary techniques used in your given text.

If you’d like the full picture on our best FREE advice on Text Response, check out our Ultimate Guide to VCE Text Response here .

1. Theme-Based Prompt

‘Ambition in the play Macbeth leads to success.’ Discuss. ( Macbeth )

When you’re presented with a theme-based prompt, you can automatically shift your brainstorming and planning towards the themes mentioned in the prompt along with any others that you can link to the core theme in some way.

In regard to this Macbeth prompt, for example, you could explore the different ways the theme of ambition is presented in the text. Additionally, the themes of guilt and power are intimately related to ambition in the text, so you can use those other ideas to aid your brainstorming and get you a step ahead of the rest of the state come exam day.

2. Character-Based Prompt

‘Frankenstein’s hubris is what punishes him.’ Discuss. ( Frankenstein )

These prompts are pretty easy to spot – if you see a character’s name in the prompt, there you have it; you have a character-based prompt on your hands.

Once you know this, you can assume that each example you brainstorm has to be relevant to the specific character named in the prompt in some way. Also, you can explore how the actions of characters don’t occur in isolation – they’re almost always interrelated. Remember, however, that the actions of characters are always connected to the themes and ideas the author is trying to convey.

This type of prompt also grants you some freedoms that other types don’t give. For example, unlike a Theme-based prompt, a character-based prompt means that it’s perfectly fine to write about characters in the topic sentences of your body paragraphs.

3. How-Based Prompt

‘How does Grenville showcase Rooke’s inner conflict in The Lieutenant ?’ ( The Lieutenant )

Unlike other prompts, the ‘How’ positions you to focus more on the author’s writing intentions. This can be achieved by discussing metalanguage – language that describes language (read my blog post about it here ). These prompts tell you immediately that you need to be thinking about the literary techniques explored in the text and explain how they affect the narrative.

Rather than using specific techniques to frame your specific arguments, it’s best to use them as evidence to support arguments that attack the main themes/ideas mentioned in the prompt.

4. Metalanguage or Film-Technique-Based Prompt

‘Hitchcock’s use of film techniques offers an unnerving viewing experience’. Discuss. ( Rear Window )

This type of prompt is very similar to How-based prompts, specifically in the fact that the discussion of literary techniques is essential.

For this type of prompt specifically, however, the actual techniques used can form more of a basis for your arguments, unlike in How-based prompts .

5. Quote-Based Prompt

“Out, damned spot!” How does Shakespeare explore the burden of a guilty conscience in Macbeth ? ( Macbeth )

Countless students ask me every year, “What do I do when there’s a quote in the prompt?!” My reply to these questions is actually fairly straightforward!

There are two main things that you should do when presented with this type of prompt. Firstly, contextualise the quote in your essay and try to use it in your analysis in some way. Secondly, interpret the themes and issues addressed in the quote and implement these into your discussion. The best place to do both of these is in a body paragraph – it weaves in seamlessly and allows for a good amount of analysis, among other reasons!

When faced with unknown prompts in a SAC or your exam, it's reassuring to have a formulaic breakdown of the prompt so that your brain immediately starts categorising the prompt - which of the 5 types of prompts does this one in front of me fall into? To learn more about brainstorming, planning, essay structures for Text Response, read our Ultimate Guide to VCE Text Response .

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Now quite sure how to nail your text response essays? Then download our free mini-guide, where we break down the art of writing the perfect text-response essay into three comprehensive steps. Click below to get your own copy today!

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"You're going off topic"

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Plans are one of the most ignored (and underestimated) steps in the essay writing process. Some people don’t do them simply because they don’t want to, some sacrifice them because they think they’ll run out of time, and some do ‘plans’, but in reality, they’re only a rough mental outline. Each of these situations place too many students time and time again in sticky situations come an English SAC or exam.

Why plans are essential for any good essay

They ensure that you can’t mind blank — it’s all on the paper in front of you!
They ensure that you always stay on topic.

Mental plans or not having a plan at all mean that you don’t have a true direction in which your essay is going. If you’re not sure where you’re going, well, how are you going to get anywhere?

They save you time in writing time.

Instead of wasting reading time, you’ve done most of your thinking right at the beginning of the SAC or exam, positioning you to do really well in your essay because you can focus on constructing some really juicy, coherent analysis in your body paragraphs, rather than remembering your basic points and/or making sure your essay is actually answering the question.

Let’s have a look at an essay topic that I’ve tackled in the past. This one is based on Kate Grenville’s The Lieutenant , a current VCE Year 12 English text. To learn more about themes, quotes, characters about this text, and to have a look at an essay topic breakdown, check out this blog post written by outstanding LSG tutor, Angelina !

“But a man could not travel along two different paths.” How does Grenville explore Rooke’s conflict of conscience in The Lieutenant ?

Step 1: Highlight key words

Now, it may seem like I've just highlighted the whole prompt, and I understand why you might think that! However, each of the words highlighted convey something meaningful within the prompt. If you're ever unsure about what could be considered a key word, consider whether the prompt would have the same meaning without the word in question.

Step 2: Define key words

In this topic, the main phrase that needs defining is ‘conflict of conscience’. For me, this signals that we must consider morality and the weighing up of right and wrong, especially when tough decisions have to be made.

I’d also take a moment to analyse the quote. This essay prompt is quote-based, so it’s imperative that we discuss the quote and consider the meaning of the quote throughout our essay. For some more detailed info on how to tackle different types of essay prompts, check out this blog post.

Step 3: Start essay plan

Next, I’d start tackling the plan itself. Although it seems like the above steps would take a while, my real-life planning process only takes about 5 minutes. You certainly don’t have to write everything down and you certainly don’t have to make it make sense to anyone but yourself.

Personally, I like to format my plans in dot-point form. I write 1, 2, 3 for each of my body paragraphs and I leave a space underneath each so I can plan each paragraph.

First, I’ll just write rough topic sentences under each, so I can really step back and consider whether my plan of action for the essay’s body paragraphs will do a good job at answering the prompt itself. Again, these are only rough topic sentences — fancying them up will come during the essay writing phase.

Step 4: Important things to include in each paragraph

Once I’ve decided on what each of my body paragraphs will be about, I can them go into a bit more depth for each of them individually.

These are the elements that I include for each:

Essentially, the points that I’ll argue and the reasoning behind the paragraph

The evidence that I’ll be using to reinforce my point(s).

Literary devices/metalanguage

In Year 12, I made a conscious effort to include one literary device or metalanguage example per body paragraph in all of my English essays. This really set me apart from the rest of the state because, in reality, not enough students really focused on the language of their texts, which can really impress examiners.

Strategy: Colour-coded plans

For me, using different colours in my plans helped me organise my thoughts, distinguish between them, and ensure that I had covered everything that I wanted to cover.

Obviously, you can come up with a colour system that works for you, but this is what I came up with:

Green = metalanguage
Red = quotes
Black/blue = everything else!

And that’s it — my four-step but five minute essay planning process. Don’t be afraid to modify this to make it work for you and your needs. However, definitely DO be afraid of not planning — it’s absolutely essential for any good essay.

Happy planning!

[Video Transcription]

Hey guys. I've been doing a load of essay topic breakdowns for you guys, and we've been looking at plans for them, so I thought I would actually show you how I actually do a real life plan, one that I would do on paper if I was preparing for a SAC or an exam, as opposed to the ones that I do on YouTube because the ones that I do on YouTube are slightly different. I definitely go into more detail than I normally would. But at the same time I still do use the same concepts as I would when I do read the steps on YouTube. So I'm going to go and show you that today. And before I actually do that, I just want to preface this and tell you guys why doing a plan is so important. So I know that a plan is something that one, a lot of people just don't do, or two, they tend to sacrifice it if they feel like they don't have enough time, or three, they do a plan in their head, but they don't actually write it down on paper. Now, all of these things are pretty detrimental for you, especially because when you write a plan, it actually helps to secure you and ensure that one, you're not going to mind blank throughout your essay or let me rephrase that, if you do mind blank throughout your essay, you will still have a piece of paper in front of you telling you, "This is what you were thinking Lisa, just go and follow this method or what you've written down here." So that way you don't just get stuck in the middle of your essay and start having a freak out because you've forgotten what you were supposed to write. Second thing is that it ensures that you don't go off topic. This is something that happens quite frequently. If you don't have a plan, then you have this idea of, "Oh, I'll write this and this", and then somehow halfway through an essay, halfway through a paragraph, you realize, "Holy crap, I have completely veered off the topic or this has gone completely in the other direction from what I intended. This is not what I wanted." So in order to prevent that from happening, just do a plan, please! You will find that it ends up saving you so much time and it just gives you that reassurance that you need in situations where there are so many unpredictable factors, like what prompts you're actually going to get. And your focus and attention should be more about developing those ideas, rather than having a mind blank in the middle of your essay and then having a little bit of a freakout as a result. So I'm going to base this video on a previous essay topic breakdown in the past, and that is on Kate Grenville's The Lieutenant. I was going to say Lieutenant, because I always accidentally say that, but no, it is Lieutenant. Now, if you are not doing as text as always, don't stress about it because what I want you to take away from this video is how you actually do plans, the thinking that goes behind it and the formatting around it. So let's just get started. The essay topic that we're doing today is, "But a man could not travel along two different paths." How does Grenville explore Rooke's conflict of conscience in The Lieutenant. So as always, my first step is I will highlight the keywords that I see inside the prompt. Keywords are different for everyone, but these are the ones that I think are most important. Firstly, the actual quote itself, how Grenville, conflict of conscience. Pretty much in this case I could probably just highlight the entire thing, but for the sake of just defining some keywords, this is what I would do. So the next step is to define key words. I think the only big key word that I need to define here is conflict of conscience. And so to me, the conflict of conscience suggests internal conflict, which implies that we'll need to consider morality and the concepts of right and wrong, especially when a difficult decision must be made and sides need to be taken. So as you can see, I've written these words down next to the keyword and that will just help me ensure that I stay on topic or I stay in tune with what the keyword is about and I don't suddenly change my mind halfway through the essay. Then what I'll do is, I will analyze the quote itself. So this is unique because this particular essay prompt has a quote inside it, but I'll have to think about, okay, where did I see this quote? Who might've said it and what might it mean? And I'll draw it down a few notes for that. Then I'll pretty much just go straight into my plan. Now, my plans I've written within five minutes, most of the thinking is actually done during reading time. So personally, I've always found that just writing dot points is completely fine. I don't need to go more beyond that. And I'll show you a few examples now of real life year essay plans that I did during that time. And as you can see, they are pretty much just scribbles and if anybody else was to look at my essay plans, they would have no idea what I'm talking about. But you know what, for me it makes complete sense and that's all that matters. You're not graded on your plan, so just go ahead and do it your way. You do you. So what I'll do is I'll quickly dot down one, two, three, and these represent my body paragraphs. Then I'll just write down very quickly what the topic sentences will be. I don't actually write the full topic sentence itself, but I guess the essence of it, so the key things that I will mention in the topic sentence. By writing down the three topic sentences, this allows me to take a step back and look at the essay holistically and ensure that I am answering it the way that I want to. Then what I'll do is I'll move into each individual body paragraph and write down some things that I think are important for me to remember when I go ahead and write it. So I might write down a couple of ideas that I think are important. I will write down quotes that I think are essential to my discussion. And then what I'll do is I will throw in at least one literary device or a metalanguage that I think is important to discuss. So in this case, in this first body paragraph, it's limited omniscient third person perspective. By throwing this in, I will ensure that I can show my examiner or show my teacher that I can go on that deeper level. I'll repeat this method with both paragraph two and three. Of course for you, you might need to write down more dot points. You can write fewer dot points, it's really just dependent on every individual. If you are somebody who needs to write down the quotes more, then go ahead and do that. But for me, a lot of the quotes will stick in my head. I just need one point just to bounce off, and then from there, I'm able to pull in all of the other quotes that are necessary. You also notice that I do things in different colors. Now, I think this is a strategy that I implemented in order to make things a lot clearer for myself before jumping into an essay. So for example, for anything that's a metalanguage based, I'll write it in green. The whole purpose for that is to ensure that in every single body paragraph, I do cover some form of a literary device because that was always really important for me. I thought that it was one of the key things that helped me differentiate myself from other students. So if I took a step back from the plan and I looked at it overall, I could see, okay, there's a green color in every single body paragraph, done. I have ticked off that criteria. I also used to write quotes in red as well. So red just helped me do the same thing. It helps me take a step back and go, "Yep, there's a bit of red in every single body paragraph. I'm definitely including quotes," which might sound pretty stupid, but it's just that little bit of reassurance that I think really makes that difference when it comes to a stressful situation. That's pretty much it. It's just five minutes of your time, so we probably don't need to go into it in too much more detail than that. But as you can see from my essay plans, I'm quite minimal. I just keep things as short as possible because that's all I really need because a lot of the information is here, but I just need to reinforce it and ensure that it is concrete when it is on paper. So for yourself, I would recommend that you start practicing your plans. You can try my method and see if that works for you, but over time, I'm sure that you'll come to find your own way of writing plans that work for you. Next week I'm going to have another essay topic breakdown for you. Can you guess what it might be? If you want to take a stab, put it in the comment section below, but that's it for me in this week guys. I hope that was helpful for you, and don't forget plans are crucial to an amazing essay. If you needed any extra help, then my mailing list is always available for you guys. I send out emails every single week just giving you new advice and tips for your studies, so I'll put that in the description box below for you to sign up. Other than that, I will talk to you guys next week. Bye!

We've curated essay prompts based off our The Golden Age Study Guide which explores themes, characters, and quotes.

Before getting started on your own essay writing using our essay topics, feel free to watch the video below where Lisa brainstorms and breaks down the topic:

"The Golden Age is primarily a tragic tale of isolation. Discuss"

If you're looking for more support, including a sample The Golden Age essay, Vindhya (English study score of 46) offers her take on how to write an essay in Dissecting an A+ Essay .

LSG-curated The Golden Age essay topics

1. “Being close made them stronger.” In The Golden Age , adversities are tempered by camaraderie. Do you agree?

2. Despite the grim context, The Golden Age highlights and celebrates the potential of life. Discuss.

3. Memories of past successes and failures have significant lingering effects on characters in The Golden Age . Is this an accurate assessment?

4. “[I would be] a fox, following a Palomino.” How do animals such as these contribute symbolically to The Golden Age ?

5. It is largely loneliness which defines the struggles of the children in The Golden Age . Discuss.

6. In what ways is The Golden Age a novel of displacement?

7. Fear of the unknown is something which permeates The Golden Age . Is this true?

8. What is the role of family in Joan London’s The Golden Age ?

9. Isolation in The Golden Age exists in many oppressive forms. Discuss.

10. Throughout The Golden Age , London draws attention to beauty rather than to suffering. Discuss.

11. In spite of their youth, it is the children of The Golden Age who understand best what it means to be an individual in the world. Do you agree?

12. How do characters from The Golden Age learn, grow and mature as the novel takes its course?

13. Due to the range of different onset stories, each of the children and their families in The Golden Age face a different struggle with their identity. Discuss.

14. “Home. She hadn’t called Hungary that for years.” In spite of all their struggle, the Golds never truly feel any sense of belonging in Australia. To what extent do you agree?

15. Explore the factors which drive Joan London’s characters to persevere.

The Golden Age is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

1. Summary 2. Themes 3. Symbols and Analysis 4. Quotes 5. Sample Essay Topics 6. Essay Topic Breakdown

Alice Munro is a Canadian Nobel-Prize-winning author of short stories , and Runaway , first published in 2004, is a collection of eight such stories (though kind of actually only six, because three of them are sequential). These stories examine the lives of Canadian women throughout the last century, but not all of them are necessarily realistic to what daily life actually looks like. Rather, Munro uses borderline-supernatural events (which some critics say feel staged or contrived) to shed light on the tensions and challenge s of gender in modern life.

This can mean that some of the stories are quite hard to follow; they go through all these twists and turns, and the lines between stories start blurring after a while. Let’s go through each in a bit more detail before jumping into our analysis.

2. Story-by-Story Characters and Summary

The titular story is about a woman Carla , her husband Clark , their goat Flora , and their elderly neighbour Sylvia Jamieson . There are many runaways in the story: Carla ran away from her middle-class home to marry Clark, Flora the goat literally runs away, a scandalous lie about Sylvia’s late husband gets a bit out of hand, and now Sylvia is helping Carla run away once again, this time from Clark. Few of these runaways are really very successful: this story is really interrogating why and how.

Chance/Soon/Silence

The next three stories are sequential, and revolve around Juliet , a well-educated classicist who is working as a teacher in the first story, ‘Chance’ - it is set in 1965 and she is 21. In this story, she meets her lover Eric Porteous on a train, then finds him again six months later. Eric is sleeping around with a few women in light of his wife’s declining health and eventual passing, but by ‘Soon’ he and Juliet have settled down and had a baby together - Penelope .

‘Soon’ focuses more on the relationship between Juliet and her parents, in particular her mother Sara . Juliet feels a bit out of place now at home, and feels guilty about not being more present for Sara. In turn, ‘Silence’ depicts her own daughter running away from her. Juliet returns to her studies and only hears about Penelope’s life through a chance encounter with a friend who reveals that Penelope is now a mother herself.

The next story is about Grace , an older woman revising the family home of her husband Maury Travers . Their marriage never had a lot of passion in it really - Grace was always more interested in Maury’s family - but both of them were just doing what was expected of them. The contrast comes from Maury’s brother Neil , a doctor who accompanies Grace on a hospital trip when she cuts her foot. This trip becomes longer and more sensual, feeling adulterous even though very little actually transpires between them - the story raises questions around what counts as cheating, and what marriages should entail.

‘Trespasses’ is slightly deliberately disorienting from the start (which is actually the end of the story). We go on a flashback in the middle to learn about a father, Harry , and his daughter Lauren . One day when moving house, Lauren finds a cardboard box - Harry explains that it contains the ashes of a dead baby who he and his wife Eileen (Lauren’s mother) had had before Lauren. This leads to Lauren questioning if she was adopted, which is further complicated by Delphine , a worker at a hotel who seems to think Lauren is her biological daughter. The ending (which was teased at the beginning) is the evening of confrontation between the four characters where the truth is finally revealed.

Conversely, ‘Tricks’ has a more linear plot to follow. Robin is a carer for her asthmatic sister Joanne , but she’s taken to watching Shakespeare plays in the next town once a year. One year, she meets a European clockmaker Danilo who plans to meet her next year when she is back in town - but this doesn’t go to plan at all. It’s only 40 years later that Robin finds out Danilo had a twin brother, which is why the plan had gone downhill.

The last story in the collection is arguably the most complex, and it’s broken into 5 parts to reflect that complexity. It follows Nancy as she ages from a fresh high school graduate to an old woman by the end of the sequence, including her marriage to the town doctor Wilf . Importantly, the stories also cover her friendship with Tessa , who has the supernatural powers mentioned in the title. However, by the third story, Tessa has been abandoned in a mental hospital and she has lost her powers. Throughout the stories, we also see Ollie , Wilf’s cousin (or a figment of Nancy’s imagination according to this analysis), who seems to be responsible for Tessa’s demise.

Let’s start tracing some of the common themes between the stories.

A key theme explored throughout many of the stories is marriage and domesticity . There’s a strong sense that it’s an underwhelming experience : it doesn’t live up to expectations and it particularly dampens the lives of the women involved. Nancy’s marriage to Wilf in ‘Powers’ only happens because she feels guilty - 'I could hardly [turn him down] without landing us both in…embarrassment' - but, as a result, she loses her fun, intellectual streak as he tells her to put down her book, 'give Dante a rest'. A similar fate befalls Juliet, who gives up her study in the process of becoming married.

Marriage is also sometimes explored as a deliberate choice , even if it might have unintended consequences - for example, Carla’s marriage to Clark is described as a life that she 'chose'. This interpretation is more unclear though, and is contradicted in other stories like Passion, where Grace’s marriage is described as 'acquiescence ', acceptance without protest. It’s even contradicted to some extent in the same story: Munro compares Carla’s marriage to a 'captive' situation, where she might’ve chosen to enter the marriage, but after that has little say in how it goes.

This sounds a bit trite, but the title is a key theme as well - just not necessarily in the physical sense . Consider all of these different definitions and how they pop up in the stories. In ‘Runaway’, Carla and the goat run away, but also the lie Carla tells Clark about Leon, a runaway lie that taints his relationship with Sylvia completely. Some runaways are described as accidents - 'she – Flora – slipped through' - while others are much more deliberate. The question here is how much control we actually have over our own lives . Not a lot, it would seem.

The other side of runaway/s is to think about who the victim in each runaway is. Does somebody run away because they are 'in a bad situation, the way it happens', a victim of circumstance , or do they run away because they feel guilty , or because they’re abandoning someone else, the true victim of being left behind? Carla does seem like more of a victim of circumstance with good reason to run away, but think about Nancy leaving Tessa behind in ‘Powers’: ‘“I’ll write to you”, she said…she never did.’

This question about who the real victim is might be the hardest to answer for ‘Silence’. Juliet’s daughter abandons her, but it’s not like there’s a strong history of positive mother-daughter relationships in their family: Juliet wasn’t able to give Sara what she needed ( 'she had not protected Sara') and in turn isn’t able to quite give Penelope what she needs either (Penelope having a 'hunger for the things that were not available to her in her home '). At the same time, Penelope’s abandonment does feel quite callous and inexplicable , even if Juliet feels like it’s what she deserves; Munro suggests at the end of the story that a reunion would be an 'undeserved blessing[]'. The intertextuality with Aethiopica reveals Juliet’s good intentions, her similarity to the 'great-hearted queen of Ethiopia', but it doesn’t quite give us the satisfaction of a neat resolution either.

Ethics and Morality

Finally, Munro’s stories also raise questions around morality . Besides what we’ve already covered - adultery, runaways - there are further questions raised around parenthood , particularly in ‘Trespasses’. Harry seems to share a bit too much information with his child, who really doesn’t need to know about the dead baby just yet. Lauren is 'not short of information', and it’s worth questioning where that boundary should be for a child of her age.

But not all ethical questions have simple answers : as in ‘Tricks’ they can sometimes just have 'outrageous', cruel punchlines that don’t reveal themselves for decades. Munro doesn’t necessarily have all the answers on this one. She brings up complex moral situations but does not pass judgment on any.

4. Symbols & Analysis

Greek elements.

Throughout the stories, Munro brings in a few elements of Greek mythology or literature . The intertextuality in ‘Silence’ is one example, drawing on the classical text Aethiopica , but there are a few more scattered throughout the stories: the constellations of Orion and Cassiopeia in ‘Chance’ and an oracle-like figure in Tessa, a main character in ‘Powers’. All of these elements have some significance:

Cassiopeia is known for her arrogance and vanity, which parallels with the way Juliet detaches herself from her life ('she had made herself into a rather superior, invulnerable observer' - despite her very real vulnerabilities)
Orion is known for his forbidden romance with the virgin goddess Artemis, which parallels with Eric’s romance with Juliet (Juliet being relatively inexperienced with men herself, with all of her experiences being 'fantasy')
Oracles in mythology are like mouthpieces of the gods who can prophesy about the future. They were often women, so oracles were unusually influential in their male-dominated societies. The question is whether this parallels with Tessa at all: even though she has these supernatural powers, are there other forms of power she might lack instead?

In general, intertextuality is a way to enrich a text by drawing parallels and linking characters to existing stories or archetypes. Here, Munro uses classical texts to add dimension to her characters in a way that is almost-but-not-quite commentary. Pre-existing Greek myths are a way for us to see what’s really going on .

(Rail)Roads and Transit

The other symbol that comes up a few times in the stories is roads or railroads - basically places where runaways might happen . ‘Chance’ is set in the middle of a train journey, ‘Tricks’ involves a couple of train journeys, ‘Runaway’ maps the roads leading in and out of Carla’s home, and almost all of ‘Passion’ takes place on the road. If we broaden ‘places where runaways might happen’ to include planes as well, then we can add ‘Powers’ and ‘Silence’ to the list.

All of these spaces are what might be called liminal - they’re ‘in-between’ spaces with an air of suspense about what can happen. It’s probably most prominent in ‘Passion’, where Grace describes the events of that road trip as a 'passage” in her life, both physically and metaphorically. In general though, they’re the settings where the wildest and most significant events tend to happen.

'She—Flora—slipped through.'
'She (referring to Carla) chose this life with Clark.'
'She is just in a bad situation, the way it happens.'
'She saw him as the architect of the life ahead of them, herself as the captive, her submission both proper and exquisite.'
'She might be free.' - this is the second last line in the story. Note the ambiguity here (and through all these quotes, to be honest) about which ‘she’ is being referred to (Carla, Flora or even Sylvia)
'Juliet was twenty-one years old and already the possessor of a B.A. and an M.A. in classics.'
'The problem was that she was a girl. If she got married—which might happen…—she would waste all her hard work.'
'She had made herself into a rather superior, invulnerable observer.'
'…the two of them (referring to Sara and Juliet) intertwined. And then abruptly, Juliet hadn’t wanted any more of it.'
'But she had not protected Sara. When Sara had said, soon I’ll see Juliet , Juliet had found no reply. Could it not have been managed?…She had put everything away.'
Penelope supposedly had a 'hunger for the things that were not available to her in her home.'
'Penelope does not have a use for me.'
'She hopes as people who know better hope for undeserved blessings, spontaneous remissions, things of that sort.'
Grace, watching a movie with Maury, felt 'rage…because that was what girls were supposed to be like. That’s what men - people, everybody - thought they should be like. Beautiful, treasured, spoiled, selfish, pea-brained. That was what a girl should be, to be fallen in love with.'
'It was not in her nature, of course, to be so openly dumbfounded, so worshipful, as he was.'
'Describing this passage, this change in her life, later on, Grace might say - she did say - that it was as if a gate had clanged shut behind her. But at the time there was no clang - acquiescence simply rippled through her.'
Lauren 'had been brought up to believe that children and adults could be on equal terms with each other.'
'How could she be sure that they had not got her as a replacement? If there was one big thing she hadn’t known about, why could there not be another?'
'Forgive us our trespasses' - note the ambiguity of ‘trespasses’ (does it mean sins as in the prayer, or overstepping boundaries, or both?)
'Some of the best-looking, best-turned-out women in town are those who did not marry.'
'A means to an end, those tricks are supposed to be.'
'I couldn’t stand for the poor man (referring to Wilf) to have had two girls turn him down’
'I used to have a feeling something really unusual would occur in my life, and it would be important to have recorded everything. Was that just a feeling?'
'She could be upset to see you leave without her. So I’ll give you an opportunity just to slip away.'
'He has nearly forgotten that he ever believed in her powers, he is now only anxious for her and for himself, that their counterfeit should work well.'

Having great quotes is one thing, but you also want to make sure you know How To Embed Quotes in Your Essay Like a Boss !

6. Sample Essay Topics

What does Runaway teach us about romance?
Carla, Grace and Tessa are more similar than different in terms of their relationships with the men in their lives. Do you agree?
How does Munro contrast younger and older women in Runaway ?
What does the setting contribute to the overall effect of Runaway ?
'Forgive us our trespasses.' What types of boundaries are created and overstepped in Runaway ?

7. Essay Topic Breakdown

Whenever you get a new essay topic, you can use LSG’s THINK and EXECUTE strategy , a technique to help you write better VCE essays. This essay topic breakdown will give you a brief glimpse on the THINK part of the strategy. If you’re unfamiliar with this strategy, then check it out in How To Write A Killer Text Response .

Within the THINK strategy, we have 3 steps, or ABC. These ABC components are:

Step 1: A nalyse

Step 2: B rainstorm

Step 3: C reate a Plan

‘Forgive us our trespasses.’ What types of boundaries are created and overstepped in Runaway ?

Step 1: Analyse

This quote is from ‘Trespasses’ and captures the double meaning of the word as both overstepping physical boundaries and sinning in the moral or religious sense . It’s likely we’ll want to talk about both interpretations - physically trespassing but also encroaching on boundaries in immoral ways. Note that the prompt also includes the action words ‘created’ and ‘overstepped’, meaning that there’ll be a pretty diverse range of examples that we’ll need to use to answer this prompt comprehensively.

Step 2: Brainstorm

Let’s start with physical boundaries : Carla’s marriage and the fences on her property and the US-Canada border in ‘Powers’ come to mind. Then, we’ve got non-physical boundaries: emotionally as in ‘Chance’ and ethically as in ‘Trespasses’. This is where we start getting into whether these boundaries are created or overstepped .

Clark creates boundaries for Carla and her attempts to break free from them are unsuccessful. The border in ‘Powers’ is more of an excuse for Nancy to neglect Tessa, a boundary she creates and never makes the effort to overstep. Finally, the ethical boundaries in ‘Trespasses’ are overstepped from the get-go. How can we synthesise these ideas into one essay?

Step 3: Create a Plan

I think the trick with questions like this is not to just allocate different types of boundaries and/or different action words to each paragraph. Try to think of creative ways to string these ideas together that also build towards a bigger picture or overall contention about the text as a whole. This example plan explores physical and emotional boundaries but makes a bigger argument that they are often associated with regret in Munro’s stories.

‍ Paragraph 1 : Physical boundaries are both the most intentional and the most difficult to overstep.

Carla’s farmstead is isolated and bordered by roads; her marriage to Clark and her life on this farmstead is likened to a 'captive' situation, with Clark being the 'architect' of it all
Munro ends Runaway on a pessimistic note about Carla’s ability to leave this boundary: 'She might be free'
International borders also constitute physical barriers, and these are used by Nancy in ‘Powers’ to avoid responsibility; because this is an active decision (‘“I’ll write to you”, she said…she never did.’), it’s a barrier that never really gets broken. Similar to Penelope in ‘Silence’

Paragraph 2 : Munro’s stories, however, focus more on emotional boundaries , and the way these are applied varies greatly. This variation underscores their complexity .

Emotional boundaries when created can prevent intimacy: Juliet 'ma[kes] herself into a rather superior, invulnerable observer' so as to avoid commitment. These boundaries come back to bite when she has a daughter
Conversely, they cause a great deal of harm when overstepped: for example, ‘Trespasses’ sees 'crazy and dangerous' adults toy with the life of a child, constantly assuming that she 'can take it' when in fact this is not the case

Paragraph 3 : Regardless, Munro’s characters often come to regret the boundaries they erect or overstep.

Carla’s ambivalence about her marriage is tinged with regret either way: when she’s there, she wants to escape, and when she escapes, she questions if she has 'anything left in [her]'
Juliet reflects on the boundaries she puts up between herself and Penelope and realises that 'spontaneous remissions' between them are undeserved and impossible
In ‘Powers’, Nancy struggles with the guilt of abandoning Tessa: many years later, she still wants to 'open [the past] up' and understand her motives. However, it is too late, and the boundaries are already there
Munro does not suggest that boundaries are inherently good or bad, but her stories show how they can be sources of regret when treated improperly

Runaway is usually studied in the Australian curriculum under Area of Study 1 - Creative Response. Check out Audrey's blog on how to approach Runaway as a Creative Response for more.

For a detailed guide on Creative Response as a whole, check out our Ultimate Guide to VCE Creative Writing .

Have you ever wondered how you can read your books so efficiently that you will be able to identify the most important passages, quotes, symbols, author’s views and values etc. all in one go? Well, I’m going to share some handy tips you can adopt while annotating a novel that will hopefully help you achieve this. Warning – if you are a reader who likes to preserve their books and keep them crispy clean, this study guide probably isn’t for you. However, keep in mind that annotating texts is a powerful step in getting to know your text and optimising your essay responses.

Before we get started, what exactly is ‘annotating’? To annotate means to add notes to a text where you provide extra comments or explanations (usually in the margins of the book). It is very much an activity for yourself, because it allows you to become an active reader – where you are engaged in thinking about the plot, themes, characters etc. as you are reading and jotting down key thoughts. As a result, active readers are more likely to become immersed in the story, absorb the ideas better, be more open-minded and therefore usually develop their own unique interpretation of the text. While annotating may not come so naturally to some of you, this guide below should definitely equip you with a good starting ground!

1. Think of your text as a colouring book. Use different coloured highlighters for different themes. This way when you’re rummaging through your book to find a certain quote to support a theme, say you specifically only highlight ‘romance’ theme in pink, it’s much easier for you to find the pink than to look through a whole book highlighted all in green. Think of it as creating a trail for you to follow throughout the book. Creating a legend at the start of the book (for example, in the contents page) can help you keep track of which colour stands for which theme.

2. Circle new vocabulary. Look it up and then write their definitions next to the word. Next, keep a word bank in a workbook or on a word document containing any words you’ve learnt. Now you’ve successfully killed two stones with one bird – you’ve broadened your vocabulary and you’ve got a handy sophisticated vocabulary list you can always refer to when it comes to essay writing!

3. Write notes in the margins. Here you can summarise the significant points of a passage without needing to re-read the whole thing again. Use a pencil rather than pen. If you don’t like writing on paper, you can always use sticky notes and stick them to the pages. However, avoid writing full comprehensive notes in the margins. You’re not trying to write another book inside the empty sections of a book. Use a separate workbook or a word document for that!

4. Be open to different interpretations. Just because your teacher or a study guide interprets the text in particular way, doesn’t mean that you need to agree. If you see things from a different angle, that’s an advantage for you. Remember that you can be ambiguous with your ideas, understanding a certain character or theme from multiple perspectives offers you a variety of ideas that can be applied in your essay. This idea is echoed by English assessors in the VCAA 2013 Examination Report,

…students should be encouraged to have confidence in their own reading and demonstrate a personal understanding of their text, rather than relying exclusively on commercially produced material. All texts are complex works of art with a wealth of opportunity for exploration. There is no ‘expected’ response to a topic, and the most successful pieces were those that were thoughtful and fresh.

5. Got burning questions that pop up? Don’t dismiss what you don’t understand! Put down a question mark and do some research. The better you understand your text now, the greater understanding you will have of events that occur later in the text.

6. Mark literary devices. Symbols, metaphors, alliteration, assonance – the list goes on. Use shapes such as circles, triangles, squares and create a legend in order to keep track of the different literary devices that present themselves throughout the text. Bear in mind that the best essays always include a well-rounded discussion about the author’s choices in literary techniques and how they develop specific themes and/or characters.

7. Dog-ear important passages . Some key passages can be lengthy (spreading over several pages), and it can be a pain to highlight pages and pages of a book (it might too much for your eyes to handle too – ouch!) so instead, fold the corners of those pages down so that you know exactly where that key event occurs.

8. Find unique phrases/quotes. You’ll come across the same quotes that are repeatedly mentioned in class, study guides and essays that other students have written. To stand out, you should try to find those quotes that are equally powerful but are somewhat overlooked or underrated.

9. Annotate study notes and study guides. These notes are written by another reader who has developed their own ideas about the text – this doesn’t mean that you necessarily have to share the same ideas as there is always opportunity to disagree with another’s opinion. Draw smiley faces or frowns in areas where you agree or disagree. This can be the basis of an interesting discussion in your own essay.

10. Don’t be afraid to destroy that book! Yes, it’s nice to have a book crispy and clean, but think of annotating as a way to own that book! Show that you know the in and outs of the text so well that if someone else were to pick it up, they would have no idea where to even begin! Having proper notes in the right places and annotations will make the biggest difference.

Keep in mind that annotating does not equal skimming (where you briefly speed-read through your text). If you’re planning to only flick through the book, you are probably not going to find those unique passages or under-used yet powerful quotes. Take it slow and easy!

3. Sample Essay Topics

4. A+ Essay Topic Breakdown

Things Fall Apart is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

Things Fall Apart is set in a fictional group of Igbo villages called Umuofia, around the beginning of the twentieth century. The first half of the novel is dedicated to an almost anthropological depiction of Igbo village life and culture through following the life of the protagonist Okonkwo . Okonkwo is the greatest wrestler and warrior alive in the nine villages and beyond. He has dedicated his life to achieving status and proving his strength to avoid becoming like his father Unoka – a lazy, improvident, but gentle man. Weakness is Okonkwo’s greatest fear. After men in another village kill a woman from Umuofia, a boy named Ikemefuna is given to Umuofia as compensation and lives in Okonkwo’s compound until the Gods decide his fate. Ikemefuna quickly becomes part of Okonkwo’s family; he is like a brother to Okonkwo’s son Nwoye and is secretly loved by Okonkwo as well. Over the next three years, the novel follows Okonkwo’s family through harvest seasons, religious festivals, cultural rituals, and domestic disputes. Okonkwo is shown to be more aggressive than other Igbo men and is continually criticized and rebuked by the village for his violence and temper . When the Oracle of the Hills and Caves decides that Ikemefuna must be killed, Okonkwo is warned by a respected elder to have no hand in the boy’s death because Ikemefuna calls him ‘father’. However, afraid of being thought weak, when Ikemefuna runs to Okonkwo in hope of protection, Okonkwo delivers the fatal blow. Ikemefuna’s brutal death deeply distresses Nwoye who becomes afraid of his father.

At the end of Part One, Okonkwo accidentally kills a clansman at a funeral after his faulty gun explodes and is exiled to his motherland, Mbanta. During his exile, British missionaries arrive in Mbanta and establish a church. Nwoye, disillusioned with his own culture and Gods after Ikemefuna’s death, is attracted to Christianity and is an early convert . This is a heartbreaking disappointment to Okonkwo. When Okonkwo and his family return from exile after seven years they find that the missionaries and colonial governors have established Umuofia as the center of their new colonial government . Clashes of culture and morality occur, and as the British make the Igbo more dependent on them through introducing trade and formal education, the Igbo way of life is continually undermined . When a Christian convert unmasks an egwugwu during a tribal ritual, a sin amounting to the death of an ancestral spirit, the egwugwu burn down the village church. The men who destroyed the church are arrested and humiliated by the District Commissioner, and Okonkwo beheads a court messenger at a village council in rebellion. When none of his clansmen rise with him against the British, Okonkwo realizes his culture and way of life is lost and commits suicide in despair. Suicide is a crime against the Earth Goddess, Ani , so Okonkwo is left to rot above ground in the Evil Forest, like his father Unoka – a shameful fate he spent his life desperate to avoid. The final paragraph, written from the perspective of the District Commissioner, reduces Okonkwo’s life to a single sentence about his death in his planned book The Pacification of the Primitive Tribes of The Lower Niger . Achebe has filled an entire novel with evidence of the complexity and sophistication of Okonkwo’s individual and social life and the District Commissioner’s casual dismissal and belittling of him causes us to flinch with horror and dismay. This is a metaphor for the reduction of Igbo culture in the eyes of its colonizers.

The title gives away the plot of the novel and anticipates the collapse of Okonkwo and his society. Things Fall Apart is about the connection between the tragic downfall of Okonkwo , who fate and temperamental weakness combine to destroy, and the destruction of his culture and society as the Igbo way of life is assailed by forces they do not understand and are unprepared to face .

A Full and Fair Representation of Ibo Traditional Life

The first part of the novel presents the traditional world of the Ibo with specificity and vibrancy . The imbedded descriptions of the patterns of interaction, daily routines and seasonal rituals of Ibo life creates an overwhelming impression of community and shared culture. We see the established system of values which regulates collective life and how closely related this is to natural cycles and environments. The Ibo’s moral values are contained in sayings and stories, rituals and festivals. Achebe depicts a comprehensive and sustaining social, spiritual, economic, agricultural, and legal order. (Chapters to consider: 1, 2, 3, 5, 6, 10, 12, 19)

While Ibo society is marked by the internal coherence of its organization and the poetry of its rituals, this coherence is partially formed by the repression of the individual and the inflexibility of social norms. Achebe shows the violence, dehumanization, and discrimination vulnerable groups experience in Umuofia due to the rigid adherence to tradition and superstition. This includes the customary abandonment of newborn twins, the sacrificial murder of Ikemefuna in the name of justice, and the discriminatory caste structure that denies inclusion to the osu (Chapters 7, 18).

Obierika’s questioning of the stern logic of some customs suggests that many laws are enacted from a sense of duty and inevitability rather than from a firm conviction in their justice or efficacy (Chapter 13). The cultural demand for conformity places a huge moral and psychological burden on individuals who must reckon with the sometimes heartless will of the gods . This internal tension is epitomized in the character of Okonkwo, discussed below.

Clash of Cultures

When the Ibo are confronted with rival institutions a mirror is held up to their society. Fall Apart honestly considers and reflects on Ibo practices, customs, values, and beliefs. The novel is a frank articulation of the nature of the African past and its relevance to the present and future . Achebe wants to illuminate Ibo culture to dispense with lingering colonial prejudices, but he is not sentimental or nostalgic for the past. Instead he is shifting through it to identify the valuable aspects of Ibo culture to bring into the future and help define Nigeria’s post-independence identity .

Achebe recognises that the colonial encounter which led, swiftly and seemingly inevitably, to the disintegration of Ibo culture revealed its profound weaknesses. Achebe suggests that with the arrival and contrast against another culture, a cultural reckoning was inevitable for the Ibo. However, cultural reckoning and revaluation is not the same thing as destruction and erasure . The British colonialists were a hostile force seeking cultural domination. By pointing out some of the weaknesses of the Ibo tradition, Achebe in no way excuses or justifies colonial domination or diminishes the pain and tragedy of the cultural erasure that occurred.

Colonial Domination

The anti-colonial position and purpose of the novel is powerfully clear. Achebe depicts the process of colonial initial establishment and the resultant cultural suspension of Ibo society. The British colonizers believed in their inherent cultural superiority and arrived in Umuofia with the intention to “bring civilization” (p.151) to Africa. They wanted to achieve full control by supplanting Ibo religion and culture with their own.

The British arrived quietly and non-confrontationally with their religion and the clans allow them to stay, misinterpreting their silence as peaceability . An Ibo proverb warns that there is danger in silence and nothing to fear from someone who reveals their motivations (Chapter 15). Obierika recognizes how the white man’s strategy disguised their intentions and gave them the freedom to grow and fortify. He explains the political consequences for the clan, now divided by the new religion, they can no longer act as one (Chapter 20). Without strength in unity, the Ibo are vulnerable to further encroachment of British control in their other institutions .

As only a small number of Ibo initially converted to Christianity, the church was only able to establish itself firmly in the villages because of the Ibo’s religious tolerance (Chapter 2, 22). Mr Brown learns about Ibo religion and his willful blindness to its complexity shows how the colonizers justified their colonial rule and imposition through labelling their subjects ‘primitive’ . Mr Brown understands that Christianity held no appeal for people well integrated in Ibo society, concluding that “a frontal attack on it would not succeed” (p.132) and thus introduces education as a new method of cultural displacement and erasure . Additionally, trade also increased the Ibo’s dependence on the introduced economy (Chapter 21).

From the very first introduction of the colonizers we understand that violence and fear were tools of oppression and dominance , forcing the Ibo to submit and keeping them unresisting (Chapter 15, 20, 23). Not only do the British impose foreign rule on the Ibo and judge them by standards they do not recognize, the District Commissioner’s personal brand of ‘justice’ is corrupt and hypocritical. When the elders are arbitrarily and falsely imprisoned, he tells them that what they have done “must not happen in the dominion of our queen” (p.141), combining personal corruption with a state apparatus of paternalism, hegemony, and occupation (Chapter 20, 23).

Dogmatic zealot, Reverend Smith, encourages fanaticism in his converts, motivating them to insult and humiliate the clan (Chapter 22). Under Reverend Smith’s wrathful guidance, the colonial agenda becomes transparently aggressive . The grief and pathos of the Ibo’s situation and collective trauma is displayed evocatively in the final episodes as Achebe depicts this painful moment of acute crisis (Chapter 22, 23, 24, 25).

A recurring thematic question in Things Fall Apart is to what degree the collapse of the Ibo and the downfall of Okonkwo are due to their own internal weaknesses or the whims of a pernicious fate .

The Ibo understand fate to be in a dynamic and somewhat ambiguous relationship with personal agency . This is evident in their proverb “when a man says yes his chi says yes also” (p.20) which acknowledges and privileges the role of an individual’s choices in shaping their destiny (Chapter 4). The saying “as a man danced so the drums were beaten for him” (p.135) also relates this idea – fate is a response to one’s behaviour. Okonkwo is warned that killing Ikemefuna, his surrogate son, is the “kind of action for which the goddess wipes out whole families” (p.49).This demonstrates the clan’s belief that the goddess’s (or fate’s) punishments are not arbitrary but the result of individual action (Chapter 8).

Although there is an element of chance in Okonkwo’s gun accidentally exploding and killing someone, his exile carries the suggestion of just comeuppance in its echo of the guns failure to shoot when purposely aimed at Ekwefi (Chapter 5, 13). Likewise, although the arrival of the Christians was unexpected and chanced, Nwoye’s rejection of his father is traceable directly to Okonkwo’s choice to kill Ikemefuna (Chapter 7). The desertion of people injured by Ibo traditions is a blow to the clan that feels equally earned (Chapters 16, 17, 18).

After his exile, Okonkwo believes his chi has turned against him (Chapter 14). He renunciates the wisdom of his elders by denying the active role he had in directing the course of events. His refusal to reflect on the connection between his actions and punishment reflect his fatal flaws: hubris and willful lack of self-knowledge. By refusing to self-analyze and self-correct, Okonkwo loses the opportunity of redemption. Comparably, the Ibo, despite believing in a relationship between action and fate, do not reflect on the cause of their kinsmen’s desertion to Christianity. Achebe provides numerous examples of the clan’s dogma and brutal traditions denying people such as Ikemefuna or twins control over their lives (Chapter 2, 7). It was the shortcomings of the Ibo social and religious order that made members susceptible to the attraction of a competing value system with a more articulated concept of individuality. The Ibo’s cultural lack of self-apprehension meant they could not adjust their traditions to save themselves .

However, just as Achebe shows how individuals in the clan are at the mercy of rigid overarching authority, he shows how the fateful forces of history constrain human agency . The British’s hostile intention to erase and supplant the Ibo way of life is a punishment greater than the Ibo deserve and a force stronger than they can rise to. In his description of the grief and trauma of colonial imposition, Achebe demonstrates his compassion and sorrow for the Ibo as they faced the sweeping and unforgiving forces of change in their moment of historical crisis .

Sample Essay Topics

1. "Things Fall Apart demonstrates how the values and customs of a society help us to deal with the familiar but not with change." Discuss.

2. "Traditional ideas of honour dominate Okonkwo's life and finally they destroy him." Discuss.

3. "Nwoye knew that it was right to be masculine and to be violent, but somehow he still preferred the stories his mother used to tell." How does Achebe explore masculinity in Things Fall Apart ?

Now it's your turn! Give these essay topics a go. For more sample essay topics, head over to our Things Fall Apart Study Guide to practice writing essays using the analysis you've learnt in this blog!

A+ Essay Topic Breakdown

Whenever you get a new essay topic, you can use LSG’s THINK and EXECUTE strategy , a technique to help you write better VCE essays. This essay topic breakdown will focus on the THINK part of the strategy. If you’re unfamiliar with this strategy, then check it out in How To Write A Killer Text Response .

Let's look at an essay prompt in this video below:

[Video Transcript]

In Things Fall Apart , women suffer the most and are victimised by men. Discuss.

Whenever you are breaking a prompt down. Ask yourself...

What are the key words/ ideas that you need to address?
Which theme is the prompt referring to?
Do you agree with prompt? Or do you disagree with it?

The keywords of this prompt would be women, suffer,, victimised and men. The prompt requires us to address the role of women in the text and the ways in which they suffer in a society that is pervaded by patriarchal values. It also asks us, ‘Who is to blame?’ Are men solely responsible for the maltreatment or are there other causes to their suffering? The word ‘most’ in this prompt is actually there to give us a bit of room for discussion. Yes, women do suffer, but do they suffer the most? Or do men suffer as well?

Now that we’ve thought about the prompt, we can move on to the second step of the THINK part of the THINK and EXECUTE technique. To find out more about this unique strategy, I’d recommend downloading a free sample of our How to Write a Killer Text Response eBook!

Now, before we write our ideas in beautiful topic sentences, it’s often easier to simplify everything first. One way to do this is to work out whether the paragraph agrees or disagrees with the prompt at hand. We could follow this structure…

‍ Yes, the prompt is true because X Yes, another reason it is true is X While it is true, it is limited by X

By elucidating the ways in which women are seen as inferior to their male counterparts, the writer establishes his critique on a society that victimises and oppresses women. From the outset of the book, Okonkwo is characterised as a violent man who ‘rules his household with a heavy hand’, placing his wives in perpetual fear. The frequent beating and violence fortifies the portrayal of him as a man who is governed by his hatred of ‘gentility and idleness’, further showing the terror that his wives are forced to be living in.

"Do what you are told woman. When did you become one of the ndichie (meaning elders) of Umuofia?"

He also sees his wife’s mere act of questioning as disrespect, as evidenced through the ways in which he implies that she is overstepping her role.

“There were many women, but they looked on from the fringe like outsiders"

This simile also shows how women are often marginalised and treated as outcasts, underlining the overarching yearning for social justice throughout the text. This pitiful image of women looking ‘on from the fringe’ also helps Achebe relay his criticism of gender double standards and the unfairness that Igbo women are forced to live with. Achebe’s sympathy for women’s suffering and condemnation of men’s mistreatment towards are also evident through his depiction of a society that normalises misogyny.

‘His mother and sisters worked hard enough, but they grew women’s crops… Yam, the king of crops, was a man’s crops’

The personification of the crops, in particular, the men’s crops, the ‘yam’, being the ‘king of crops’ establishes this gender hierarchy in yet another way. More specifically, the position of men in the social hierarchy is highlighted and the negative connotation attached to the ‘women’s crops’ undermine their hard work, rendering it in significant. While women are the main victims of Igbo gendered prejudice, Achebe does not disregard the undue burden that societal expectations impose on men.

‘He was afraid of being thought weak.’

Achebe explores the burdens of unrealistic expectations that are placed on both men and women. This quote exemplifies societal expectations on men to be strong, powerful and fearless leaders who never show emotions. Achebe’s sympathies regarding these expectations show us that this is an important critique in Things Fall Apart that we can analyse.

If you find this helpful, then you might want to check out our Things Fall Apart: A Killer Text Guide where we cover 5 A+ sample essays (written by a 50 study scorer!) with EVERY essay annotated and broken down on HOW and WHY these essays achieved A+ so you reach your English goals! Let's get started.

The Ultimate Guide to VCE Text Response

How To Write A Killer Text Response Study Guide

How to embed quotes in your essay like a boss

How to turn your Text Response essays from average to A+

5 Tips for a mic drop worthy essay conclusion

With contributions from Lindsey Dang.

We’ve all been doing Text Response essays from as young as Year 7. At this point in VCE, we should be feeling relatively comfortable with tackling themes and characters in our essays. However, the danger with just discussing themes and characters is that we often fall into the trap of simply paraphrasing the novel, or retelling the story. So how do we elevate our essays to become more sophisticated and complex analyses that offer insight?

Before reading on, make sure you've read our Ultimate Guide to VCE Text Response .

An important distinction to be aware of is that the expectation of Year 11 English was geared more toward themes and characters. However in Year 12, teachers and examiners expect students to focus on the author’s construction of the text . By keeping in mind that the text is a DELIBERATE CONSTRUCTION, this can help eliminate retelling. A good guideline to follow is to include the author’s name at least once every paragraph.

Some examples are:

- (author) elicits

- (author) endorses or condemns

- (author) conveys

Move beyond talking about character and relationships. How are those characters used to explore ideas? How are they used to show readers what the author values?

To explore the text BEYOND characters, themes and ideas, tackle the following criteria:

Social, cultural and historical values embodied in text

In other words, this means the context in which the text was written. Think about how that influenced the author, and how those views and values are reflected in the text. How does the author create social commentary on humanity?

For a more in-depth look into this issue and how to get it right in your essays, read Context and Authorial Intention in VCE English .

Linguistic structures and features

These involve the author’s use of symbols, metaphors, subtext, or genres. Consider why the author chose those particular words, images or symbols? What effect did it evoke within the reader? What themes or characters are embodied within these literary devices? Metalanguage is essential in VCE essays, so ensure you are confident in this field.

If the text is a film, it’s important to include why the director chose certain cinematography techniques . Comment on the mise-en-scene, camera angles, overview shots, close ups, flashbacks, soundtrack, to name a few. Or if it’s a play, examine the stage directions. These contain great detail of the author’s intentions.

How text is open to different interpretations

“While some may perceive… others may believe…” is a good guideline to follow in order to explore different angles and complexities of the text.

Skilful weaving in of appropriate quotes

This is how to create a well-substantiated essay. To weave in textual evidence, don’t simply ‘plonk’ in sentence long quotes. Instead, use worded quotes within your sentences so the transition is seamless.

Do you know how to embed quotes like a boss? Test yourself with our blog post here .

Strong turn of phrase

Ensure your essay is always linked to the prompt; don’t go off on an unrelated tangent. Linking words such as “conversely” or “furthermore” increase coherence within your essay. Begin each paragraph with a strong topic sentence, and finish each paragraph with a broader perception that links back to the topic and the next paragraph. To see what this looks like in practice, check out What Does Improving Your English Really Look Like? for multiple sample paragraphs.

This is also where having a wide range of vocabulary is crucial to presenting your ideas in a sophisticated manner. Create a word bank from assessor’s reports, sample essays, or teacher’s notes, and by the end of the year you’ll have an extensive list to choose from. Also, referring to literary devices contributes to a great vocabulary, exhibiting a strong turn of phrase!

Consider the topic

What does it imply? Find the underlying message and the implications behind the prompt. There is always tension within the topic that needs to be resolved by the conclusion of your essay. A must-know technique to ensure you actually answer the prompt is by knowing the 5 types of different essay topics, and how your essay structure changes as a result. The How To Write A Killer Text Response ebook is a great way to learn how to identify the type of essay topic you have in front of you immediately, and start writing an A+ essay.

Finally, simply enjoy writing about your text! It will help you write with a sense of personal voice and a personal engagement with the text, which the teachers and assessors will always enjoy.

For a detailed guide on Language Analysis including how to prepare for your SAC and exam, check out our Ultimate Guide to VCE Language Analysis .

[Video 1 Transcription]

Hey, guys. You can see that I am holding a stylus, which means we're doing something different today. Today's the first time that I'm going to be analyzing an article. Because I know that a lot of you are actually studying analyzing argument or basically language analysis, where you get an article, usually it's called material, and you have to analyze what persuasive techniques the author is using. Now, this is actually my favorite part of the English course. So I don't know why it took me so long to do this, but I'm actually really excited to start this sort of segment. If you do enjoy what you've watched at the end of this video then give me that like. Because I'll really appreciate it because I'll know if you guys actually do like it or not, and I'll make more of these if so. Basically, the way I'm doing this is very much like how I teach my students inside my tutoring sessions with them. I'm going to be going through the article with you and highlighting language techniques we see and then interpreting them. So, trying to understand why it's persuasive or trying to understand why authors try to use these persuasive techniques to persuade people to agree with their argument. Now, obviously, it's not going to be exactly like a tutoring session because I didn't want this video to be too long. So, I'm going to go through it a little bit of haste, but hopefully still with enough detail for you to be able to take away and be able to do more of it on your own. I'm going to be looking down because I have a stylus on me, which I borrowed from my lovely nephew, Alex. Thank you, Alex. And actually uses this computer for school. Lols. I have attached the PDF to this article in the description box below. Now, this is a very old article from VCAA, back in the year 2000. Now, the reason why I chose such an old article was because: one, it's still really relevant despite its age. The things that we're doing today, in today's study design, is still very much so similar to what they did back in the day. The second thing was, I didn't want to do an article that I felt a lot of you had already done. I wanted to be able to offer you something new and bring something new to the table, basically. So before we get started, what I want you to do is download this article in the description box below. Make sure you have a read of the article, and then try to analyze it on your own before we actually get started. This way you can compare the things that you've found versus the things that I found, and I think you might be very surprised to see that we'll probably have different interpretations. The focus of today's video is really just to identify language techniques and to try to understand why they've been used. There are other elements of the criteria that need to be covered and they will be in due time. But that's just something that I wanted to focus on first because I want to make sure that you guys have got the fundamentals down pat. As always, reading background information is critical for your understanding of the issue. As you can see here, we've got a report of Ms. Smith, principal of Anyton Secondary College, to the annual general meeting of the school council. So it's clear from her report that she is very concerned this year at the rising level of absenteeism among the middle school students. Also, it says, "How can students learn if they're not in class?" In the end, she writes: "So I urge the school council to devise a policy that will enable us to put an end to this epidemic of truancy. We need to take a firm line to ensure all our students are in school." Okay. So now that we've read the background information and we understand the context of the situation, let's now move into the first article. So the first article has been written by a parent, Tom Frost. So automatically, we can see that he is a parent, which goes to show that there are some credentials there. So credentials, basically, is what's the title of the person who's writing the article. The fact that he is a parent goes to show that he is someone who is actually invested in the education of students, so we as readers may be more inclined to believe him or trust him because he obviously has a child at that school, and so he wants the best for that child. So, let's hear what he has to say. "I'd like to speak against the proposal of the principal, Ms. Smith, to come down on truancy like a ton of bricks." Okay. So, automatically, we can see that he has labeled truancy and Ms. Smith's proposal like a ton of bricks. Now, if we think about a ton of bricks, to me, a ton of bricks is an idiom. An idiom is like a saying. So it's related to the idea that something is a burden, and so he's making truancy seem like a burden, so something that's not a good thing. So, from the get-go, he makes Ms. Smith's proposal of a policy on truancy something that has negative connotations. Next, he says, "Let's not get too carried away with this truancy issue." The fact that he uses let's is inclusive language. This should be quite easy for you guys to pick up. Whoops. If only I knew how to spell language. Okay, fine. I'll spell it properly. So, why do we actually use inclusive language? Inclusive language usually involves words like let's, we, our. And these create the sense that there is a collective responsibility that we hold. So, potentially as readers, we could even be parents ourselves who feel like we need to get involved in the issue in order to actually have an impact on what's happening here. The fact that he doesn't just say, "Ah, I'm not going to get carried away with this truancy issue," and he says, "Let's not get carried away," automatically includes you on his team and so may make you more inclined to support his idea. To add onto the sense that there is quite a bit of credibility, he says, "I've got three kids here." So, I believe that that compounds his credentials; his authority in this matter. So, as a parent, he should know what's good and what's not so good for his children, unlike the principal who is just an authoritative figure. He then goes on to say, "I'm not sure they need to be chained to their desks all day." This is a great one. This is a metaphor. This metaphor of the children being chained to their desks all day, it doesn't sound great, does it? To be chained to something implies that you've been imprisoned or that maybe it's even likened to slavery. So if we're thinking of kids as being imprisoned and enslaved, obviously, this is something that we definitely don't want, and so he really pushes us from supporting Ms. Smith's policy and feeling sympathetic to these students. Seven days a week itself also compounds on this metaphor. I would say that by saying it's seven days a week, he really leaves no room for there to be argument. To me, this is exaggeration. Why? Because students are only at school five times a week, so to say seven days is already an exaggeration. But he does this in order to really stress this idea that this policy is definitely a no-go. None of us would want our children... We're not parents, but let's just say, if we're in the position of a parent reading this article, none of us would want our children to be chained to desks seven days a week, would we? He goes on to say, "Is it so bad to wag school?" Here we have a rhetorical question. Sorry. I switched from a thicker pen with exaggeration back to the normal one because I think it's a little bit too thick. Rhetorical questions are generally put there in order to get you thinking. And rhetorical questions tend to have an obvious answer that you should be agreeing to. So, when he says, "Is it so bad to wag school?" it's not the same as openly asking, "What do you think about wagging school?" where you're then open to the opportunity to support it or not to support it. Whereas, the way that he phrases it, "Is it so bad to wag school?" is already urging you to say, "Ah, of course not." So, at the same time, he belittles this issue. He dismisses the issue of wagging school and turns it into something that is just to be thrown away; something that shouldn't really be a concern of parents. So, at the same time there, I'm going to say that there's belittling there. He then goes on to say, "After all, most of us have wagged school without coming to grief or causing trouble, haven't we?" That's generalization, right there. Whoops. Why can't I write on this side? Generalization is done when we want to make it sound like something is super common. By saying "Most of us," he collectively involves everyone to make it seem as though everyone has wagged school before, so really, what's the issue? Next, he says, "In our house." Okay. This, I believe, really draws upon family values. By now including his home, he is saying that this is an issue that just goes beyond just kids wagging school or kids not being at school. It's a family value. "The fact that they don't go to school is something that they call mental health days." He puts a positive spin on the negatively connotated truancy, and because a lot of people are advocates for mindfulness, meditation, and looking after ourselves, this is something that may encourage readers to agree with the author. Okay, continuing on. "Seems to me there are good reasons why kids play truant." Play is a really interesting word choice. By using the word play, it definitely dumbs down the issue and makes it seem something super lighthearted. Because when kids play, of course, it's just fun. It's joyful. And so, he's making this issue of truancy, basically, a game. So again, it's like it's not a serious issue and it underplays the principal's point of view. If we skip ahead a little bit, he even says, "I can see from your nods." So here, again, it's like the collective response. He's already indicating, through his speech, that everyone pretty much agrees with him and so should you. Then there's rubbish. Rubbish has negative connotations. You get reminded of words like waste, garbage, and nonsense, which undermines the idea of independent and flexible learning, as though it's something that actually isn't really that helpful. He then continues to say, "Kids decide to find out about life firsthand." What he's saying here is that kids actually need to experience things themselves. Let's move into our final paragraph. He says now, that "School started out as places to educate kids and then became kind of a childcare for big kids." The imagery there... I would say imagery, you don't have to use imagery. You could say negative connotations. You could say metaphor. You could label it whatever you want. For me, I get this picture of a childcare with really old kids that are like teenagers running around in the cradles, kids in cots, playing with little games, and it's just nonsensical. In addition to this, by saying that school is like a childcare, he suggests that school isn't really a place that has children's best interests at heart; now they're part of the remand system. Remand is legal jargon. I actually didn't even know what this word meant, so I had to look it up. But if you use jargon, you're using words from a certain field that most people won't be familiar with. So lawyers, obviously, will be really familiar with terms like being on being on bail, custody, defense, prosecution. Words like that, that say, for me, as an everyday person who might only know a little bit about the law, because I've watched quite a few legal dramas on TV, that's when it becomes jargon; when it's vocabulary that's beyond just the everyday person. So, here you could say that it's legal jargon and that he is now creating the picture of a school, not as a place for education, but a place where people are in custody. So, they're in custody of the school, which sounds terrible, doesn't it? He goes on to keep using inclusive language. So, that is some repetition that is used throughout his piece. To sum up, he says, "You hear all these things about drop-in centers, buddies, big sister programs, peer support, and other schemes. Why can't we try some of these than hounding students endlessly?" Rhetorical question. It's interesting that he has now offered alternative solutions. This is something that may encourage other people to agree with him because he's not just slamming down the principal's suggestion, but he's offering his own solution to the problem. Which implies that he has carefully thought this through, and he has thought about other ways they can improve on absenteeism. Moreover, you could even say that maybe the principal hasn't been doing her job because if she had been trying drop-in centers, buddies, big sister program, maybe she wouldn't be at this point where she's trying to enforce the truancy policy. That's just where I'm going to leave it today. I didn't want this video to stretch out too long for you guys, so I didn't go into as much detail as I could have. But that's to say that there are plenty more language techniques for you guys to pick up. It's your job now to have a read of it again and see if you guys can find anything else. I'm going to respond to every single one of you who has analyzed something and left it in the comment section below. I also wanted you guys to know that I have an online course called How to Achieve A+ in Language Analysis. If you're somebody who struggles with language analysis and you've found this video helpful, or you've liked my teaching style, then I encourage you to check it out. I've just updated some of the videos for 2018 so that it's up to date, and I share with you all the secrets that I discovered when I achieved A+ in my own language analysis SACs and in the exam when I was in year 12. I'll put it down in the description box just down below. And next week, we're going into part two of this article, where we're going to analyze Rosemary Collins' letter, so I'll see you guys then. Bye!

[Video 2 Transcription]

Hey guys, welcome to part two of the article that we'll be analyzing today on the topic of truancy. If you haven't watched my previous video where I analyze the first article in this language analysis, then I'll just put it in the card up above. But if you have, then you're ready to join me on this next part. Last week, we looked into Tom Frost's speech, whereas this week we're going to be looking at Rosemary Collins. I will be looking down here, so don't mind me, and I'll be annotating live for you guys as we do this. So just to reinforce on what I said last week, I can't possibly go through every single language technique here with you, especially because I don't want this video to be too long. So I'll just be choosing the ones that stand out to me, and I'll be sharing with you the language technique that it's called or how I would call it, and why I think the author might use that in an attempt to persuade the audience. So let's begin here with Rosemary Collins. So Rosemary herself is... I thought I can expand it. That's cool. All right. So Rosemary herself is a parent. We know that because of this down here. So she automatically uses her credentials from the get-go. So as somebody who uses their credentials, we may be more inclined as the audience to agree with what she's saying because, one, she's a parent, so she has a child at the school, and so therefore has their best interests at heart. Now, unlike the first article, what we can see here is an image. It's a key and on it says, "Key Educational Consultants," and it has the address. I think this image is really interesting because keys are usually indicative of safety, of the answer, or something that is trustworthy. So it definitely shines a positive light on Rosemary Collins, who is some sort of Key Educational Consultant. So not only is she a parent, but she seems to hold quite a high position when it comes to something involving education. She is a consultant herself, so maybe that means that she shares her advice with other people and people actually pay her for this, so therefore maybe we're more inclined to support her point of view. Additionally, we could also identify a pun here. Further credibility. The final thing I would say here is that there as a pun. So with key, it's not only the physical key, but it's the key as though it's the answer. So as you can see just from the one image, we've been able to find at least three different language techniques. So don't be afraid to go into this much details, teachers actually love this. So we've already established that she's writing as a parent and we've talked about that. Now she goes on to talk about how she's a consultant, so I feel like we've touched on that, so I won't go into that again. But then she goes on to talk about how it is a complex issue and that it will not be solved by a punitive model of discipline, one which is both ineffective and... Woops my camera turned off. Sorry, lost the battery. So let's make this super quick. By saying punitive model of discipline, punitive itself means punishment, so here essentially she's saying that it's a form of punishment, which actually reminds me of Frost's comment earlier, that students would be chained to their desks. So you call that negative connotations, if you would like to. One of my favorite ones. One of my favorite language techniques to use. Okay, the word alienating is interesting as well. School should be a place that's welcoming, it should be inclusive, comforting, but not alienating, going against everything that school should represent. So the portrayal of this discipline model is a negative one. So if we jump ahead into the next body paragraph, I'm just going to group a few things together. She uses research and statistics, particularly in Victoria as well. So we know from early on that she is a researcher, so that's credible within itself, because she is someone who's experienced in the field and someone who has done her research and she's knowledgeable. She uses statistics, and statistics itself is seemingly factual, it's something that we can't refute and, therefore, we may be more inclined to agree with her based on those facts. Moreover, she includes the fact that they're in Victoria, so this means that it's relevant and applicable to us as readers because pretty much all the students who'll be doing this article will be from Victoria. Because it affects us directly, we might be more inclined to therefore agree with what she's saying. She also mentioned that students who do not attend school regularly are disengaged socially and educationally. So what this does is it absolves students of the blame, as though it's not their fault. There is a reason why they don't show up at school. And so the concern and the focus should really be on that, rather than just punishing them even more and therefore alienating them even further. This might connect with parents who especially don't want their children to be unfairly blamed. In her last sentence, she says that students absent from school due to an impediment are equally deserving of attention according to their needs. So again, this is reinforcing the fact that it's not the student's fault, but we need to work harder at lifting them up, so that they do receive equal attention. And it's implied that this hasn't been happening. She says our school. In our last video, we talked about inclusive language and how that encourages people to agree. She talks now about a holistic approach to absenteeism. So like Frost, she offers her own solution to the matter, rather than just slamming down the principle's policy. Now we're looking at something that is about the entire community. So if we go ahead with a holistic approach, it's as though everyone wins and as readers, we might be more inclined to agree with this because we always want the best for everyone's interests. She elaborates by talking about alternative curriculum options, positive community service experiences. So by offering her own solution, she now is encouraging readers to agree with what she's saying. And she ties it in with four other students going to show that it's not just a one-size-fits-all. Every student is different and so, therefore, the way that we go about helping them should be different as well. Oh my gosh. I'm so sorry. I just realized that I forgot to annotate the articles. I'll do that in a second and attach the PDF to this annotated version for you in the comment section below. The last thing I would want to talk about is how she mentions, "I would be happy to be part of a working group." So she's not just talking, but she's actually going to walk the talk. Therefore, we should trust her judgment because even she is a willing participant of her own solutions. So if that's the case, then we're more inclined to agree with her. Lastly, she concludes with her credentials. So of course that ends up on that high note to ensure that we do trust for her and to show that she is somebody who is deserving of our trust. So that ends off my analysis of this particular article. If you wanted more information or you like the way that I teach language analysis, then you might be interested in my online course, How to achieve A+ plus in Language Analysis. It's had over 300 students participate and an overall rating of 4.5 stars, so I'm really happy to say that I believe this course has been doing really well at helping those who struggle in language analysis. So if you're somebody who struggles from the basics of not knowing how to identify a language technique to somebody who is unsure of how to explain how it persuades or somebody else who struggles with analyzing the argument and seeing how the argument comes together and develops, then I would strongly encourage you to go ahead and check it out. Otherwise, there are plenty of language techniques that I haven't covered just yet. And I'm sure that you guys have interpreted some of the language techniques I've found here differently. I'd absolutely love to hear what you guys have to say. Leave it in the comment section below, and let's all work together to do well in language analysis over this next term. Can't wait to see you guys next week. Bye!

[Video 3 Transcription]

Hey guys. So what am I talking about? So recently, I released a new segment where I talk about analyzing argument and I analyzed an actual article with you. I haven't done it before, but from what I can see, you guys are actually really enjoying it. I want to remind you guys that I am doing a analyzing argument livestream next Friday, the 27th after school at 5:00 PM. So if you have any questions for me I encourage you to start asking away. I'll put the link to the livestream below for you guys so you can hit that link and then go and set up a reminder for yourself. There's also a chat section there for you to actually start answering your questions. So do that because you know, I need questions to start off with, to answer. If you get in early, then I'll probably start off with yours. So heck yeah, let's answer this. Asa has asked me, "Hey, Lisa. This video was super helpful, but I was wondering if next time you could include a section where you translate annotations and put it into a paragraph. I know in order to get a high mark you shouldn't be focusing too much on the techniques, but rather in a more holistic way. It'd be pretty cool to see which ones out of the bunch you annotate you choose to include in your analysis. Thank you." I eventually wanted to get up to this point and talk more about structuring an essay and how to organize it in a body paragraph. But I was trying to figure out what to do for this video. Then I thought, "You know what, why not just do it now?" Obviously, with analyzing argument or language analysis, however you want to call it, it's a big section in the exam and there's a lot to cover. So I'm not going to go into too much detail about how I actually structure the essay for language analysis, because I think that is most suited to an entire video in itself. But I thought I would at least just create one paragraph for you guys just to give you a little bit of an idea of how I would go about it so you can walk away from this video with a little bit of extra knowledge to help you with your language analysis. So basically, in the paragraph that I've created, you'll see that I don't use every single language technique that I have found, and that's the whole point. You want to be at that skillset where you can find so many language techniques, but you're so good that you know that you can't analyze absolutely everything, so you go and choose the gems out of the lot. So choose the ones that you think will help you set yourself apart from other students. For example, I always try to encourage my students not to necessarily always talk about stats or rhetorical questions or inclusive language, because those ones are super obvious. They're the ones that everyone can find. So of course, you don't just strategize your essay and choose techniques that you think no one else is going to write about. Because, what if that rhetorical question is actually a really strong one where you could elaborate and say something really insightful about it, right? So it's all a balancing game. Let's just get into the paragraph and give you guys a look. What I do is I base paragraph according to ideas. Now, every single author who creates an article has a main contention, but what we're after now are the smaller ideas that the author makes in order to support that overall contention. One idea that I have chosen to talk about is the idea of what school has become, or the current school culture. In my paragraph, I have included a few language techniques that I believe fit into this overall idea. So Frost highlights the current and unpleasant school culture in an effort to rile support from other parents. You can see here that this is the idea that I'm focused on. His use of the metaphor, chained to their desk all day, suggests how children are being imprisoned by their schooling. Especially since it's seven days a week. This may deter parents from supporting the principal's absenteeism policy, as they feel as though their children are spending more than enough time at school. You can see here that I've included one language technique, and it's the metaphor. The main reason why I've included this metaphor is because the idea that children are chained to their desk all day really reflects the school culture and attitude of Frost's child school. Next I say, Frost compounds this idea of trapped children through highlighting that school is now a childcare for big kids, rather than a place to educate kids. The childcare works to portray the school, and by extension the principal, as incompetent at their job of raising an independent next generation. As a result, disgruntled parents may resist the idea of a truancy policy as it becomes apparent that more times at school is unlikely to equal better outcomes for the child. I've inputted a second language technique here, and I've really focused on the idea itself though. I'm emphasizing the fact that this school, as it is right now, is just not a good place to be. You can see that I'm being consistent with this idea, because I start off the sentence with, "Frost compounds this idea," showing the link with my own sentences. Then I move on. Moreover, Frost's declaration that school is now a remand system may further encourage parents to support his case, as it is implied that children are being held custody by the school. His passion may strike a chord with other parents who feel alienated by the seemingly impenetrable school culture, with which they find it difficult to contribute or influence. So I finished off this paragraph with a third and final language technique. As you can see here, what I am focused on more as a writer of this essay is the idea of school culture. With that, I try to find language techniques that work with it. I don't do it the other way around, where I base it off a language technique and try to cram, I don't know, just ideas into a language technique or try to make it work that way, because it's going to be a lot tougher for you. Focus on the ideas and see which techniques fit into it. Now, I found more techniques I think than the three, that could have fit into this body paragraph, but I felt like these three pointers were probably the strongest ones and the ones where I felt like I could really show off my analytical skills. So I talked about a metaphor. I talked about how the place is a childcare. The betrayal of the school, lack of childcare and the idea of trapped children or imprisoned children, I worked off this idea. Then I worked off this idea even further by talking about a remand system, which is legal jargon for custody. It's like these children are just being condemned to this school, which is something that no parents would want. And so, I really emphasized that. So yeah, that's pretty much it. I hope that answers your question, Asa. I only used three language techniques, but it's not about the quantity. It is about the quality of the work that you're portraying. Sorry, I keep looking down because I've written my stuff here for you guys, but you'll notice that these language techniques don't come one after another in the article, they're kind of all over the place. This is really important to enable you to be able to go and find different techniques from different areas of the article, rather than just confining yourself to, "Oh, this author has written this one paragraph. Let me try to find all these techniques in this one paragraph and transport that into one paragraph in my essay." You know? To sum up, main messages are, focus your paragraphs on an idea. It's not about quantity, it's about quality of your language techniques. Try to find the ones that are going to show off your skill. And fourth, you don't need to find language techniques in a chronological order. You can pick them out wherever you please. That's it. If you find this interesting or if you're not being taught this at school or you feel like the advice that I'm giving you is actually really helpful, then I'd encourage you to go and check out my study guide that I created with two other girls who achieved a study school of 50. So we have an entire section there about analyzing argument, from analyzing itself, language techniques, essay structure, writing up the essay, then showing you high essay responses with annotations to ensure that you know what you're doing. So I've got you covered, all right? Don't stress. So I will see you guys next week for the livestream. It will be on Friday the 27th at 5:00 PM. So as usual, I'm your Friday girl. I'm always here on Fridays and you guys can ask me any of your questions related to analyzing argument then. Speak to you guys then. Bye!

If you'd like a comprehensive explanation of everything you need to know to ace your SAC or exam, check out our How To Write A Killer Language Analysis ebook.

1. Theme-based prompt

2. character-based prompt, 3. how-based prompt, 4. metalanguage or film-technique-based prompt, 5. quote-based prompt.

In your English class, you probably feel like your teacher is making stuff up. Moments where you think, “The author can’t possibly have meant that”. To your English teacher, the smallest details have major implications in interpreting the text.

In fact, you probably agree with jokes like this:

The Book: “The curtains were blue.”

What your teacher says: “The curtains represent the character’s depression.”

What the author meant: “The curtains were blue.”

Or even this one...

The disconnect you feel between yourself and the teacher is not just because your teacher is stretching for something to analyse. Whilst the author may have meant something different to what your teacher thinks, this doesn’t mean your teacher is strictly wrong. Context and the author’s intention are two complicated considerations in English, and a whole range of study is dedicated to it. At the VCE level you must consider the context your text was written in, and the author who wrote it, but this shouldn’t hinder your own unique interpretation of the text.

Before you begin reading, I'd highly recommend that you check out our Ultimate Guide to VCE Text Response .

Your interpretation is more important than the author's intention

In 1968, Roland Barthes proposed a theory that has stuck with critics and academics of literature. “The Death of the Author” claimed that the biography, views, or intentions of the author are not a part of the literary object.

The text you are studying in English does not belong to its author, but to the reader, and what the reader decides to make of that text is valid, as long as it is backed up with evidence (as your teacher will say). Barthes’ original essay is complicated, but at a basic level, “The Death of the Author” says that the curtains are not only representative of the character’s depression but could also represent the character’s love of blue orchids.

When we read, we automatically apply our own experiences, biases, and understanding of the world to the text. As such, each person is likely to interpret a text in different ways. This is a major part of studying English, as the critic (you) is more important than the author’s original intention. The fact that a single text can give rise to multiple interpretations is the reason we study English; to debate these interpretations. When you are given an essay topic you are being asked for your opinion on one of these debates, not the author’s opinion on their own work. If you were reading The Fault in Our Stars and claimed it romanticised cancer, you would be participating in the literary debate, despite going against John Green’s original intentions.

In the modern age of mass media, the author is attempting to revive themselves. These are authors who attempt to dictate interpretations of their works after they have been published. The most famous of these is likely J.K. Rowling, author of the Harry Potter series. Rowling’s twitter page adds many pieces to the Harry Potter canon and Rowling offers her own interpretations of the text. To Rowling, her intentions are the only correct ways to interpret her texts, and as such she shares them frequently.

This is not true, however, for any author. Authors are not the be-all-and-end-all when it comes to the interpretation of their texts. Despite having intentions and opinions on their texts, there is also evidence which counters their interpretations.

When it comes to the debate surrounding the texts you study, you need to remember that the interpretation of the author is only one part of the debate. It is an opinion equal to everyone else involved in the debate. Imagine the author is on trial. They may have an opinion of the crime (or text), but so does the prosecution. You are the jury and must come up with your own interpretation of the crime. Whether it matches up with the author’s intentions or not does not matter, as long as there is supporting evidence within the text.

Context in VCE English

But what about the circumstances in which something was written? Every time you start a new text you are probably asked to research the time in which it was written, or what major political events may be relevant. Unlike the author, these factors are very important in interpreting a text.

For starters, a text may explicitly reference a certain event, and so understanding that event is key to understanding the text. An episode of the Simpsons may make fun of Donald Trump, and the writers assume we have the contextual knowledge to know who Donald Trump is, why he is important, and why the joke is funny. It is easy for us to understand this context because we live in the context.

If you’re studying texts from 200 years ago it becomes harder to interpret because we’re unfamiliar with the context. While you don’t have to know the context of your text perfectly, understanding the cultural beliefs and major events will help you consider the text objectively.

Researching the context of a text acknowledges that literature is a product of the culture and politics of its time. Its themes may still be relevant in the modern age, but it is difficult to fairly judge, critic, and interpret these texts if we do not consider the context in which it was written. A piece of literature will either follow or criticise the views and opinions of the time, and it is the responsibility of the reader to understand these views and determine where the text sits.

Okay, so the text is a reflection of the time from which it stems, and is separate from the author that wrote it? Not quite. Counter to “The Death of the Author”, the author is also a part of context, and this means certain parts of the author should be considered in interpreting a text.

If there is ambiguity in the meaning of a text, the author’s personal beliefs may clear it up. If a character of a certain race is stereotyped and mocked, the meaning of this may change depending on the race of the author. If an author stereotypes their own race, they might be criticising the way other people see them, whereas making fun of a different culture is most likely upholding racist or discriminatory belief systems.

If you're studying VCE Literature, read The Importance of Context in Literature for some further info!

Deriving Meaning From Texts in VCE English

So, what ARE the curtains?! What do they mean? Well, they're a metaphor, representing more than their literal role as curtains. But also, they’re just blue.

The truth is whilst context and the author are relevant, we should try to gain as much from the text as possible before relying on the context to guide our interpretations. While studying your texts, it is reasonable to apply modern standards to your interpretations.

Shakespeare’s plays are a tad sexist, and we’re able to criticise that, despite Shakespeare writing in a different context. For more on studying Shakespeare in VCE, read How to Approach Studying Shakespeare . But it would also be difficult to appreciate the meaning of texts without the context, especially when the text is a response to a major event. At the same time, we’re allowed to expand on what the author has written. We are not confined to what the author meant to say when we interpret texts. As an English student you have the opportunity to consider what each word may represent for the characters and how it influences your unique interpretation.

So, the curtains mean whatever you want them to mean. You can make reasonable assumptions about a text based on the context it comes from and from the author’s life, but you shouldn’t assume that something means nothing. Trivial things like the colour of curtains may not have been important to the author but allow us as English students to analyse and look deeper into the text, its themes, and the psyche of the characters.

In your SACs and exams looking at these small details and deviating from the author’s intentions is an easy way to stand out. Looking to get to that A+ level? Read How to Turn Text Response Essays from Average to A+ . So, when your teacher says the curtains are a metaphor, consider what else could be a metaphor, and don’t assume the author has all the answers, or that there is only one interpretation.

Most people commonly mistake Comparative (also known as Reading and Comparing, and an array of other names) as just two Text Responses rolled into one essay. They think that Comparative is Text Response, except that instead of writing about one text, you’re writing about two.

And boy are they wrong.

Most people are also aware that the main difference is that Comparative looks at similarities and differences between the two texts. However, this is where the challenge begins.

As you study your texts in detail, you’ll come to realise that the majority of students keep using the same old examples – example X for similarities, and example Y for differences.

To stand out from hundreds of other students studying the same texts, you need a strategy. You need something that will wow your examiners and will catapult you to the top of the VCE cohort.

*Drum roll*

Introducing you to my golden rule, the CONVERGENT and DIVERGENT STRATEGY!

This strategy is simple. It’s simple to understand and it’s simple to incorporate into your essays. Its beauty is that despite its simplicity, it’ll advance your essay beyond the average English student. All my students who have applied this strategy have seen their English scores improve by at least one grade (from B+ to an A, or from an A to A+).

Let me explain.

PART 1 – CONVERGENT

The word, ‘convergent’ means coming closer together . When we start looking for similarities in Comparative, keep this word CONVERGENT in mind. Having CONVERGENT at the forefront of your mind will ensure that you are always aware of the fact that your examples are never the same. Notice how the blue arrows never touch:

Sometimes, students fall into the trap of referring to examples in each text as the ‘same,’ but this won’t ever happen to you if you keep CONVERGENT in mind. No two texts are ever exactly the same, no two examples are exactly the same , so avoid falling into this trap.

Instead, you’ll be using phrases like: "similarly to Text 1, Text 2 also…" or "likewise, in Text 2….’"

Awesome! So this is the simple part done. Let’s move onto the most powerful part of this strategy - DIVERGENT.

PART 2 – DIVERGENT

The word ‘divergent’ means developing in different directions. We can use the CONVERGENT and DIVERGENT strategy for any example you include in your essay. Since no examples from two texts are exactly the same, this means there is always an opportunity for you to first compare the similarities, then compare the differences.

Rather than just a simple ‘on the other hand’ or ‘however’, which you probably have written a dozen times, and felt like you’re repeating yourself, we show you advanced ways to DIVERGE as in this example for Photograph 51 and The Penelopiad:

In The Penelopiad , the resigned way in which Penelope confides in the reader alludes definitively to the ‘overlooked woman’ stereotype being, in fact, a very well-used one. Atwood (the author of The Penelopiad ) does, however, accord some power to Penelope by ensuring that she alone tells her own story, a privilege which is not given to Rosalind in Photograph 51 .

See how in this example, we don’t even use the overused comparative words such as ‘however’ or ‘on the other hand’ which can make a comparative feel simple. Instead, we show you unique ways to compare the two texts so that your essay stands out amongst all the others that are just using the same old words and methods to compare.

If you’ve ever received feedback that you needed to ‘elaborate,’ ‘go into more detail,’ or needed ‘more analysis ’ in your essays, this strategy will help eliminate those criticisms. It will also show your teacher that you are comfortable writing an in-depth analysis using fewer examples (because you’ll be spending more time on each example - firstly by discussing a similarity, then a difference), rather than swamping your essay with as many examples as possible because you barely have anything to say about each one.

Too many students miss out on the opportunity to elaborate or expand on an example because they only write about either the similarity or the difference. But with the CONVERGENT and DIVERGENT strategy, we can see that no matter what example you choose from each text, there is always an opportunity to discuss both similarities and differences . This is an extremely powerful approach to comparative because it enables you to spend time comparing, rather than getting lots of examples of for one text in the first half of your body paragraph, slapping in an ‘on the other hand’ in the middle, then lots of examples for the second text in the second half of the body. I see students doing this all the time, pretending to compare these examples when they’re not - you know what I mean right? We’ve all been there once or twice - so you’re not alone in doing this if you’ve tried in the past. The thing is, with examiners, in particular, they’re really good at noticing when a paragraph looks like it’s a comparison, rather than a truly in-depth comparison between the two texts.

That’s why in my How To Write A Killer Comparative , I show you how to use CONVERGENT and DIVERGENT in multiple essay examples across many text pairs. It’s not just about one way of comparing similarities too, it’s all the different ways to can discuss ‘similarities’ - what I mean is, it can be easy to slip into a template of ‘similarly to text A, text B does this by…’ but in this study guide, written by myself, and study scorers who have achieved 50 in English , we show you how to unique discuss comparisons. We also show you how to advance your comparative discussion through Advanced Essay Paragraph Structures which truly showcase the power of the CONVERGENT and DIVERGENT strategy.

COMPARATIVE GUIDES

How to Write a Killer Comparative Ebook

A Killer Comparative Guide: The Crucible and The Dressmaker

A Killer Comparative Guide: I am Malala and Pride

A Killer Comparative Guide: The 7 Stages of Grieving and The Longest Memory

A Killer Comparative Guide: Ransom and The Queen

USEFUL RESOURCES

The Ultimate Guide To VCE Comparative

‍ Reading and Comparing essays

‍ How to get A+ in Reading and Comparing

Compare the Pair: A guide to Structuring a Reading and Comparing essay

2. EAL Study Design

3. Listening Component Marking Criteria

4. Listening Component Tips

5. Reading Comprehension

6. Time Management

7. English Fluency and Proficiency

As you all know, English subjects are integral to VCE studies, since it is compulsory that at least all four units of an English subject be done in order for you to reach that ATAR goal at the end of the VCE tunnel. Given the richness in cultural backgrounds of VCE students cohort, EAL is designed to mend the linguistic gaps between local students and those from non-English speaking backgrounds. Students eligible to complete EAL are those who have no more than 7 years residency in a predominately English-speaking country AND no more than 7 years having English as their main language of instructions.

According to the study design published by VCAA, both English subjects:

‘"[contribute] to the development of literate individuals capable of critical and creative thinking, aesthetic appreciation and creativity…"

‍ It might sound complex, but this basically just means that these subjects enable us to enhance our understanding and usage of the English language, which serves to support our daily English communication. This purpose holds even greater significance to students from non-English speaking backgrounds, as those skills offered by English subjects are essential to their life in Australia. That’s said, EAL can be different from mainstream English in the sense that it also assists students whose mother tongue is not English in adapting to the predominately English-speaking community, via developing their language skills.

EAL Study Design

Both EAL and English assess students on multiple areas, including: Text Response , Creative writing, Argument Analysis, and Comparative . We highly recommend you have a read of the links above so you've got all your English/EAL areas covered!

One major difference is in Unit 3 , where EAL students are required to do a Listening task , whereas mainstream students study an additional text. For a detailed comparison on VCE EAL vs VCE English , read Cynthia's blog post here.

Shown below is the Unit 3 coursework from the VCAA EAL study design, taken from the VCAA website :

Now that we know the similarities and differences, let's focus primarily on the Listening Component of the EAL Exam for the rest of this blog.

Listening Component Marking Criteria

For the listening component of the exam/SAC the examiners (and your own teachers) will be marking your answers base on TWO main points:

Your ability to understand and convey general and specific parts of the listening track
Your ability to convey information accurately and appropriately

Some of you out there might be thinking “Listening is easy! I just need to write down the correct answer, it's a piece of cake.” Unfortunately, this isn’t the case for EAL listening or any VCE Language listening SAC or exam. The VCAA examiners will be looking for appropriateness of vocabulary and the accurate use of grammar, spelling and punctuation. They even look at how well you phrase your response!

For more information on the the exam, read Rachel's blog on how to Nail that VCE EAL Exam Listening Component. She offers her tips for the exam, including taking advantage of bringing bilingual dictionaries into the exam!

Listening Component Tips

Listening is also the easiest section for students to lose marks as many of them may carelessly misread the question and/or comprehensively fail to answer the question. Listening may also be challenging as it requires you to concentrate on multiple things at the same time, for example, the characters’ main contention, emotions, tone shift, and the context of the recording. However, as long as you do more practice, you will soon be able to master the listening skills! Here are the 4 steps that you will have to know if you want to do well in listening!

1. Read The Background Information Of The Text

Use your reading time (15 minutes) wisely and spend around 2-3 minutes in the listening section. The background information of the text is extremely important as it tells you the context of the recording which can also give you a basic idea of the characters involved in the text and the content they will be talking about.

2. Scan Through The Questions Carefully

Look for the keywords in the question, such as the 5W1H (Who, When, Where, What, Which, How), the character names, and the number of points that needs to be answered in each question.

Examples of the 5W1H Questions

Who is he referring to when he says “You”?
When did he open his first bookshop?
Where did he go after his graduation?
What message is he trying to convey in his speech?
Which phrase did he use to express how dry it was in the desert?
How does he express his anger?

3. Note Taking

You should be using the spaces provided in the exam answer booklet to jot down any key words and phrases that are related to the questions. Do not bother to fill in the answers on the answer line just yet, as you are very likely to get distracted, hence, it may increase the risk of missing the answer for the next question. Remember that your notes should be as concise and clear as possible so you will be able to write down the answers immediately once the recording stops.

4. Focus On The Questions That You’ve Missed

Bear in mind that you will have the chance to listen to the recording two times in total so please DO NOT stress if you miss out any answers or you are not sure about the answers after the first time. Highlight the questions that you have trouble with and focus on them when the recording is played the second time.

For more detail on each of these tips, and information on the types of questions you may be asked , read Pallas' blog on How to ACE the EAL Listening Exam .

For Listening practice, head to EAL Listening Practice and Resources (Part 1) and EAL Listening Practice (Part 2), and get tips on EAL Listening and note-taking during the Listening component of the VCE EAL exam/SAC.

Reading Comprehension (Language Analysis)

Section C, Question 1 requires students to write short answers, in note form or sentences, which altogether will make up of 50% of the marks in Section C. For a lot of student, getting good marks for Question 1 is much easier than getting good marks for Question 2, which requires you to write a full language analysis essay. This is why it is important that you are able to maximise your marks in this question because they are purported to be easier marks to get! Some of the questions will ask the students for factual information but more difficult questions will require to think about that is contained in the text and make an interpretation based on your understanding.

1. Question words

To know what sort of answer you are expected to give before looking for details from the article, you need to be familiar with question words.

WHO - A particular person or group of people impacted by an incident or involved in a situation
WHAT - This really depends. It might require you to give out information about something or to identify reasons for the writer’s opinions (which is good it might make it easier for you to find the writer’s arguments)
WHEN - The timeframe within which an issue or event occurred (date, day, etc)
WHERE - The location of an event
WHY - The reasons for something
HOW - How a problem can be resolved

2. Direction words

Unfortunately, not all questions in this section have “question words” and examiners usually give out questions that are broader using “direction words” or “task words”, making this section more challenging for students. EAL is not the only subject that requires students to know their direction words well so it is definitely worthwhile learning these words to improve your performance. These are the most common direction words used in Section C (see below!).

Describe - Giving information about something or to identify the writer’s opinions
Explain - This requires you to give out information in your own words and elaborate
Identify - Students will be required to find what is asked from the article and write them down in the briefest form possible
List - Usually in note forms – to answer this you need to identify what is asked and briefly noting them down
Summarise - Retelling something in a succinct and concise ways in your own words, it should only be enough to highlight key ideas
Support - Finding evidence from the text to justify a statement or opinions

3. Marks allocation

Another super helpful tip is to pay extra attention to the marks allocation of the questions. It usually gives you a fairly accurate indication of how much you should write. The general rule of thumb would be that the number of marks tell students how many sentences or points they should be making.

Identify the reasons why the writer loves travelling (2 marks)

Students should be writing down 2 reasons why the writer loves travelling ‍

The editor strongly opposes the use of plastic bag. Support this statement (3 marks) ‍

In this case, it is probably best to find 3 pieces of evidence from the article that justify the statement stated to make sure you do not lose any marks by not writing enough.

For sample questions and responses with annotations, read Lindsey's blog on EAL Reading Comprehension here.

Time Management

Time management during the exam is as important as studying and preparing. Here are some tips to help you manage your time during your exam so you can achieve maximum marks!

1. Look at the comprehension questions during reading time

2. look for key features instead of analysing and finding techniques straight away.

You can also use the reading time to find the contention, determine what type of article it was and the source, etc. The following acronym might help you! Try identifying all of the features below as it also helps you plan your introduction within reading time.

C ontention ‍
A udience ‍

For a detailed guide on writing Language Analysis Introductions, check out our advice here (for both English & EAL students) and here (specifically for EAL students). We recommend reading both blog posts!

3. Set out a detailed time management plan for your essay the night before the SAC or exams (or earlier if possible)

4. stick with one introduction’s structure/format.

Introductions for EAL Language Analysis, To Write or Not To Write? teaches you a great template approach you can use for your introductions.

5. Not be way too thorough with annotation

6. create your own glossary of words ‍, 7. practice.

To understand each of these time management tips in detail, read Lindsey's blog on EAL Time Management here.

English Fluency and Proficiency

As non-native speakers living and studying in Australia, we would want nothing more than to improve our English skills both for the comfort of living in an English-speaking country and our career prospects. Here are some tips to help you better their writing skills in EAL.

1. Knowing Your Sentence Structure

I cannot stress how important it really is to really know your sentence structure and grammar because, without a solid understanding of how it is supposed to be structured, grammatical errors can easily be made which will preclude you from articulating your ideas in the clearest manner possible.

Simplest form: Subject + Verb + Object

To see an example of structuring sentences together, read Lindsey's blog here.

2. Expand Your vocabulary

While it is sometimes helpful to memorise words from glossaries found on the Internet, it is not the most the effective way to thoroughly improve your vocabulary. In fact, learning words from a glossary or dictionary by heart can often lead to students misusing the words due to their misinterpretation of the new words.

The best way to upgrade your word bank for your essays is to slowly word up from what you already know. Start off with a simple paragraph and you will see your writing get better after every time you edit or rewrite your paragraphs. Therefore you should:

Avoid generic verbs
Know the word’s connotations
Use strong adjectives

English grammar is often seen as one of the more challenging one due to it having so many tenses and irregular cases. However, if you know how to break it down, it is not that scary because there are actually only 13 tenses and future, past and present tenses. Plus, in our EAL exams, we rarely need to use any other tenses aside from the present tenses anyway.

4. Build Your Own 'Essay Formulas'

For each Area of Study, I have a revision document that contains the following:

Introduction ‘formula’
Sample paragraph
Super extensive word bank (my own thesaurus)
Practice essays and sample essays

To see an example of an 'essay formula' in action, read Lindsey's blog on The Keys to English Fluency and Proficiency here. ‍

The Importance of the Introduction

‍ Exam Tips From VCE EAL Examination Reports

Study Techniques: How To Approach a Text That You Hate

Most people aren’t particularly confident in giving orals or public speaking in general. I began year 7 as a shy girl scoring a lousy 50% in her first English oral. It wasn’t until later on that I realised; even though I can write an amazing piece, it was my delivery and nerves that failed me. In year 9, I entered my first public speaking competition, and have been participating in such competitions ever since. I may not have won those, but it got me comfortable standing in front of people without shaking like someone with hypothermia. Now, I am achieving A+ on my oral assessments and am even on the SRC as Student Action Captain due to a great captaincy speech. Don't forget to also check out Our Ultimate Guide to Oral Presentations for everything you need to know for Oral Presentations.

A few tips on writing your speech:

Have a CAPTIVATING introduction sentence; use a short, clear and powerful sentence.
RELATE to your audience so that it keeps them interested so they actually WANT to listen.
If you are taking on a persona, firstly study and UNDERSTAND your character.
Don’t forget your persuasive techniques. I usually use repetition in conjunction with the ‘rule of three’.
Remember that you are writing a SPEECH, not an essay. Instill your oral with emotion, varied tone and and sentence lengths.

In fact, I've talked about a few of these in a 'Must Dos and Don'ts' video. If you haven't seen it yet, watch before you read on:

A few tips on your performance:

Memorise your speech.

Always remember that practice makes perfect. Practise as much as possible; in front of anyone and everyone including yourself (use a mirror). Keep practising until you can recite it.

As for cue cards, use dot points . Don’t just copy and paste whole sentences onto cue cards or else you’ll rely on them too much. Not to mention that it’ll be hard finding out where you are in the middle of your speech. Use “ trigger words ” so that if you forget your next point, you have something there.

But most importantly, if you mess up, keep going . Even if you screw up a word or suddenly forget your next point, just take a breath, correct yourself, and keep going. Do not giggle . If your friends make you laugh, don’t look at them.

Control your voice

Do not be monotone . Give it some energy; be pumped but not “I-just-downed-5-cans-of-V” pumped. Give it as much energy as it is appropriate for your speech. As you transition through various intense emotions such as anger, happiness and shock, your performance should reflect it. This is achieved in both your tone and your body language (moving around).

Speak as if you believe in your contention – with passion . Even if it’s just full of crap, if you sound confident, then your audience think, ‘wow, they sure know what they’re talking about’. Remember, confidence is key .

Don’t rush through your speech and speak at a million kilometres an hour – or even worse; skipping half of your speech because you just want to get the hell out of there. And also, speak so that the teacher can actually hear you. More likely than not, they’ll be sitting somewhere near the back of the room. After countless “too quiet” comments on my orals, I have finally mastered the art/power of projecting my voice. And it actually does make a huge difference.

Be aware of your actions

Don’t just stand like a statue in one spot. Think about real life – do you know anyone that stands completely and utterly still when talking to you? Make sure you look around the room; you’re addressing everyone, not just one person. Don’t stare at your teacher; it freaks them out . You don’t even have to look at a specific place. I usually just start off looking at the back wall… then as I go through the speech, I naturally turn from one back corner of the room to the other. Also, try not to look down. Don’t try to look at your cue cards while they’re right up next to your body. Move it out when you need to have a GLANCE at them then go back to the audience.

I’ve seen some people pace. This seems alright (though I’ve never done it myself); but always make sure that you face the audience . If you’re doing a monologue (for text response), you can sit down… just don’t sit for your entire piece.

And some natural hand gestures don’t hurt either!

I’ve also heard of some people running around or on the spot about 15mins before a speech. This serves to help with your heart rate by using up all that ‘energy’. Personally, I close my eyes and concentrate on my breathing (so that my heart isn’t jumping out of my chest). Take some long, deep breaths and tell yourself that you can do it!

My teacher also showed me this speech: “The girl who silenced the world for 5 minutes” . Even though she made a couple mistakes in her speech, she kept going and captivated the attention of the UN. Take a look and be inspired!!

What's next? Make sure you've got a great oral presentation topic . We've done all the hard work for you and compiled 20 of the best topics for 2017 . Access it now!

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College Essay Prompts: Complete List, Analysis, and Advice

Why Do Colleges Ask For an Essay?

Colleges ask for an essay as part of the application process for several reasons. Firstly, the essay provides an opportunity for applicants to showcase their writing skills, critical thinking abilities, and communication style. It allows admissions officers to assess the applicant's ability to articulate ideas, analyze information, and construct coherent arguments.

Additionally, the essay helps colleges gain insight into the applicant's personality, values, experiences, and aspirations. It offers a more holistic view of the applicant beyond their grades and test scores, allowing the admissions committee to understand their unique qualities and potential contributions to the campus community.

Furthermore, the essay allows colleges to assess an applicant's fit with their institution. By reading the essay, admissions officers can evaluate whether the applicant's interests, goals, and values align with the values and mission of the college. They are looking for students who will thrive academically and personally within their specific campus environment.

Moreover, the essay serves as a tool to differentiate applicants. In a highly competitive admissions process, where many candidates have similar academic achievements, extracurricular activities, and test scores, the essay provides an opportunity for applicants to stand out and leave a lasting impression. A well-written and compelling essay can leave a positive and memorable impact on the admissions committee.

Finally, the essay allows colleges to assess an applicant's writing ability, which is crucial for success in college-level coursework. Strong writing skills are important for academic success, as students are expected to write research papers, essays, and other written assignments throughout their college career.

Overall, colleges ask for an essay to gain a deeper understanding of the applicant, evaluate their fit with the institution, differentiate among candidates, and assess their writing abilities. It is an important component of the application process that allows applicants to showcase their strengths and provide a more comprehensive picture of who they are as individuals.

Complete List of College Essay Prompts

Providing a complete list of college essay prompts is not feasible within the scope of a single response, as the list can vary widely depending on the college or university and the specific application cycle. However, I can provide you with an overview of the types of essay prompts you may encounter during the college application process.

1. Personal Statement: This is a common essay prompt that asks applicants to share their personal experiences, values, aspirations, or significant events that have shaped their lives. It provides an opportunity for applicants to showcase their unique qualities and reflect on their personal growth.

2. Common Application Essay: The Common Application is used by many colleges and universities, and it includes several essay prompts from which applicants can choose. These prompts typically revolve around personal experiences, challenges, achievements, or beliefs.

3. Supplemental Essays: Many colleges require applicants to submit supplemental essays in addition to the main personal statement. These essays are specific to each college and may focus on various topics such as why you are interested in that particular institution, how you will contribute to the campus community, or your academic and career goals.

4. Creative or Reflective Essays: Some colleges may offer more creative or open-ended essay prompts that allow applicants to showcase their writing style, imagination, or critical thinking skills. These prompts may require you to write a short story, respond to a hypothetical situation, or analyze a specific topic from a unique perspective.

5. Academic Essays: Certain colleges or specific programs within colleges may require applicants to submit academic essays related to their intended field of study. These prompts may ask you to discuss your academic interests, research experience, or a specific topic relevant to your chosen major.

6. Social or Ethical Issues: Colleges may include essay prompts that encourage applicants to explore social or ethical issues, such as diversity, social justice, or community service. These prompts assess your awareness of societal challenges and your ability to think critically about them.

7. Personal Background or Identity: Some colleges may ask applicants to write about their cultural or personal background, including their heritage, family, or unique experiences. These prompts allow applicants to share their perspectives and contribute to the diversity of the campus community.

Remember, the essay prompts can vary from year to year, so it is important to refer to the specific application requirements of each college or university to which you are applying. Take the time to carefully read and understand the prompts, brainstorm ideas, and craft your essays to effectively convey your thoughts, experiences, and goals.

Optional Essays

Optional essays, as the name suggests, are additional essay prompts that some colleges and universities offer as part of the application process. These essays are typically separate from the required personal statement or main essay. While they are labeled as "optional," it's important to note that they can still play a significant role in the admissions process and should not be overlooked.

Here are some key points to consider about optional essays:

1. Purpose: Optional essays serve various purposes, depending on the college or university. They may provide an opportunity for you to provide additional information about yourself that you feel is not adequately covered in other parts of your application. They can also allow you to address specific circumstances, such as academic or personal challenges, gaps in your academic record, or significant achievements or experiences.

2. Demonstrating Interest: Some colleges may use optional essays as a way to gauge your level of interest in their institution. By taking the time to complete these essays, you can show your enthusiasm and commitment to attending that particular college, which can be advantageous in the admissions process.

3. Highlighting Strengths: Optional essays can be used to showcase your strengths, talents, or unique qualities that may not be evident in other parts of your application. This is an opportunity to go beyond the basic information and provide deeper insights into your character, interests, or experiences.

4. Addressing Weaknesses: If you have any academic or personal weaknesses that you believe need further explanation, optional essays can be a platform to address these concerns. This could include discussing a dip in grades, explaining a disciplinary action, or elaborating on personal circumstances that may have affected your academic performance.

5. Supplemental Material: In some cases, colleges may allow you to submit supplemental material along with the optional essay. This could include samples of your work, such as an art portfolio, a research paper, or a performance recording. Make sure to review the specific guidelines provided by each college regarding the submission of supplemental material.

6. Writing Style and Tone: When writing optional essays, it is important to maintain a consistent writing style and tone that aligns with the rest of your application. Keep in mind that these essays should still adhere to the principles of strong writing, including clarity, coherence, and relevance.

7. Consideration and Time: While optional essays may require additional effort, it's essential to carefully consider whether or not to complete them. Evaluate whether the essay prompt aligns with your strengths, goals, or experiences, and determine if it provides valuable information that can enhance your application. If you choose to write an optional essay, allocate sufficient time to brainstorm, draft, revise, and edit your response to ensure it meets your standards.

Remember, even though optional essays are not required, they can provide an opportunity to stand out from other applicants and provide a more comprehensive picture of who you are as a candidate. Approach these essays with care, thoughtfulness, and a genuine desire to showcase your strengths and interests.

The 3 Main Types of College Essay Questions

When it comes to college applications, one of the most important components is the college essay. College essay prompts can vary widely across different institutions, but they generally fall into three main types: personal statement prompts, specific prompts, and supplemental prompts. Each type serves a different purpose and requires a unique approach.

1. Personal Statement Prompts: Personal statement prompts are the most common type of college essay question. They typically ask students to reflect on their personal experiences, values, goals, or challenges. These prompts are intentionally broad to allow applicants to showcase their individuality and provide insight into their character. Examples of personal statement prompts include:

- "Share a significant experience or achievement that has had a profound impact on your life."

- "Discuss a time when you faced a challenge or setback and how it affected you."

- "Describe a person who has influenced your life and explain why."

When responding to personal statement prompts, it's important to be authentic and introspective. Reflect on your experiences, values, and aspirations, and use the essay as an opportunity to reveal your personality, growth, and self-awareness.

2. Specific Prompts: Specific prompts are more focused and require applicants to address a specific topic or question. These prompts may be related to a particular academic interest, a field of study, or a specific event or experience. Examples of specific prompts include:

- "Describe how your background or experiences have shaped your interest in engineering."

- "Discuss a book that has had a significant impact on your life and explain why."

- "Describe a time when you collaborated with others to solve a complex problem."

When responding to specific prompts, it's important to demonstrate your knowledge, passion, and engagement with the topic. Draw connections between your experiences and the specific area of interest, and provide concrete examples and evidence to support your ideas.

3. Supplemental Prompts: Supplemental prompts are additional essay questions required by some colleges and universities in addition to the personal statement. These prompts are specific to each institution and may focus on topics such as community, diversity, or a particular aspect of the college's culture. Examples of supplemental prompts include:

- "Why are you interested in attending our college?"

- "Describe how you would contribute to our campus community."

- "Discuss a time when you had to navigate cultural differences or challenges."

When responding to supplemental prompts, it's important to research the college or university and tailor your response to reflect your knowledge of the institution's values, mission, and resources. Highlight specific aspects of the college that align with your interests and goals, and showcase how you can contribute to the campus community.

Regardless of the type of essay prompt, it's crucial to approach your response with thoughtfulness and clarity. Take the time to brainstorm, outline, and revise your essay, ensuring that your ideas are well-organized and effectively communicated. Additionally, pay attention to word limits and any specific guidelines provided by the college or university.

Ultimately, the goal of college essays is to provide admissions officers with a deeper understanding of who you are as a person and how you will contribute to their campus community. By carefully considering and responding to the three main types of essay questions, you can create a compelling and authentic essay that helps you stand out among other applicants.

How to Plan Your College Essay Writing

Planning your college essay writing is a crucial step in the process of crafting a compelling and well-structured essay. By taking the time to plan and organize your thoughts, you can ensure that your essay effectively communicates your ideas and presents a cohesive narrative. Here are some key steps to help you plan your college essay writing:

1. Understand the Essay Prompt: Begin by carefully reading and understanding the essay prompt. Highlight key instructions, requirements, and themes. Make sure you have a clear understanding of what the prompt is asking and the specific focus or angle you should take in your response.

2. Brainstorm Ideas: Once you understand the prompt, start brainstorming ideas and potential topics. Reflect on your personal experiences, achievements, challenges, and values. Consider how these aspects of your life align with the prompt and which ones you want to highlight in your essay. Jot down any ideas that come to mind, and don't worry about organizing them at this stage.

3. Create an Outline: With your ideas in mind, create an outline for your essay. An outline provides a structure and roadmap for your writing, helping you organize your thoughts and ensure a logical flow. Start with an introduction that grabs the reader's attention and clearly states your thesis or main idea. Then, outline the main points or arguments you want to make in the body paragraphs, ensuring each point supports your thesis. Finally, plan a conclusion that summarizes your main points and leaves a lasting impression.

4. Organize Your Ideas: Once you have an outline, organize your ideas and evidence within each section. Consider the most effective order for presenting your points and supporting evidence. Ensure a smooth transition between paragraphs and use topic sentences to introduce each new idea. This organization will help the reader follow your thoughts and create a coherent and persuasive essay.

5. Develop a Writing Schedule: Set aside dedicated time for writing your essay. Create a schedule that works for you, allowing enough time for brainstorming, drafting, revising, and editing. Break down the writing process into manageable tasks and set deadlines for each stage. Adhering to a schedule will help you stay focused and ensure you have ample time to refine your essay.

6. Write a Strong Introduction: Start your essay with a compelling introduction that hooks the reader and sets the tone for the rest of the essay. Consider using an engaging anecdote, a thought-provoking question, or a captivating quote to grab attention. Clearly state your thesis or main idea, providing a preview of what the reader can expect from your essay.

7. Develop Coherent Body Paragraphs: Each body paragraph should focus on a specific point or argument that supports your thesis. Start with a topic sentence that introduces the main idea of the paragraph. Then, provide evidence, examples, or personal experiences to support your point. Make sure there is a logical progression from one paragraph to the next, ensuring a cohesive and well-structured essay.

8. Craft a Compelling Conclusion: End your essay with a strong conclusion that reinforces your main points and leaves a lasting impression. Summarize your key arguments and provide a sense of closure. Consider ending with a thought-provoking statement, a call to action, or a reflection on the broader significance of your essay's topic.

9. Revise and Edit: After completing your first draft, take the time to revise and edit your essay. Review your essay for clarity, coherence, grammar, and spelling errors. Ensure that your ideas are effectively communicated and that your essay flows smoothly. Consider seeking feedback from trusted mentors, teachers, or peers to gain additional perspectives and make further improvements.

10. Proofread: Before submitting your essay, thoroughly proofread it for any typos, grammatical errors, or inconsistencies. Pay attention to formatting guidelines and ensure your essay is within the specified word limit. Take the time to make any necessary revisions and polish your essay to make it the best possible version.

By following these steps and planning your college essay writing process, you can effectively organize your thoughts, develop a strong essay structure, and create a compelling and impactful essay that stands out to college admissions officers. Remember to allow yourself enough time to brainstorm, draft, revise, and edit, as the planning stage is crucial for producing a high-quality essay.

Conclusion

Planning your college essay writing is an essential step that can significantly enhance the quality and effectiveness of your essay. By understanding the essay prompt, brainstorming ideas, creating an outline, organizing your thoughts, and developing a writing schedule, you can approach your essay with clarity and purpose. Additionally, focusing on writing a strong introduction, coherent body paragraphs, and a compelling conclusion will further strengthen your essay's impact. Remember to revise, edit, and proofread your essay to ensure it is polished and error-free. By investing time in the planning process, you can craft a well-structured and persuasive college essay that showcases your unique qualities and captures the attention of college admissions officers.

Planning for Successful College Applications

Know the right way for successful college application and how to get prepared for college admission to gain admission in your dream college - Read our blog

A Brief Introduction to College Scholarships

Do you know how to win college scholarship? Know detail information about college scholarship & how to get scholarship successfully? - Read our blog carefully

Brainstorming for College Essays

This Article is intended to help you brainstorm and begin writing your personal statement essay and all the other college essays. This is a key step to write persuasive college essays

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SAT Essay Examples for the 6 Types of Essay Prompts

SAT , SAT Writing

And since all these arguments are very simple, almost every SAT essay argument can be boiled down to one of the 6 we list here . In addition to that, though, we also explain how to argue each one, and give you sample support for both sides of every argument. Read on for the inside scoop on this important aspect of the SAT.

UPDATE: SAT Essay No Longer Offered

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In January 2021, the College Board announced that after June 2021, it would no longer offer the Essay portion of the SAT (except at schools who opt in during School Day Testing). It is now no longer possible to take the SAT Essay, unless your school is one of the small number who choose to offer it during SAT School Day Testing.

While most colleges had already made SAT Essay scores optional, this move by the College Board means no colleges now require the SAT Essay. It will also likely lead to additional college application changes such not looking at essay scores at all for the SAT or ACT, as well as potentially requiring additional writing samples for placement.

What does the end of the SAT Essay mean for your college applications? Check out our article on the College Board's SAT Essay decision for everything you need to know.

SAT Essay prompts are unlike any other writing assignment. The questions are extremely general, asking things like "is the world changing for the better," but they only ever require a very simplistic thesis statement about a complex idea. There are, for example, many ways in which the world is and is not changing for the better. The most "accurate" answer would have to be "yes AND no," but that's the opposite of what you should say on the SAT.

Because on the SAT Essay, simplicity and clarity is the name of the game . You are expected to make a broad, definitive statement about what people 'should' do or whether something is possible. You don't have to believe it, you just have to present a few examples (between one and three) that can show why your statement is correct. In this way, the SAT Essay is easier than most students think.

All of the essay questions in this article are taken from real SATs (from the out-of-2400 SAT) or College Board prep materials. We've categorized them not by their content --for example, "success" or "personality"--but rather by their reasoning . This is because the logic of the question, not its content, is what determines the best argument on which to build your essay.

For each type of SAT essay question below, we give you 3 sample prompts similar to what you'll run into, and a breakdown of how to argue either side of any SAT essay question of that type. You'll get detailed SAT essay examples that guide you through how to construct an argument.

SAT Essay Prompt Type 1: Discuss what people should do

This type of SAT essay question lends itself to many different kinds of examples. Anything that involves people and their choices is fair game. See the diagram below for more information on how this works.

Should people….

be valued according to their capabilities rather than their achievements?
weight all opinions equally, or place more weight on informed opinions?
always value new things, ideas, or values over older ones?

Step 1 : Pick a side. "Yes, people should always value new things, ideas, or values over older ones," or "no, people should not always value new things, ideas, or values over older ones."

Step 2 : Consider what would logically support your statement (see green boxes for a breakdown of the types of support you should use). For example, if you argue "Yes, people should value new things" as your thesis, you can give evidence of a time when people valued new things and it turned out well, or of a time when people didn't value innovation and it turned out poorly.

Step 3 : Quickly think of 1-3 real-world or literary examples that fit the criteria in Step 2 (see blue boxes for ideas). To support the Yes thesis with evidence of when people valued new things with success, we could talk about Civil Rights in the United States, the Industrial Revolution, FDR's new deal, or any other example dealign with positive innovation. We could also discuss evidence where refusal to accept new things turned out poorly, like fear of vaccinations and Galileo being excommunicated for his (true) scientific beliefs.

SAT Essay Prompt Type 2: Discuss which of two things is better

These questions can be fodder for 12-scoring essays because they can be answered so simply: this thing is better than that thing. Then you just have to think of 1-3 examples in which that thing worked and/or in which the other thing didn't work. See the diagram below for more information on how this can be done.

Is it better...

to take an idealistic approach or a practical approach?
to do fulfilling or high-paying work?
to use cooperation or competition to achieve success?

Step 1 : Pick a side. "It is better to use cooperation to achieve success," or "it is better to use competition to achieve success."

Step 2 : Consider what would logically support your statement (see green boxes for a breakdown of the types of support you should use). Similar to Prompt Type 1 above, in this case you can use evidence that supports your thesis, or argues against the opposite thesis. For example, if you write that "Cooperation is better to achieve success," you can use evidence on a time when cooperation led to success, or when competition led to failure.

Step 3 : Quickly think of 1-3 real-life or literary examples that fit the criteria in Step 2 (blue boxes). Following our "cooperation is better" thesis, we can talk about when people cooperated to great success - like the Civil Rights movement, or Abraham Lincoln's cabinet during the Civil War. We could also discuss how competition is inferior through examples like the subprime mortgage crisis of 2008, or the North Korea vs South Korea standoff.

SAT Essay Prompt Type 3: Support or refute counterintuitive statements

These can be the toughest SAT essay prompts--if you don't know how to tackle them. The easiest way to really knock this essay type out of the park is to say yes, it is possible, and then think of an example. The other side--no, it isn't possible--is harder to logically prove , but it can be done. See the diagram below for more information on how this works.

Is it possible for….

deception to have good results?
working to reach an objective to be valuable even if the objective is not reached?
any obstacle to be turned into something beneficial?

Step 1 : Pick a side. "Yes, it is possible for any obstacle to be turned into something beneficial," or "no, it is not possible for any obstacle to be turned into something beneficial."

Step 2 : Consider what would logically support your statement (see green boxes for a breakdown of the types of support you should use). Unlike the two prompt types above, this one is more simplistic - just find evidence that can support your thesis in a straightforward way. If you write "No, it's not possible for any obstacle to be turned into something beneficial," you just need to find evidence for when obstacles exist but don't lead to anything helpful.

Step 3 : Quickly think of 1-3 real-life or literary examples that fit the criteria in Step 2 (see blue boxes). To support the No thesis, we could use the example of how gender discrimination against women and income inequality has caused far more harm than the good it has caused.

SAT Essay Prompt Type 4: Cause and effect

These can be logically complicated, depending on which side you choose. If you say x is the result of y , then you just have to think of 1-3 examples that illustrate it. If you choose the other side, though, then you have a harder logical task in front of you--your examples have to fit a much narrower definition to make sense. See the diagram below for more information on how this works.

Is __ the result of __?

Is a successful community the result of individuals sacrificing their personal goals?
Is accomplishment the result of freedom to do things one's own way?
Is learning the result of experiencing difficulties?

Step 1 : Pick a side. "Yes, learning is the result of experiencing difficulties," or "no, learning is not the result of experiencing difficulties."

Step 2 : Consider what would logically support your statement (see green boxes for a breakdown of the types of support you should use). For example, if our thesis is "Yes, learning is the result of experiencing difficulties," we can either argue with evidence of a time when learning IS the result of difficulty, or when a lack of difficulty led to an absence of learning. Both types of evidence support your thesis.

Step 3 : Quickly think of 1-3 real-life or literary examples that fit the criteria in Step 2 (see blue boxes). For our Yes thesis, we could talk about how the difficulty of unmanageable healthcare costs in the USA led to learning and the Affordable Care Act. We could also use the other type of evidence and talk about how Jay Gatsby's lack of difficulty in having immense wealth led to poor learning about what really makes him happy.

SAT Essay Prompt Type 5: Generalize about the state of the world

These kinds of SAT essay prompts are so open-ended that they lend themselves to all kinds of examples and interpretations. But for this same reason, they can be overwhelming and confusing. See the diagram below for more information on how this works.

What is the modern world like?

Is the world more in need of creativity now more than ever?
Is the world actually harder to understand due to the abundance of information now available?
Is the world changing in a positive way?

Step 1 : Pick a side. "Yes, the world is changing in a positive way," or "no, the world is not changing in a positive way."

Step 2 : Consider what would logically support your statement (see green boxes for a breakdown of the types of support you should use). Let's consider the Yes thesis. We can use evidence that problems in the past that are being solved today, or innovations today that didn't previously exist.

Step 3 : Quickly think of 1-3 real-life or literary examples that fit the criteria in Step 2 (see blue boxes). To support our Yes thesis, we can find examples of problems that are better now - women's rights, slavery, and reduced violence. We can also discuss recent innovations that dramatically improve quality of life, like the Internet and widespread access to education.

SAT Essay Prompt Type 6: Generalize about people

Much like the "state of the world" questions, these can be supported by almost anything, but can also get away from you if you're not careful. See the diagram below for some ideas of how to manage these prompts.

What are people like?

Do people underestimate the value of community due to our culture of individualism?
Are people defined by their occupations?
Do people learn from the past?

Step 1 : Pick a side. "Yes, people learn from the past," or "no, people do not learn from the past."

Step 2 : Consider what would logically support your statement (see green boxes for a breakdown of the types of support you should use). Let's consider the No thesis that people don't learn from the past - we would have to find an example of when someone repeated a mistake that they could have avoided from history.

Step 3 : Quickly think of 1-3 real-life or literary examples that fit the criteria in Step 2 (see blue boxes). A great example to use for our No thesis is comparing Hitler and Germany to Napoleon. In 1812, Napoleon fought a war on multiple fronts, fighting the Spanish army and the Russian Empire simultaneously. This led to a drastic dilution of focus and led to his defeat. A century later in World War 2, Hitler fought on two fronts as well, facing the Allies in Europe and Russia at the same time. He too was defeated through this mistake.

What do I do now?

Now that you know the basic types of SAT essay prompts and the types of arguments they require, what can you do with this information?

A few different things: one is to practice with these questions, thinking of one or two examples to support at least one answer to each question. We've written a guide to 6 SAT essay examples you can use to answer nearly every prompt .

We show you how to construct an SAT essay , step by step . If you want to get a perfect SAT essay score, read this .

Another is to take a look at our comprehensive SAT essay prompts article, which gives you lots more questions to think about answering and supporting with the arguments above.

Finally, make sure you read our 15 SAT essay tips to know how to get an edge on the essay.

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60+ College Essay Prompts From Actual 2023-2024 Applications

Ideas to inspire every college applicant.

Discuss a time when reflection or introspection led to clarity or understanding of an issue that is important to you.

Writing a college application essay can be a stressful task for a lot of students. The more practice they get in advance, the better! This roundup of college essay prompts gives applicants a chance to explore their thinking, polish their writing, and prepare to make the best possible impression on selection committees. Every one of these questions is taken from real college applications for the 2023-2024 season, so they’re meaningful and applicable to today’s high school seniors.

Common App 2023-2024 College Essay Prompts

2023-2024 coalition for college essay prompts, life experiences college essay prompts, personal college essay prompts, academics college essay prompts, creative college essay prompts.

Hundreds of colleges and universities use the Common App process . For many schools, this includes responding to one of several college essay topics, which can change each year. Here are the essay prompts for the current application cycle (check with your chosen school/s to see if an essay is required).

Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story.
The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience?

The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience?

Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome?
Reflect on something that someone has done for you that has made you happy or thankful in a surprising way. How has this gratitude affected or motivated you?
Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others.

Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others.- college essay prompts

Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?
Share an essay on any topic of your choice. It can be one you’ve already written, one that responds to a different prompt, or one of your own design.

More than 150 colleges and universities use the Coalition for College process . Here are their essay prompts for 2023-2024.

Tell a story from your life, describing an experience that either demonstrates your character or helped to shape it.

Tell a story from your life, describing an experience that either demonstrates your character or helped to shape it.

What interests or excites you? How does it shape who you are now or who you might become in the future?
Describe a time when you had a positive impact on others. What were the challenges? What were the rewards?
Has there been a time when an idea or belief of yours was questioned? How did you respond? What did you learn?
What success have you achieved or obstacle have you faced? What advice would you give a sibling or friend going through a similar experience?

What success have you achieved or obstacle have you faced? What advice would you give a sibling or friend going through a similar experience?

Submit an essay on a topic of your choice.

Answer these questions by sharing specific examples from your own experience.

Who is your favorite conversation partner? What do you discuss with that person?
Discuss a time when reflection or introspection led to clarity or understanding of an issue that is important to you.
Share an example of how you have used your own critical-thinking skills on a specific subject, project, idea, or interest.

Share an example of how you have used your own critical-thinking skills on a specific subject, project, idea, or interest.- college essay prompts

Describe a time when you were challenged by a perspective that differed from your own. How did you respond?
What are the best words of advice you have received? Who shared them, and how have you applied them in your own life?
Elaborate on an activity or experience you have had that made an impact on a community that is important to you.
Using your personal, academic, or volunteer/work experiences, describe the topics or issues that you care about and why they are important to you.
Who do you agree with on the big, important things, or who do you have your most interesting disagreements with? What are you agreeing or disagreeing about?
Reflect on a personal experience where you intentionally expanded your cultural awareness.
When was the last time you questioned something you had thought to be true?
Discuss the significance to you of the school or summer activity in which you have been most involved.
Reflect on a time when you or someone you observed had to make a choice about whether to act with integrity and honesty.
Describe an example of your leadership experience in which you have positively influenced others, helped resolve disputes, or contributed to group efforts over time.

Describe an example of your leadership experience in which you have positively influenced others, helped resolve disputes, or contributed to group efforts over time.

Describe a time you did not meet expectations and what impact the experience had on you.

These essay topics give schools a better sense of who you are, what you value, and the kind of student citizen you might be.

What drives you to create, and what do you hope to make or have you made?
Which book, character, song, monologue, or piece of work (fiction or nonfiction) seems made for you? Why?
What would you want your future college roommate to know about you?
How has your own background influenced the types of problems you want to solve, the people you want to work with, and the impact you hope your work can have?

How has your own background influenced the types of problems you want to solve, the people you want to work with, and the impact you hope your work can have?- college essay prompts

Describe any meaningful travel experiences you’ve had.
What would you want to be different in your own country or community to further principles of equality, equity, or social justice?
What strength or quality do you have that most people might not see or recognize?
If you could live your life fighting for one cause, what would it be and why?
What gives meaning to your life?
If you wrote a letter to yourself to be opened in 20 years, what would it say?
If you had the power to change the course of history in your community or the world, what would you do and why?

If you had the power to change the course of history in your community or the world, what would you do and why?

Choose one of the communities to which you belong, and describe that community and your place within it.
What is the greatest compliment you have ever been given? Why was it meaningful to you?
Explain how a text you’ve read—fiction, nonfiction, poetry, or literature of any kind—has helped you to understand the world’s complexity.

Topics like these show your academic interests and demonstrate your commitment to learning and discovery.

What does it mean to you to be educated?
What is your motivation for pursuing higher education?
Describe your reasons for wanting to attend the specific school you’re applying to. Who or what factored into your decision?
Academic inquiry starts with bold questions. What are some of the bold questions you have pondered that get you excited, and why do they interest you?

Academic inquiry starts with bold questions. What are some of the bold questions you have pondered that get you excited, and why do they interest you?- college essay prompts

What has been your best academic experience in the last two years, and what made it so good?
If you decide to take a “gap year” between high school and college, what would you do during that time?
Many schools place a high value on diverse student populations. How can you contribute to and support a diverse and inclusive student population at your chosen school?
Imagine you were just awarded a research grant for a project of your choice. What are you researching and why?
What do you love about the subject(s) you selected as potential major(s)? If undecided, share more about one of your academic passions.

What do you love about the subject(s) you selected as potential major(s)? If undecided, share more about one of your academic passions.

Describe a time when you’ve felt empowered or represented by an educator.
Describe how you have taken advantage of a significant educational opportunity or worked to overcome an educational barrier you have faced.

Use these college essay topics to show off your creativity and innovative thinking.

You are tasked with creating a new category for the Nobel Prize. Explain what it would be, why you chose your specific category, and the criteria necessary to achieve this accomplishment.

You are tasked with creating a new category for the Nobel Prize. Explain what it would be, why you chose your specific category, and the criteria necessary to achieve this accomplishment.

Pick one person—a historical figure, fictitious character, or modern individual—to converse with for an hour, and explain your choice.
If you could witness a historic event (past, present, or future) firsthand, what would it be and why?
If you could have a theme song, what would it be and why?
Discuss a book that you would call a “great book.” What makes the book great in your view?
If you could give any historical figure any piece of technology, who and what would it be, and why do you think they’d work so well together?
If I could travel anywhere, I would go to …
My favorite thing about last Tuesday was …
Write a short thank-you note to someone you have not yet thanked and would like to acknowledge.
If you had 10 minutes and the attention of a million people, what would your TED Talk be about?
What are your three favorite words in the English language? Explain what they mean to you.
Imagine that you could have one superpower. What would it be and how would you use it? What would be your kryptonite?

Imagine that you could have one superpower. What would it be and how would you use it? What would be your kryptonite?- college essay prompts

Which Ben & Jerry’s ice cream flavor (real or imagined) best describes you?
If you could create a college course that all students would take, what would it be about and why?
What website is the internet missing?

How do you help your students prepare their college application essays? Come share your ideas and ask for advice in the We Are Teachers HELPLINE group on Facebook .

Plus, check out the ultimate guide to college scholarships.

Looking for writing ideas for your college application? These college essay prompts offer inspirational topics that let every student shine.

25 reasons you might be freaking out right now if you’re a teacher at the end of summer break.

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What Is a Writing Prompt and What Types There Are?

June 2, 2022

What Is An Essay Prompt?

Understanding writing prompts, types of writing prompts, how to write a prompt, how to respond to essay writing prompts for beginners, key takeaways.

Do you love writing but sometimes feel stuck or uninspired? Are you looking for a way to jumpstart your creative process ? If so, writing prompts may be just what you need. But what is a writing prompt and what is its role in writing?

In this article, we will discuss the definition of a writing prompt, explore different types of prompts, and learn how to write one yourself.

What Is a Writing Prompt?

A writing prompt is a sentence, paragraph, or (rarer) an image that provides inspiration and guidance for creative writing . It may be used as a possible topic or starting point for an original essay, report, journal entry, story, poem, etc. A writing prompt’s main aim is to test a writer’s analytical capabilities, writing skills, and ability to express their point of view.

Writing prompts for students have long been used in the classroom to encourage student attention and develop their capacity to focus on a certain subject, idea, or concept. They also give students the chance to express their own opinions on a certain topic. Prompts stimulate students’ critical thinking and offer them an opportunity to construct a well-reasoned, structured argument in response to another writer’s viewpoint.

An essay prompt is a subtype of the writing prompt. Essay prompts are generally made up of 1 to 3 sentences that provide some context about the subject, followed by a question that asks students to write about a certain topic in the form of an essay .

The goal is to get students to respond with an essay focusing on a statement or issue in order to assess their writing, reasoning, and analytical abilities.

Analyzing your writing prompt is easier if you highlight the important words while reading it . Here are some of the words you should watch out for:

Argue – requires you to present facts that support your opinion
Compare – determine the similarities and differences between two or more concepts
Define – provide a definition of a specific concept or subject
Discuss – explain various aspects of a subject or problem and reach a conclusion
Describe – give a detailed description of an event or a particular person, place, or thing

Prompts can help improve your writing skills by providing practice in brainstorming, planning, drafting, revising, and editing . Daily writing prompts can also help you practice and develop your understanding of grammar when learning a new language .

Following are the most common types of writing prompts that students come across as a part of their degrees or continuing education programs:

Descriptive

Descriptive prompts frequently include cue terms such as “describe in detail,” “describe how something looked/felt/smelled/tasted,” and so on. In this type of writing, the reader should be able to experience what you’re writing about. Descriptive writing exercises frequently request writers to provide details that will help the reader construct a vivid picture by including sensory elements , such as sight, sound, smell, touch, and taste.

Expository/Informative

Expository writing prompts are a good writing practice for teens and college students. Expository prompts typically ask the writer to describe, compare and contrast, discuss pros and cons, or define something .

Expository writing has a particular purpose and audience in mind; as a result, the style and voice must correspond to the set subject and audience. The following words are used as cues to elicit expository answers: why, how, what, and explain.

The act of writing a narrative is the process of recording and telling events from one’s personal or fictional experience . Identifying what a narrative writing prompt look like is easy when you know what to look for. These prompts call for insight, creativity, drama, suspense, humor, and/or fantasy, and often contain the term “tell about…,” “write a story,” or “describe”.

Writers should use real or invented experiences when responding to narrative prompts. They should also incorporate dialogue, sensory elements, and sensible sequences into their response.

In this sort of prompt, the writers are expected to express their viewpoint on a certain subject, followed by logical reasoning and facts . This can either be a controversial issue or something light-hearted and fun. No matter what the topic is, if you’re wondering how to start a writing prompt like this, just make sure you’re clear and concise so that the reader knows exactly what is being discussed.

Persuasive prompts are writing prompts that require the writer to convince or persuade the reader to agree with a certain point of view . These types of prompts typically use cue words such as “convince,” “persuade,” and “why” rather than “how.”

To write a persuasive prompt, it is important to first brainstorm ideas and then narrow down your focus to come up with a creative and unique prompt. Remember to consider your audience when writing persuasive prompts.

The research approach to daily writing prompts encourages writers to look for information on a given topic using books, internet resources, films, etc . Such a writing assignment asks students to look up all the details and provide the resources as well, sometimes in the form of a bibliography .

When you start writing, no matter the type and form of the written piece, it’s important to consider your audience and purpose. When you’re responding to a written prompt that lists children as your target audience, for example, you’ll need to use age-appropriate language and focus on the topics that are interesting for the particular age group . Apart from the audience, you need to pay attention to the following factors, as well:

Prompt Construction

Breaking down the writing prompt into three parts is another useful approach for better conveying the task’s meaning:

the first part introduces the subject
the second part encourages writers to think about it, perhaps with a brainstorming pre-writing exercise
the third portion explains what needs to be written

In order to avoid confusion, writing prompts should be brief and focused . The instructor must make sure that the students are provided with sufficient information in order for them to understand the writing assignment completely.

The components of the prompt can be repeated, but using parallel wording will help writers stay focused on the specific writing task.

Bias and Sensitivity

The topics of your creative writing prompts should be inclusive and fair to all potential writers . The prompts should be written in a way that allows writers to easily comprehend them, regardless of their cultural background or other variables. It’s important to avoid cultural, ethnic, gender, or any other form of bias when developing prompts.

After you’ve examined your prompt, it’s time to get creative and prepare for your essay writing:

First, make a thesis statement to address the main issue . Your thesis statement should be the focal point of your whole essay and should reflect your stance on the issue.
When responding to writing prompts for beginners, write simple topic sentences that cover all the criteria. Add any facts, elaborations, or evidence you need to back up your viewpoint.
After you’ve finished, you may add more facts and smooth transitions between each phrase and paragraph . Make sure to include an eye-catching opening line in your first paragraph, as well as a conclusion that summarizes your ideas and thesis statement.

All in all, understanding what is a prompt in writing and how to respond to one is a key skill for all writers. By taking the time to analyze the prompt and brainstorm ideas, you’ll make sure that your written piece is clear, concise, and on-topic. Practicing with different types of prompts will help you hone your skills and become a more confident writer.

The three parts of a writing prompt are the introduction, the body, and the conclusion. The introduction sets the tone for the rest of the piece, the body provides support for the thesis, and the conclusion ties everything together and leaves readers with a final thought or impression.

Most writing prompts consist of the following six parts: articulation of purpose, a summary of the assignment, logistics, paper’s key components, framing questions, and evaluation criteria.

What is a writing prompt supposed to be like in order to both challenge a writer and let them showcase their writing skills? It must be clear and concise, and possible to answer in a short amount of time. It should also be open-ended enough to allow for creative interpretation, not requiring prior knowledge in order to be answered.

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by Beti Prosheva Gavrilovska

I am curiosity-driven and detail-oriented so you will often find me researching the latest trends, experimenting with search engine optimization, or testing software. As a keen observer of content, my teammates often like to joke that "noting escapes the eye of Beti."

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The Writer’s Guide to Prompts: A Comprehensive List of Types and Uses

Prompts are cues or instructions used to elicit a specific response or guide behavior. They are commonly used in various educational, therapeutic, and training settings. Here are some general types of prompts:

1. Verbal Prompts

Verbal prompts involve giving verbal cues or instructions to prompt a desired response. This can include providing explicit directions, asking questions, or giving verbal cues to guide someone’s behavior. Verbal prompts can range from full prompts, where the complete instruction is provided, to partial prompts, which involve giving hints or cues.

2. Visual Prompts

Visual prompts use visual cues or aids to prompt a desired behavior. They can include pictures, symbols, written instructions, diagrams, or visual schedules. Visual prompts are helpful for individuals who benefit from visual supports and help them understand and remember what is expected of them.

3. Gestural Prompts

Gestural prompts involve using physical gestures or movements to prompt a specific behavior. This can include pointing, nodding, hand signals, or other non-verbal cues that guide someone’s actions. Gestural prompts can be particularly useful when working with individuals who may have difficulty processing or responding to verbal instructions.

4. Modeling Prompts

Modeling prompts involve demonstrating the desired behavior for someone to imitate. This can be done by the teacher, therapist, or another individual performing the behavior as an example. Modeling prompts provide a visual reference for the individual and help them understand how to perform the desired behavior.

5. Physical Prompts

Physical prompts involve physically guiding or manipulating someone’s body to prompt a specific response. This can include hand-over-hand assistance, gentle touch or pressure, or physical cues to initiate or complete a task. Physical prompts are gradually faded as the individual gains more independence and learns the desired behavior.

6. Textual Prompts

Textual prompts involve providing written cues or instructions to prompt a response. This can include written reminders, written steps or directions, or written prompts presented in text format. Textual prompts are helpful for individuals who benefit from reading and comprehending written information.

7. Positional Prompts

Positional prompts involve arranging or positioning objects or materials in a way that prompts a desired behavior. For example, placing a book on a table to prompt reading or setting up materials in a specific order to guide a task. Positional prompts create environmental cues that trigger or facilitate the desired response.

The selection of the most appropriate type of prompt depends on the individual’s needs, abilities, and learning style. It’s important to consider the context, the complexity of the task, and the individual’s level of independence to determine the most effective prompt to facilitate learning and skill acquisition.

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60+ College Essay Prompts for 2022-2023 Applicants
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41 Good Writing Prompts to Delight You » JournalBuddies.com
💋 Essay prompts. 35 College Essay Prompts and Topics. 2022-11-02
60+ School Essay Prompts for 2023-2024 Candidates
How to Combine Your College Essay Prompts (To Save 20+ Writing Hours)

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College Essay Prompts: Complete List, Analysis, and Advice
This is your ultimate guide to college essay prompts: examples, analysis, and strategies for the full range of college essay questions. CALL NOW: +1 (866) 811-5546 ... Finally, this type of prompt asks about a transitional experience or rite of passage that made you feel like an adult. I've reprinted another example from the Common App:
What Is a Prompt in Writing? (Ultimate Guide + 200 Examples)
Types of Prompts in Writing. Now let's go over different types of prompts in writing. Common prompt types include: The Story Starter; The Question Quest; ... It's perfect for essays, reflective writing, or exploring complex themes and issues. These prompts challenge you to consider different perspectives, analyze situations, and develop ...
Developing Writing Prompts
When writing a prompt, first determine which type of essay the students will be writing. Common essay types include: argument, descriptive, expository (also known as evaluative, reflective, or analytic), narrative, opinion, and persuasive. Prompt construction: One useful approach to prompt writing is to break it into three parts. The first part ...
The Five Types of Text Response Prompts
Your approach to each essay will depend on what type of prompt is being asked. Be aware that not all essay prompts are the same, which means that sometimes your preferred essay structure simply won't suit the type of prompt asked. This month we look at 5 types of essay topics - what you should watch out for and how you could approach your essay writing. The topics used in this blog post ...
College Essay Prompts: Complete List, Analysis, and Advice
The 3 Main Types of College Essay Questions. When it comes to college applications, one of the most important components is the college essay. College essay prompts can vary widely across different institutions, but they generally fall into three main types: personal statement prompts, specific prompts, and supplemental prompts.
SAT Essay Examples for the 6 Types of Essay Prompts
SAT Essay Prompt Type 5: Generalize about the state of the world. These kinds of SAT essay prompts are so open-ended that they lend themselves to all kinds of examples and interpretations. But for this same reason, they can be overwhelming and confusing. See the diagram below for more information on how this works.
60+ College Essay Prompts for 2023-2024 Applicants
Academics College Essay Prompts; Creative College Essay Prompts; Common App 2023-2024 College Essay Prompts. Hundreds of colleges and universities use the Common App process. For many schools, this includes responding to one of several college essay topics, which can change each year. Here are the essay prompts for the current application cycle ...
What Is a Writing Prompt and What Types There Are?
Essay prompts are generally made up of 1 to 3 sentences that provide some context about the subject, followed by a question that asks students to write about a certain topic in the form of an essay. The goal is to get students to respond with an essay focusing on a statement or issue in order to assess their writing, reasoning, and analytical ...
The Writer's Guide to Prompts: A Comprehensive List of Types and Uses
This can include providing explicit directions, asking questions, or giving verbal cues to guide someone's behavior. Verbal prompts can range from full prompts, where the complete instruction is provided, to partial prompts, which involve giving hints or cues. 2. Visual Prompts. Visual prompts use visual cues or aids to prompt a desired behavior.
10 Common Types of College Essay Prompts-and How to Crush Them
Prompt #2: Describe a time when you changed your personal beliefs or values. The key to crushing this (and most every) essay prompt is to be specific. Don't brag about the fact you became a vegetarian and are saving the planet with your life choices. Instead, write about a specific event that made you change your eating habits.