photography and architecture thesis

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Architecture and photography: disruptions in the politics of architectural meaning making 1925-1960

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Architectural photography within the context of aesthetics principles

2018, International Interdisciplinary Conference, Russia and the East: The interaction in art

In the new era, with the advancement of technology and the pace in construction, time doesn't allow sketching and manual drawing of buildings and even in the case of overcoming this matter, it is difficult to seek the limitations of manual drawing and natural desire of human being to observe the facts clearly. In fact, if the camera and the art of photography were not around, we would not have a clear understanding of the constant architectural works in various parts of the world such as a remote village in a lesser-known country to the center of New York's Manhattan. Therefore, with respect to such issues, it is significant for us to recognize the necessity and requirement for photography in architecture. An architect photographer needs to be familiar with the principles and techniques of photography, grasp the history of architectural arts and understands the elements of Architecture in urban planning in a way that the result of his photography becomes influential and different from the work of others. Thus, dealing with two issues photography and architecture the away that are in one line in principle and coordination, can play a significant role in arts and industry in different fields. This research has been conducted in a descriptive-analytical manner through observation, library materials and field studies. The results of this research illustrates that the registration and understanding of architectural images can play a significant role in visual perception of the environment.

Related Papers

Visual Resources

Antonella Pelizzari

Irene Ruiz Bazán

New Trends and Issues Proceedings on Humanities and Social Sciences [Online]

Architecture and photography have closely interacted with each other since the invention of the photography. Through the 20th century, architectural photographs were utilised for documentation, preservation, historiography, presentation and as a tool of design. Until the turn of the 21st century, the dissemination of architectural photographs was limited by the accessibility of printed media. Today, owing to the digital communication technologies, architectural photographs are being disseminated and circulating rapidly in an unprecedented way. Therefore, not only architectural photographs produced by professionals but also a high number of photographs which were taken by users or visitors of a building started to disseminate. Accordingly, not only the audience but also consumption and production processes of architecture have changed. This study focuses on photography's affiliation as a tool of architectural (re)presentation and (re)production.

Iain Borden

Journal of Artistic Research, no 3

Dr Marc Goodwin

This article seeks to share the methods and preliminary results of an artistic research project in the field of architectural photography. A central concern is the representation of atmosphere in place of the standard depiction of objects. Important also is an attempt at co-design through an interview process with architects based on the notion of the dialectic. This aspect of the study is important not only for this experiment itself but is also crucial for analyzing the scalability of practices pursued in this investigation. Findings include excerpts from interviews and examples of photographs. More than just a project about photographic practices, however, this study is part of a larger investigation into the relationship that has developed between photography and architecture, focussing especially on Finland and Denmark, and the institutional practices of architects, publishers and photographers working in collaboration.

Idealogy Journal

NORHASLINDA SHAFIE

Nowadays, our environment surrounded by thousands of images. Images are essential in human communication then, it can be viewed from a verity of form and style. Thereby, this research intended to explore the perspective of fine art photography in documenting the architecture. Masjid Ubaidah, Kuala Kangsar was selected as the case study to implement this new perspective of photograph specifically. This study was conducted using qualitative research where the design process was involved in visual research analysis. The structure observation was carried out to identify the common style used by photographer in producing the images of Masjid Ubaidah, Kuala Kangsar and how the creativity and aesthetic value can be built by injecting the fine art approach. This research found that the potential for fine art approach as a new method in documenting Masjid Ubaidah, Kuala Kangsar by establishing the diversity of creativity in aesthetic discussion.

Mike Christenson

This paper illustrates and explores three critical dimensions of photography in architecture, each of which informs the production of images, texts, and other artifacts which establish what might be called a building's media footprint. The paper's broad goal is to question the extent to which these critical dimensions are relevant to architectural decision-making processes. Acknowledging that such dimensions as the ones examined here rarely predict an architect's specific design decisions in a transparent manner, the paper discusses not only the decisions made by architects during the process of designing buildings, but the decisions made by critics, visitors, and members of the general public as they engage in activities such as visiting buildings, writing about them and, particularly, photographing them. The paper examines the Mies van der Rohe-designed Commons Building at ITT in Chicago and the evolution of its relationship with architectural photography and photographic representation – both on its own terms and through the prism of the Rem Koolhaas-designed McCormick Tribune Student Center, which adds to and incorporates the Commons Building.

VRA Bulletin

Erik Gustafson

This study is one of the first to use content analysis of images as a means of interpreting architectural discourse. Nine facts were extracted from a detailed analysis of images that appeared in 3493 pages of the Finnish Architectural Review (ARK) between 1912 and 2012. Close attention was paid to the types of images used repeatedly in order to focus on key editorial and photographic decisions. Editorial decisions consisted of type, size, chromatic scale and number of images. Photographic decisions consisted of human presence, weather, depth-of-field and camera orientation for interior and exterior photographs. Data, which quantifies the frequency of each type of image, indicates that there is a strong reliance on visual conventions in ARK. When considering the limited range of images used in the publication, it becomes clear there is little correlation between the complexity of architectural language and environments and the simplicity of its depiction. That discrepancy suggests there is a need for research and development in the field of architectural photography in order to better inform readers about the diversity of architectural practices. This argument will be unfolded in this paper and supported both by data and practitioner insights.

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How Architecture Depends on Photography

• Written by Stewart Hicks
• Published on October 01, 2021

Architecture and photography are deeply dependent on one another. The first photograph ever taken frames buildings as its subject. Even more, it took an entire room to produce the image through a camera obscura. In the early days, buildings were one of the few subjects that could sit still for the 8 hours it took to burn an image onto a photosensitive medium. However, architecture is dependent on photography too. Buildings are large, slow, and immobile. Without photographs, it would be difficult to visit the important structures around the world. In this way, photographs are an easily shareable surrogate for buildings. But, photographs are not truthful 1:1 depictions so photographers have a lot of agency when it comes to how we experience architecture. This video offers some insight into this relationship and presents a few photographers as examples for how they interpret an architect's intentions and add their own voice. These include Julius Shulman, Ezra Stoller, Stephen Shore, Iwan Baan, among others.

Architecture with Stewart is a YouTube journey exploring architecture’s deep and enduring stories in all their bewildering glory. Weekly videos and occasional live events breakdown a wide range of topics related to the built environment in order to increase their general understanding and advocate their importance in shaping the world we inhabit.

Stewart Hicks is an architectural design educator that leads studios and lecture courses as an Associate Professor in the School of Architecture at the University of Illinois at Chicago. He also serves as an Associate Dean in the College of Architecture, Design, and the Arts and is the co-founder of the practice Design With Company. His work has earned awards such as the Architecture Record Design Vanguard Award or the Young Architect’s Forum Award and has been featured in exhibitions such as the Chicago Architecture Biennial and Design Miami, as well as at the V&A Museum and Tate Modern in London. His writings can be found in the co-authored book Misguided Tactics for Propriety Calibration, published with the Graham Foundation, as well as essays in MONU magazine, the AIA Journal Manifest, Log, bracket, and the guest-edited issue of MAS Context on the topic of character architecture.

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× sherrill library will be closed from may 18 - september 2 due to construction. services by appointment: research consultations, library instruction, pick up appointments moriarty library will be open through august 31, monday - friday from 10am-6pm. closed weekends and holidays. as always, our web resources are available 24/7. questions our chat and ask us services are available monday-friday, 10am-6pm., × the libraries will be closed for memorial day weekend from friday-monday, may 24-27. enjoy the holiday, × spring break: monday, 03/13/2023 - sunday, 03/19/2023: library pickups are by appointment. need an appointment email us at sherrill library: [email protected] or moriarty library: [email protected], × alert mm/dd/yyyy: something is broken please contact us with questions., × alert 12/14/2023: ebsco allsearch is unavailable. we are working to fix this as quickly as we can. in the meanwhile, please try searching for articles from our proquest central database and for ebooks and books from our flo catalog . we're very sorry for the inconveniance. --> × welcome back our remote services guide has everything you need to know about library services we're offering this semester, including research help, study spaces, and more for other campus plans, see the lesley university covid-19 response. any other questions ask us, × welcome back our remote services guide has everything you need to know about library services we're offering this semester, including research help, study spaces, and more any other questions ask us, mfa photography & integrated media, instructions, latest theses- 2023 & 2024.

The Lesley Art + Design MFA in Photography and Integrated Media program ran from 2011 until 2024, under the leadership of Christopher James.

From its inception in 2011, our MFA in Photography and Integrated Media program at the Lesley University College of Art and Design has been designed and nurtured as a collaborative work in progress, created to emphasize craft and concept driven photography. It is comprised of an artist / scholar community of faculty, Visiting Artists and candidates, all of whom share a passionate respect for the hand-made traditions of photographic practice while embracing, with equal passion, what is rapidly being recognized as “the new photography” … a marriage of contemporary analog and digital photographic technologies emphasizing rigorous studio practice, art and cultural context, critical and professional studies, and the fluid integration of inter-disciplinary and contemporary media. Our philosophy embraces the concept that photography is in a state of flux and no longer a single entity. It is unique in the visual arts in its ability to merge established and contemporary technologies in the art of making impressions with light and is an ideal nexus of art and culture. We invite you to join our thriving community of contemporary photographic artists who will be defining the future of photography.

Browse through the thesis descriptions below, or use Ctrl+F / command+F to search for specific keywords.

If you find a thesis you want to read, click this link to the Online Thesis Folder  and browse by year and then name.  

To submit your thesis to a global database of theses and dissertations, go here and find your program area. You'll get reports telling you how often it's downloaded, and from where around the world!

Beth D’Elia   – RECEPTIVITY IN PHOTOGRAPHIC PRACTICE     – 2024

In the past two years, I’ve become particularly interested in what I define as the “receptivity" of photography, whereby the photographer is in a position of collaborating with the camera and other photographic materials to receive, rather than take, an image. My acceptance and openness to this collaborative process — not passive or acquisitive, but empathetic — marks a recent shift in the traditions of photographic practice. Chance, possibility, and the courting of the accidental, whether in or outside of the darkroom is reflected more frequently in contemporary aesthetics

Caroline Waterman   – A reckoning     – 2024

The north side of Dublin is my home. It is where I grew up, where I learned to love, to  play and dance. It is also where I was raped. I have spent the past 30 years of my life shutting  out the assault from my memory… and learning to forget. Although I’ve made my life on  another continent, I’ve returned to my home many times over the past three decades, never  allowing the demons to take away my joy of returning home and my love for Dublin. Now, in  this work and narrative, I have decided to remember, to confront….to heal.

Dominic V. Iacopino   – Between the Solitude in Us     – 2024

The act of operating a radio is, understandably, generally solitudinous. And yet, it is entirely about the  connection between people, as well as their places, ideas, and imaginations. Secluded in an old Massachusetts barn in the woods, on a farm from the 1800s, valuing self-reliance, nature, and wisdom,I would be remiss to  not see the ties to New England Transcendentalismphilosophy; and that is how I have come to summarize the  result of this two-year, technology-centric, ontological journey. I became intrigued by amateur radio during the summer of 2022 after reading about an eight-year-old  girl who had the opportunity, skills, and knowledge required to contact astronauts aboard the International  Space Station. This encounter between “scientists of consecutive generations” piquedmy curiosity enough to  pursue the role of participant observerin the ham radio community.I began an introspective journey, seeking  to define, through my artistic practice, what exactly it was to which I was drawn

Jp Gibson   – In the Shadow of this Mountain     – 2024

I think that practice has come to occupy an even larger role in my life  than it ever has before: both in the making of new images, and also the making of the  prints. Photographing and print-making serve as an escape from the listless void that is  unoccupied time and the things I’ve made since the summer are evidence of my  continued will to exist. I have found physical and emotional comfort in my work making  things by hand. I’ve also learned that coping with the magnitude of this loss is as much  about reassuring those who care about me… as it is about healing myself. I did not  realize I was participating in the mortality of the person I thought I’d spend the rest of my  life with.

Nat Sturzl   – FROZEN INEVITABILITY    – 2024

In my thesis work I am interested in the preserved physical remains of people who have been  excavated by archeologists. The corpses found in peat bogs, preserved by naturally occurring  compounds in the mire, and the contemporary plaster casts of the victims of Mt. Vesuvius, have more  than simple preservation in common. Long dead and buried, they still carry an undeniable look of  viability and personhood. The “bog-men” and the citizens of Pompeii were once real… until  something inexplicably tragic happened to them and they became trapped in a moment in time. Their  decay and expression function as surreal self-portraits, surrogates for myself when I’ve felt stuck in  time due to my own personal tragedies. Like stone carved representations of otherworldly people  unearthed from ancient civilizations, these manifestations stay true to nature while expressing  something even more profound, to me, about the human psyche and the metaphorical preservation  of the spirit. Added to this collection are medieval magical symbols known as staves, compiled in  Iceland by an eccentric magician who called himself Skuggi. Considering all these elements, I’m  creating photomontage, placing figures of death into the surreal Icelandic landscape and coupling  them with the staves. By practicing what Joseph Campbell called “creative mythology,” I join a long  line of artists using fiction, stemming from the vast collections of those who came before, to propose new worlds. My role is that of a curator and amateur archaeologist. I strive to de-code, represent and  illustrate, through a book of spells inspired by my innate fascination with magic, as well as the ideas,  obsessions, and questions that have fascinated me since childhood.

Samantha Barthelemy   – EYE STRIA   – 2024

My thesis stems from coming to terms with the deterioration of my eyesight. When  revealed, I was encouraged to make photographs that would relate to my  circumstance.  I struggled with this challenge and tried making work that was not solely focused on  my eyesight — the deterioration is one piece of the whole, a layer…a part of the  collage. Another consideration was thinking about how to translate my distorted vision  when the image the camera was seeing was complete and representational. Close up, I see double…a fractured viewpoint with multiple blind spots. Adjustments in  my life and artistic practice became essential as I’ve had to learn to accommodate and  shift simple lifestyle habits which I used to take for granted. Driving is no longer what it  used to be; I can not drive long distances at night. On a sun filled day it’s hard to see  anything as I’m literally blinded by the light. Reading is difficult; I now listen to audio  books, and read on a Kindle in order to increase the font size. Injuries caused from  tripping and falling have increased as I frequently miss details, like a step up or down.  Shadows and light constantly trick my eyes, causing things to move when they  shouldn’t, like a hallucination. Nothing appears truly accurate. Both my eyes and camera perceive subject matter differently. While the camera  faithfully records what I direct it to, my natural way of seeing diverges from its  perspective. My camera is my paintbrush, the multiple exposures are layers of paint, I  purposely obscure the representation that my camera sees…painting a story. It’s the layers that speak to one another to create a whole — slivers of my life. 

Adam Finkelston   – NOW YOU SEE ME   – 2023

Now You See Me, is an ongoing series of photography-based linocut self-portraits. The title alludes to  the familiar ending of the axiom, “now you don’t”— implying that while you see me… my body, my  experiences, and perspectives on my life, there are many parts of my existence that you don’t see in these  images. The storytelling aspect of my images illustrates only moments and pieces of my truth. The images are  about me, but they are also about a character I play. The character represents a man who inhabits constructed  spaces acting out the dramas and moments of reflection in everyday life. In this thesis, I intend to make a  connection between the indexicality of photography and the gestural aspects of printmaking. These two ways  of making images – photography and printmaking – are emblematic of the balance between reality and fiction  in my work. My prints seek to show visualizations of my own thoughts and feelings. By starting with a  photograph, I can capture my poses and surroundings in a realistic way, but by departing from the photograph  into drawing and printmaking, I can add or subtract from the original photograph, incorporating details and  quasi-surrealist imagery to enhance the impact of the images. Editing out personal details allows for clarity  and a deeper connection to the universal, harnessing the totality of human experience. The gestural  expectations and nature of drawing and printmaking add a fictional element to the reality of the photograph. A drawing is always necessarily removed from whatever it represents. Even in a direct observational drawing, the artist is a filter between reality and its interpretation. In these prints I am rooted in photographic reality  but adding my own interpretations and reveries through the addition of drawing and printmaking

Harrison Irving Loomis   – American Moments   – 2023

I see the spectacle of society. Brady’s photographs of civil war battlefields haunt my mind as I  walk across the grounds of an American fort in Maryland, where history is performed by reenactors as though trapped in time. As I photographed tourists performing for their own images at Niagara Falls, I question whether their digital keepsakes hold any value, a bad picture  becomes a forgotten experience, but a great experience should be remembered. In Times  Square, tourists stare at the billboards of New York advertising, thinking they’ve found the  beating heart of a city, when the local office workers just try to avoid it. Those same office  workers might be happy to go to a baseball game, but they’ll be focused on their laptops more  than the game, like the suits I found in box seats at Comerica Park. The structures of most  stadiums organize people like a mini city, each person in their place, at levels determined by  class. While everyone is free to walk Boston Common, only the privileged will get to look out on  it without stepping outside, divided by apartment walls and glass windows. Yet everyone comes  together to enjoy the fireworks show on New Year’s Eve, the dazzling lights and concussive  blasts remind them they’ve been alive for another year and ask what they’ll do in the next. My  photographs claim that it doesn’t really matter, the spectacle will still be there, in different  forms, in different colors, in different American Moments. Sometimes I wish I could just enjoy  the show...

Jessica Bonifas   – Filmmaking is a River: My Journey Towards the Camera   – 2023

I use filmmaking as a tool to alleviate suffering. During difficult times in my life I turned to the  camera as I am able to express myself freely without explanations or words. The camera acts as  a bridge between myself and others, allowing people to cross into the mind of the filmmaker.  I’ve titled my most recent film, Fulaing is a Gaelic word meaning to suffer. I use the Gaelic  language as a homage to my Irish heritage and for the preservation of the language itself. This  short experimental film was shot on Super 8 analog film and projected in the gallery. I use fulaing  to describe how I feel sometimes as a mother, filmmaker, and human struggling to survive in the  world today. Fulaing is a piece of my story told in a loose experimental style to express the  adversities that I have faced, and overcome, in my life

J udit German-Heins   – A MONSTER IN THE SHAPE OF A WOMAN   – 2023

This work is centered on my experience as a woman, a survivor, a host. It acts as a  proof of my existence. My photographic images are drawn from stories, dreams, and  feelings about my own experiences and illustrate struggles that I and many women  face through their lives. I am interested in the complexity of being a woman biologically,  socially and historically. My photographs are made with the wet-plate collodion technique, commonly used in  the late -19th century. The slow process of pouring the sticky, volatile, and flammable  emulsion, which records my experiences for centuries to come, allows me to embrace  my past gradually. As I carefully mix acid, alcohol and salt to let the molecules work  together to bring the latent images alive, I wonder about and consider my body as a  collection of cells that encompass my ancestral history and that also carry traces of my  children — dead and alive. For me, noble metals I use interpret and capture the  intrinsic value of a female body and soul.

R. Kevin Combs   – The Milltown   – 2023

In this thesis, I will introduce you to the Town of Fries and many of its characters. The  characters include me, some of the residents, and even the fog. We may find that the fog  obfuscates certain truths about small town life, and occasionally, represents the differences I believe we have in this country. I will tell you stories about how the town was built from the  ground up at the turn of the twentieth century to use the natural resources in the area and to  exploit the tendency for wages to be lower in the Appalachian Mountains than in other parts of  the country. I will tell you the story of the Town of Fries through my photographs and narration.  You might even call it a performance. The story will provide a lesson in tolerance in a divided  age and may assist in lifting the veil of fog that is a metaphor for our society and culture.

MFA Photography and Integrated Media Thesis Menu (2013-2022) Online Thesis Folder

Cotton Miller – The Limbo of Loss -  2013

Our entire lives we spend counting, counting up and counting down. The good things we count down to, and the bad things always seem insurmountable. When we are young, we think more is almost always better. As we get older in age and experience we begin to realize less is almost always more. Counting isn’t always about quantifying; it’s about identifying patterns. Counting is an attempt to find order or structure to gain understanding about the thing being counted. The myelin sheath is the protective layer of the axons in the brain, similar to the insulated coating on electrical wires, and in MS the immune system breaks down this protective barrier. When myelin is lost, and the brain-blood barrier is broken, the axons can no longer effectively conduct signals, which will manifest as a variety of symptoms including physical and cognitive disability. After the demyelination occurs, the symptoms that are experienced might subside, but never be fully extinguished. The possibility of loss, the inevitability of loss, and the uncertainty can be equally as powerful and life altering as the actual loss. According to Kübler-Ross, who introduced the hypothesis of the Five Stages of Grief, “The limbo of loss is in itself a loss to be mourned. Uncertainty can be an excruciating existence. It is the loss of life, going nowhere or going nowhere slowly without knowing if there will be a loss. This has become the foundation of my work, the idea that the mind is distinctly different than the brain.

Tommy Matthews 2013

If I ever build a house I will make it very skinny and tall with all the rooms built on top of each other, strung together through each other’s dreams as we slept. What about the person on the bottom then? Who was holding me in their dreams? Maybe this is what it means to grow up, to care and to provide instead of to receive. I grabbed the framed family photos and laid them flat on their backs, and carefully stacked one on top of the other till they made up a half-foot of thickness. Stepping on the frames I was conscious to keep my weight on the outside edges of the stack where it felt more secure. With time enough to make one last move I followed Vitus to the path that careened down a dirt embankment and bottomed out in a small opening of trees. The forest floor was hidden by arching ferns rising as high as my waist. An old felled Douglas fir was there; having collapsed long ago it was now a nursery log. It was half hollowed out inside and I crumpled my body in its opening. Vitus wedged himself alongside me and curled up in the shape of a scallop. As consciousness began to slip away I was eased to know I’d wake here, happy to be held in the grace of this great nurturer of the forest.

Nikki Seggara - Thalassophobia: A Philosophical Narrative On Congenital Fear – 2013

Though I have no recollection of it, it took years for my mother to get me to willingly bathe. She recalls that, even as an infant bathing in the sink, I would scream to the top of my lungs - even harder at the prospect of getting my head wet to wash my hair. It was the thought of deep water terrified me; the thought of what lies beneath - this trepidation of being pulled under, either trapped and unable to surface, or overcome by a creature where my vulnerable body, drifting in the vast sea, gave me no fighting chance. They could feel the pounding of my heart and the panic I struggled to contain for fear of giving myself away.  It was the thought that my body could forever be lost in the lower depths, never to reemerge.  I could never escape the feeling that this was...my fate.  This question of shared phobia has enveloped the deepest corners of my mind. As an artist, I choose to make work that is symbolic of my quest for reasoning behind my fear. There are many who claim that innate fear exists, without any presence of personal history as a factor. These proclivities have been analyzed at great lengths for at least 50 years within the field of Ethology. Ethologists are particularly concerned with innate behavior, and believe that such behaviors are the result of genetics and in the way genes have been modified during evolution to deal with particular environments (Eibl-Eibesfeldt and Kramer) Konrad Lorenz, often described as the ‘father of ethology,’ spoke about this V-shaped shadow as a releasing mechanism for an innate fear response.  The same fear response is witnessed in apes, who are all congenitally frightened of snakes, one of the few innate animal-based fears to also be widely present in humans. It is a grandiose notion, that my fears were ingrained into my brain from ancient genetic blueprints, passed down from generation to generation.  She paradoxically loved what she also feared, as do I.

Angelina Kidd – Imagining the Unknown - 2013

I believe there is a soul and that it is energy manifested as light. We are connected to the cosmos through the very calcium in our bones and the iron in our blood, which originated from stars that died billions of years ago. My belief is that the earthly body is separate from the soul and that our light energy returns to the cosmos. Energy will not cease to exist, as it cannot be destroyed according to Laws of Thermodynamics. Therefore, if the soul is light energy, then it does not disappear and is instead transformed. Twenty-three years ago, my mother’s life was transformed by cancer. As I approach the same age of her departure, I am constantly aware of my own existence. This is why my investigation into the unknown is relevant and personal. I have no evidence for the human soul or the afterlife, as my research does not set out to prove this. Instead, my consciousness chooses to have faith in having a soul and this leads me into an artistic investigation of how I perceive the afterworld. With my light constructions, I do not seek to exploit this emotion; rather, I aim to provide a visual salve and to encourage my viewer to consider that after death, life will be unknown.

Anna Yeroshenko - Enduring Peripheries

An analysis of 1980’s architectural aesthetic and a physical thesis portfolio of re-photographed folded paper abstractions of architecture in the Boston area.

Anne Eder – Myth as a Semiological Language

Thesis dealing with nature, myths, magic, talismanic objects accompanied by a physical portfolio consisting of an outdoor installation in the Emerald Necklace featuring her giant moss-men made of objects and materials found in nature.

Danielle Ezzo – The Intentional Object

Thesis focused upon the concept of intimacy and its relationship to her professional work as a re-touching artist. This was supported by large scale photographs of only the actual re-touched elements of fashion model portraits and bodies.

E V Krebs – so-totally-ev.tumblr.com

A thesis that is a total interactive experience, different for every “reader” depending upon the links the “reader” elects to follow. A traditional thesis felt too static, whereas the Tumblr venue allowed her to create avenues for exploration through the use of hyperlinks; developing a sense of depth as the “reader” clicked, going deeper and deeper.

Lanai King – Clot: A personal Exploration of Blood as Myth and Medium

Thesis analyzing candidate’s personal psychosis and fear of blood and her exploration of using blood as a medium in artistic expression. Thesis was supported by a video illustrating short vignettes of her explorations.

Natalie Rzucidlo – 2,364 Cuts

A these that explored the relationships and differences between hand-made and industrial objects by mirroring the automatic repetition of a machine through the process of paper cutting and realization through lithography. Physical work were monumental paper abstractions graphically illustrating sound.

Nicole Carriere – The Big Picture

Thesis dealing with the dissection of family photographs through visual language, symbols, and performance of gender.

Tabitha Sherrell – Untitled

Thesis focused upon three generations of women within a single family and supported by large scale photographs of tableaus illustrating reconstructed domestic spaces. Writing dealt with the analysis of posing, and the way photography is used to represent the self and family.

Taylor Singmaster – My Father’s Daughter

Thesis written as an autobiography to document values instilled through childhood and realized in adult life. The thesis was supplemented with a video of the candidate’s work with Down Syndrome afflicted children and how her future career would be dedicated to a foundation dealing with this disease.

Tomi Ni – Wu Xing

Thesis about the lives and existence of illegal aliens, living in building and room-sized communities and their sacrifices to pay off the fees for smuggling them into America and keeping their family healthy, educated, and hopeful. Physical work in the form of photographs of this life.

Crystal Foss – Seeing the self Through the Forest of Judgement: Self Portrait & Power

Thesis engaged in a representation of her life being judged by others for being an overweight young woman. The visual work supplemented the writing and consisted of video, music, and uncompromising mural sized self-portraits.

Katie Doyle – 13 Ways of Looking at X

Thesis analyzing Wallace Steven’s poem, Thirteen Ways of Looking at a Blackbird. The thesis deconstructed the poem and then reconstructed it in the form of a journal to represent how the identical sentiments related to her present life. Physical work existed in the form of a video illustrating the relationships of words and images.

Kwangtae Kim – Soul Scape

A thesis discussing non-representational forms of photography as an invitational bridge into a state of meditation. The physical work took the form of massive scaled photographic abstractions of natural objects, such as his child’s hair, or water, seen in a way to obstruct identification. These works were painted upon in the style of a Sumi calligrapher.

Maryam Zahirimehr – In the Name of God, The Beneficent, The Merciful

A written thesis telling the stories of her life growing up female in the strict Muslim culture of Iran and how those experiences shaped her future. A video illustrating one particular story enhanced the reader’s experience by bringing the story to life. This thesis was subsequently accepted and shown at the Cannes Film Festival.

Maura O’Donnell – Untitled

This thesis considers the female as it is contested in American culture. The work speaks to the confusion of specific roles of woman, and the communication of contradictory views of femininity. The work and the manner in which it is shown translate the ugly encounters she experiences on a regular basis. Physical work consisted of short vignettes in video format.

Natalie Titone – The Excavation of Meaning

Thesis exploring the immigrant experience in America through the memories, textures, and materials used by the people building a life for subsequent generations. Writing dealt with a narrative story-telling experience and physical work was realized by laminations of photographic images from family albums onto porcelain and ceramic materials. Techniques were learned while in an internship at Harvard University.

Traci Marie Lee - The Implications and Consequences of the Snapshot and the Constructed Image

This thesis documented her search for knowledge about a southern aunt who was a pioneer in women being active in politics. The thesis was based on an envelope of pictures and newspaper clippings and was resolved in the thesis through paper constructions and video, with a strong concentration on sound.

Alicia Turbitt – Hearing what Seeing Says

This thesis documented the degeneration of sight of her sister’s boyfriend and his efforts to remain in a normal life in spite of his increasing loss of sight. The physical thesis work was in video form and featured vignettes such as all of his friends taking turns teaching him how to drive a car down a dark road in the winter.

John Dearing – Chemical Geometry - 2017

Dedicated to a 19 th c. path of investigation following Herschel’s Anthotype process, John made hundreds of combinations of food sources and chemistry and painted the solutions on papers exposed to UV light over time. The thesis included research into chemical additives to our food, the effect of UV rays on those solutions, and the nature of abstract expressionism and constructivist painting, the forms he created for his tests on paper.

Natalie Schaeffer – Trust - 2017

A series of lengthy video vignettes in an installation that illustrated the state of a multi-year relationship in the midst of a decision to go forward. The written component supported the process and analysis of the video investigation.

Noelle BuAbbud – Triduum - 2017

This thesis involved a trinity of videos revolving around the visual perception and recognition of the human body in a state of suffering or sorrow. Research detailed the paintings and sculptures she felt were emotionally profound because of the ways in which artists such as Caravaggio, Picasso, Goya, and Kollwitz depicted grief and suffering through the physicality of the human figure. Videos illustrated the research and were in the subjective forms of shadows, as in the parable from Plato’s Cave.

Xiao Zhao – Ferryman - 2017

This thesis focused on the parables, spirituality and theology of Zen Buddhism and that belief system’s impact upon him growing up in China, and his relationship with his grandmother who was a shaman. Visual components were photographic abstractions.

Sara Bonnick - Acts of Almost Touching (And Other Short Stories, Poems, and Analysis) - 2017

This thesis explored the aftermath of intimacy and was represented through a series of videos, photo-sculpture, and installation. Her work formed a language of clothing as it related to emotional connection of direct physical contact. She investigated the concept through repetition, mending, healing, repairing, and attaching. All alterations to an article of clothing displayed a psychological repurposing interaction and compromise between two bodies. The written component was formed via short stories and free verse poetry.

Britney Segermeister - 2018

In a dissection of social media, its features and influences can often be misinterpreted as an assortment of symptoms associated with a variety of mental illnesses. The ability to rapidly change personas, and impulsively construct personalities, could be a description if Dissociative Identity Disorder or nothing more than editing pictures of yourself on a number of unrelated sites. My thesis project is a visual depiction of signs and aspects of mental illness interpreted by the unique etiquette, trends and algorithms of social media.

Casey Cullen 2018 – 22 Poplar - 2018

My thesis, 22 Poplar, is a partial collection of the many memories my childhood home inspired, and in a very real way, a thank you to the people here, and gone, who raised me in it. I am interested in how memories, old and new, personal and familial, coalesce to fill and define personal domestic spaces. My investigation questions how memories, and the events associated with them, are affected by the removal or change of a key component in that moment. My memories, of our home, and the objects within, are now the only things I have left of my grandfather. After he passed, could some part of his being have gone to the same elusive space where memories reside? Probably not, but I would like to think my interpretation of the faux colonial house on 22 Poplar Street will get me a little closer to wherever his beautiful spirit rests.

Candice Inc 2018 – She Knows Me Now - 2018

In collaboration with my mother, my thesis explores the complexities of communication within a mother-daughter relationship following the death of her husband… my father. Throughout our life together, my mom and i were able to talk about anything and everything without conditions. The traumatic death of my father completely altered our dynamic and we became strangers to each other. Unable to recognize the unique pain and loss that the other was experiencing, our ability to understand one another reached a point where spoken language failed. The only way for me to speak at this point was through the trust in my art and visual expression. Words were useless and so I turned to images. In our recent past, this created an even greater problem because my visual approach to telling the story of my suffering was even more incoherent to her than speech. I was forcing her to learn my side of the story, my truth. Children need to recognized by their parents and my mother’s resistance to that adjusted view of her adult daughter continues to be a constant battle for myself. It is a struggle being an artist and a daughter. She Knows Me Now is a test for us. Testing my responsibilities as her daughter, testing us both to not attack or point a finger of blame, and testing my responsibilities as an artist where telling my truths is my priority.

Rebecca Chappelear - 2018

My work explores the evidence that contributed to my family’s dysfunction and ultimately its collapse, brought on by my stepfather’s own separate trauma and depression—complications that had been ingrained into his personality long before we entered his life. My images are constructions based the events that took place during the period that he and my mother were married, in which time I had gone from my mid-teens to my early twenties, and my sister from kindergarten into eighth grade. A photographic narrative allows me to select the memories that are crucial to my and my audience’s understanding of the events that took place; moments that of course were not photographed, as a family reserves the taking of pictures for times meant to be remembered and looked back upon. With the creation of these photographs, I am able to investigate my experience with a man whose role as as my father deteriorated as he was engulfed by his alcoholism and depression.

Samantha Nieto – Catholic Girlhood Narrative - 2018

Growing up, I idolized everything Disney; Mickey Mouse was my god, The Sensational Six were my saints. Disney movies became my homilies and scriptures, they taught me life lessons and helped me imagine that I could be anything I wanted to be. My Lady of Guadalupe, Pocahontas, was my hero as a child and brought strength to me as an adult. She was the only Disney “Princess” I figured I could be due to our similar dark hair and complexion, which I eventually learned to appreciate. Because of her, I knew I was my own heroine princess who didn’t need a prince charming to save the day, I only needed to have faith and believe. My work is interested in the idea and systems of belief as it occurs in my life and in the objects that represent my values and what I believe in. I am expressing my beliefs from the past, and the present. Each piece represents a time in my life, with reference to a foundation of the Mexican catholic faith I grew up with and have transformed from. I am interested in the connection that one has with faith, symbols and objects of value stemming from childhood memories and experiences testing faith. With time, all these elements look different and change meaning as we age.

Brittney Callahan – Paradise Entertainment Feature of the Week: Splint – 2018

Watching television has been part of my daily ritual since childhood. Every time it was turned on, I was able to enter into new worlds that were exotic compared to my house. Each story on the screen filled me with hope, inspired me with passion, and took me to a place where everything, no matter how terrible, seemed to have a purpose, an arc, and an end. These visual narratives birthed the idea of an equational life, one that seemed simple and mathematical. After I realized that life couldn’t be firmly calculated, I decided to invent my own alternative realities of which I could control through photography and video. My primary interest is in self-construction, how identities and personalities are formed, how they manifest and shift, and the characterization of “self”. With my current work, I am utilizing the techniques of cinema and theater to construct a fictitious reality, that emulates the surface of a world that I have long-envied and idolized: Hollywood. The process of performing in my designed space is cathartic because, instead of being a passive spectator to someone else’s constructed narrative, I create my own and actively participate in it.

Gretjen Helene – Susurrus – 2019

I am currently working on a 24 minute linear video titled ‘Susurrus’ that will be exhibited within the interactive installation ‘Lost In Thought.’ ‘Susurrus’ is a collage of moving imagery which I am calling a living collage mindscape. This projected video is central in the installation and will be introduced by 11 paced photographs titled ‘Framed,’ and accompanied by a resin sculpture titled ’60% water’. For the sake of this introduction to my work, I will concentrate on the video ‘Susurrus’ alone. A discussion about the other installation elements would disrupt their intended affects.

JiSun Lee – The planet, LOVE – 2019

Art allows me to express unexplainable emotions and feelings I have never felt before. Meaning by emotions, for example, sadness and happiness have to co-exist to reveal each other’s existence and the value they have.I always had a hard time controlling my emotions. It may be because I’m a sensitive person; I feel my emotions in huge waves. Many incidences happened to me because my inability to express and control my emotions, Love, relationships, avoidance, jealousy, hatred, anger, and happiness, aresometimes hard for me to express this with words. But I am learning from these contradicting emotions like the light and the dark. After creating my art, I have discovered myself in the process of expressing emotion through art. And I learned to control myself. This is the way I protect myself. The only way to express my sensitive emotions that cannot be created in words because there’s no words for them. My language -I speak through my art.

Kristen Matuszak – Confined In My Skin – 2019

When deciding to create my book, “Confined In My Skin,” I was distinctively thinking aboutcinema, and film reels in particular. The viewer experiences my book the way they would acinematic film, I am continuously manipulating the perception of the viewer. They see what theywant to see, then as they flip through the pages, they get a sense of something much darkerand deeper than their original intake of the work.

Molly Meador – RabbitRabbitRabbit – 2019

The main conceptual focus in this work is obsession, but it has become clear that my living definition of this word is different than the normal interpretation. This is not a project about how obsession can affect a person, and it’s not about obsession as a direct, generally temporary mental state in relation to a specific topic. It’s about how it affects me and the resulting compulsions that occur as a way to live with and control these fixations. It’s about how the obsession can be used and dealt with, but it’s not a solution. An obsession, though intense and consuming, can be finite and have a course. There is a difference between an obsession and an obsessive personality. A life defined by obsession cannot sustain itself with any sort of harmony unless an order is established. That necessity is where this project comes from; and to establish an order to something, you must sometimes first tear it apart.

Vanessa Fischer – This Way Through The Darkness – 2019

I still desire to create a space to preserve and experience my past, only now these memories live outside of my mind in my art. This Way Through the Darkness stems from the Memory Box I created as an adolescent while mourning the loss of my mother. Looking at household surfaces has been my way of connecting to the memory of my mom, because these were the surfaces she touched every day, the same surfaces I have in my life today

Will Harris – Evelyn Beckett – 2019

In this work I confront the complexities of my Nana, Evelyn Beckett’s dementia, by fabricating the pieces that have gone missing.  Within my Nana's mind, history and fiction collide, creating something strangely new, haunting and at times painfully beautiful.  Ten years ago was now ten minutes ago.  There were no seasons; the clocks stood still. My grandmother was both lost and reborn. Fragments of the person I used to know would come to me now and then, but she was no longer my Nana and there was no one to hold our familial history together.

Byron Hocker  – Red Sky Morning – 2020

I have found ways to escape the daunting task of everyday life. I can use photography to play. I am able to convert the seriousness of life to my own comedic circus. Roland Barth in Camera Lucida said it more eloquently than I when he wrote, “What pricks me is the discovery of this equivalence. In front of the photograph of my mother as a child, I tell myself: She is going to die, I shudder...over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is a catastrophe.” Because of this truth, I must play and create because it is all too serious. I can also transform these people, my family, into anyone I want when I am in control of the photograph.  

Ge Wang   – A Reluctant Citizen – 2020

Photography has been a narrative tool for my family. I did not have much of my own voice in the family narrative because my parents were the photographers. I picked up photography soon after I left China and started to live alone in the US. I became the executor behind the camera, recording my very own story. Even still, I still lose my sense of time here very often. The memories I have formed in America have never managed to dig themselves a deep hole in my mind.

Lys Ciani  – Field Notes – 2020

I practice camera-less photography  and  assume  the  rights  to  these  elemental  processes in hopes of gaining a more grounded and intrinsic understanding of the landscapes I observe, interpret, and create.  I’ve adopted this type of field work as a personal collection of visual-mappings of uninhabited environments.  Field notes are composed of two components: descriptive information and the observer’s reflection about the study that is being conducted. Each print carries light, minerals, and contaminants of the water; literal recordings of the environment they took form in. Untidy records recalling weather conditions, time of day, and where on the bend they were made. They coalesce to form a portrait, a trace of the shifting identity of a riverbed.

Matt Klos  – Field Notes – 2020

In the last four years I have been acclimating, building, and modifying my life. Creating a new normal and reestablishing what it means to be me both physically and psychologically. Paralysis is the metaphorical-well of inspiration I draw upon to create my images, sculptures and studio working environment. I utilize my paralysis as both coping mechanism and visual source, documenting and interpreting my body’s devastation within the fine lines of reality and fabrication.

Anna Clem  – To the Garden and Back – 2021

To the Garden and Backconsists of four distinct series—The Perennial Garden, Floating Petals, Tucked into the Garden Bed, and Visitor—and a video piece called In Her Garden, through which I have examined from all sides my longing for the impossible return to innocence, obsession with preservation, and my present-day “gardens.”

Faith Ninivaggi  – Present History – 2021

I’ve stared into the eyes of murderers and abusers. I’ve studied and documented the masterful kinesics of great athletes, influential politicians, and infamous public figures. Through my lens, I’ve captured victories and tragedies. I’ve documented the literal forces of nature. I’ve talked to thousands of strangers, tapping on shoulders, stopping people in the streets, and knocking on doors...all for the chance to tell their story through photographs.

Fangwei Xu  – The Sun – 2021

The Sun is a series of works that touch on ideology and its relationship to social context, gaze, and subconsciousness, represented by various media. Ideology for me is nothing but a framework, and it requires the context of media to deliver the meaning. Humans have countless ways to explain an idea, like in China, there are multiple words to define snow, or rain, and each method of expression, each medium corresponds to a different kind of cultural interpretation: superficial or cognitive, conscious or unconscious, temporary or permanent, literal or connotative.

John Nanian  –Chepiwanoxet  – 2021

This thesis will explore the idea of place by trying to un-derstand what a small spit of land in Narragansett Bay called Chepi-wanoxet was before colonial ownership. After visiting the area countless times with and without a camera, I am, in collab-oration with the island and the sea around it, attempting to make drawings and light-markings, using organic and light-sensitive materials, and imperfection to show its essence and its meaning to me.

Wenshuai Shi (Ace)  – Isolation – 2021

I have made a series of photographic and video works using "isolation" as the theme. From my initial project “HOME,” completed in Shanghai in 2018 and 2019, to my recent project, “My Fear Journal,” made in Boston this past year. This past year, my intention was to illustrate to the viewer not the state of my loneliness, but the process of my thinking, reflecting on isolation.

Zachary Hayes  – Seeing is Believing, Looking is Loving – 2021

In Seeing is Believing, Looking is Loving, I shall discuss the internal complexities of being able to relate and empathize with others and how photography acts as a vehicle for me to be able to do these things. Here you will be introduced to I (Want To) Love You, a body of images that I have pulled from my personal catalogs of people that I choose to commit myself to.

Abigail Egan   – In This Home  – 2022

My thesis, titled In This Home, is about documenting experiences with my family that are reshaped by the passage of time and the evolution of technology, while navigating my conflicting ethical responsibilities to my art and to my family amidst a world of digital obsession. Sharing my art with a wider audience for the first time, this body of work investigates the layers of emotion within the family home, exploring the intricacies of loving one’s family unconditionally.

Ariana Sanchez   – From Here to There – 2022

My move to New England was a complete 180 from what I had known in Florida. Once settled, I explored my new neighborhood and started photographing its characteristics, searching for ways I could connect both as a person and a photographer. There were days that I wished I could go back to Florida and experience that environment once more. Here in Cambridge I once again felt like an outsider, wondering if this was just another temporary place for me. I still don’t know. My images simultaneously represent my comfort and discomfort to where I am; to where I hope to belong. My desire for “home” is strong. It’s difficult to put down roots in shifting soil.

Jill Bemis  – Homing Instinct – 2022

Homing Instinct is an exploration of walking and the physicality of film photography as it mirrors a poetic and visceral connection to the land.  An ephemerality lingers within the work–a longing to experience and hold on as larger forces cause land and home to change forms.  The work holds space for lightness but also defies it through an ominous representation of the cycles of loss within nature.  I am especially drawn to the birds that live between land and sky, between rooted experience and unmoored wonder. I have a yearning to understand what it is like to be a bird, and a simultaneous acceptance of knowing that I never will.  There is both a separation and a closeness between us.  I do not pretend to understand why, but the observed experience of a bird feels wildly linked to my own returning to the marsh.

Monica Philbin   – Otherworld  – 2022

I began this thesis as a journey to find myself and to piece together evidence of the spirit world in my photographs to show my mom. I soon realized that it would probably be impossible to make a photograph of an actual ghost and subsequently turned my focus up on the mysteries found in my secular and manageable world. Photography has become my way to express myself and to communicate with the world. 

Natasha Major   – The Outpouring  – 2022

The Outpouring is the title of this document that moves between memoir and musing, examining how I came to understand photography as a mediator between inner and outer life as well as how my process has developed and deepened over the last two years. Two artist books are connected to the written document: For an Anxious Mind (2021) and The Light Here and Elsewhere (2022), each is a vessel for communicating a particular feeling or an experience. The Outpouring discusses the organizing principles of each work, what led to their conception and the artists who have helped me locate my work in a larger context.

Quentin Gong   – One, And Two Stories  – 2022

Dramatizing what I have experienced allows me to turn my ordinary experience into a more interesting story. In this way I use my own personal life as a basis for my films. Snap Out of It and Mary were two short films I made in 2021 and 2022. These films are about ordinary people’s stories, and they are both created based on my personal life experience. We are all born ordinary, but we all have the potential to experience extraordinary lives.

Tiziana Meneghel-Rozzo   – The Power of Camera-less Photography to Communicate a Haptic Experience   – 2022

Through my projects, I am searching for a way to visually communicate a moment experienced in time through what it brings to light: a face, a tear, the physical act of leaving an impression or sharing an emotional gesture. I use photography as a way to connect and communicate a lived experience and to visualize bodily intimacies. In my images I like to wonder, imagine, and question what I am looking at — what I know and do not know. It is within the dark realities of a chaotic world that I, as an artist, feel compelled to respond with marks that carry meaning within them. In the two projects that follow, Haptic a nd Tears, I use a 20th-century photographic technique to focus on touch and contact, to convey meaning at the level of physical operation.

Travis Flack   – Lifelong Obsession With Oblivion   – 2022

As of right now, photography has been in my life for more than half the years I have lived on this planet. It has moved with me, and sometimes in spite of me, marking creative growth, existential frustration along with the very specific idiosyncrasies that I now realize are the traits that define me as an artist. In conjunction with this medium that I have chosen as a method of explanation and expression is this other entity, a need for extremes of varying intensities that I have come to realize is the driving force behind a lot of the subjects I choose.  These intense experiences  have broken down my existence in complex ways, making me feel like someone who is in a constant state of  repair or rebuilding. Lifelong Obsession With Oblivion started out as the calculated detonation of my life in order to review it. From this exploded view the work mutated,  from the very literal physical form to the figurative forensic symbolic investigation. Lifelong Obsession With Oblivion is a photographic survey about surrendering, about giving into something that completely consumes you to the point of complete, wonderful, beautiful deconstruction.

• Last Updated: Aug 23, 2024 12:40 PM
• URL: https://research.lesley.edu/mfaphoto

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10 Award-Winning Architecture Thesis Projects From Around The World

Neha Sharma

8 mins read

It is always interesting to see the architecture thesis projects students come up with every year. With each passing batch, there is more knowledge passed down and a better base to begin. The result is a rise in innovation and creativity by students, and overall a better mix!

Architecture thesis is an ordeal all students are intimidated by. From choosing an architecture thesis topic all the way to giving a great final thesis review , every step is equally challenging and important. It is that turn in an architecture student’s life that pushes them to churn out their best. Therefore, it is inevitable to come across some life-altering design solutions through architecture theses across the world.

To identify and appreciate these exceptional final projects by architecture students, many organisations across the world like Archistart, Council of Architecture, etcetera, award recognition for excellence in architecture thesis and also grant financial support for further research to the projects worthy of being realised.

Read through the list of 10 such award-winning architecture theses across the world with links to study them in detail!

1. ISTHME // Le CHAOS SENSIBLE - Dafni Filippa and Meriam Sehimi

ISTHME // Le Chaos Sensible - Architecture Thesis of the Year 2020 (Source: www.nonarchitecture.eu)

Starting from the most recent one, the award-winning thesis is a proposal of a mixed-use building in the capital city of Ghana, Africa, that aims to cater to a large spectrum of functions of the Ghanaian community, especially living, commercial, sports and leisure.

This culturally thoughtful architecture thesis project is an honest effort to celebrate the African spirit and empower the local community, which reflects in the ‘sensible chaos’ of the design.

2. INFRA-PAISAJE: New Landscape Architecture - Luis Bendezu

INFRA-PAISAJE: New Landscape Infrastructure for San Juan de Marcona - Special Mention: Architectural Thesis Award ATA 2018 (Source: www.archistart.net)

Landscape architecture manifests the connection between humans and nature. The landscape thesis project proposes a series of technical elements for the creation of a seamless landscape between the urbanised territory of San Juan de Marcona in Peru and the suburban parts, thus forming a cohesive townscape which converses with the coastline and brings active life to the otherwise desolate expanse of the region.

3. Water Exploratorium - Satyam Gyanchandani

Water Exploratorium - Ace of Space Design Awards: Outstanding Student Thesis Award (Source: www.architectandinteriorsindia.com)

Water is a life-giving resource and considered sacred across many cultures. To sustain life on earth, it is important to save and use it with utmost efficiency. The architecture thesis project showcases experiential design through and for water. It also tackles design challenges like infotainment by educating visitors on water conservation and creating a static built form for an element as fluid as water for a wholesome sensory experience.

Want to know how to come up with such fascinating thesis topics? Read: 7 Tips on Choosing the Perfect Architecture Thesis Topic For You

4. Architecture for Blind People - Mariagiorgia Pisano

Between Light and Shadow: Architecture for Blind People - 1st Place: Architectural Thesis Award 2017 (Source: www.archistart.net)

Inclusive design offers a wide-spread net of research opportunities and is gaining much-needed recognition today!

Design for people with disabilities is dealt with empathy in this architecture thesis project, where the focus is exploring innovative design solutions for the visually deprived and getting the design of rehabilitation centres as close as possible to meeting their needs.

5. Mosul Postwar Camp - Edoardo Daniele Stuggiu and Stefano Lombardi

Mosul Postwar Camp - 1st Place: Architectural Thesis Award ATA 2019 (Source: www.archistart.net)

War does permanent damage to a person’s mental health. The survivors experience trauma, loss and even destruction of self-identity. The architecture thesis project proposes a postwar camp at Mosul, Iraq, aiming to create a place where people of various backgrounds can peacefully coexist and build a community based on humanitarian values to prevent war in the future.

6. Consolation through Architecture - A New Journey through the Abandoned Landscapes of Varanasi - Navin Lucas Sebastian

Consolation Through Architecture - COA National Awards for Excellence in Architectural Thesis 2016 (Source: www.coa.gov.in)

The intangible aspects of design are tough to pinpoint but necessary for the essence and feel of it. This urban design thesis project shows light on architecture’s influence on one’s emotions with the holy city of Varanasi in India as the backdrop. With a focus on issues arising due to the city’s cremation grounds, the thesis explores innovative and sustainable solutions for the same.

7. Unfinished Tor Vergata Scenario - Carmelo Gagliano

Unfinished Tor Vergata Scenario - 1st Place: Architectural Thesis Award 2020 (Source: www.archistart.net)

When it comes to building projects, the trend of the ‘unfinished’ is something Italy has been increasingly seeing in the past few years. The most popular unfinished public work is Calatrava’s Olympic Stadium, which is the main object for reuse in the proposal of a science museum at Rome Tor Vergata.

This architecture thesis project explores the existing building trends of the region, aims to reinvent the iconic building and become a scientific attraction for tourists and locals.

8. Chachapoyas Peri-Urban Park - Nájat Jishar Fernández Díaz

Structures for Incidents in Nature: Chachapoyas Peri-Urban Park - Special Mention: Architectural Thesis Award ATA 2019 (Source: www.archistart.net)

Growing urban areas are a concern as they slowly consume the ecology surrounding them. Chachapoyas (forest of clouds) in Peru faces a similar problem from the expanding urban confinements which are slowly taking over the beautiful landscapes for which the place is particularly famous.

The project aims to mend the damage by connecting every speck of open land available in the region and converting it into a network of green corridors, making for an interesting urban planning thesis!

9. Garden of Reconciliation, Kashmir - Jay Shah

Garden of Reconciliation: Miniature Drawing - COA National Award in Excellence for Architectural Thesis 2018 (Source: www.uni.xyz)

Cultural and political unrest in a region has always been the glue for controversies, leading to public tip-toeing around such topics. This bold architecture thesis project looks at the conflicted region of Kashmir, to analyse its cultural, social and artistic practices and then come up with an architecture program best suited for the region. This is traversed in the form of a mixed-use landscape that aims to find a solution and is not the solution itself!

Such theses usually require intensive site studies. Read: Site Analysis Categories You Need to Cover For Your Architecture Thesis Project to know more.

10. Adaptive Reuse of STP Grain Silos - Alila Mhamed

Poudrière Community Hub - 2nd Place: Architectural Thesis Awards ATA 2020 (Source: www.archistart.net)

Adaptive reuse of spaces that have been uninhabited for a long time does true justice to the core values of architecture and design. This thesis project explores the creative redefinition of the old STP Grain silos complex, the first mill constructed as a part of the Poudrière industrial park in the present-day city of Sfax, Tuscany, Italy, by converting it into a mixed-use hub for art, commerce, trade, administration and collaboration.

Numerous amazing architecture thesis projects come to light every year and the list is not limited to this one! At the learning stages, people have the power to unleash their creativity without any limitations and such scenarios might just lead to the right solutions for the time and society we live in.

Giving your architecture thesis project? Check out our A-Z Architecture Thesis Guide!

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20 Types of Architecture thesis topics

An architectural thesis is perhaps the most confusing for a student because of the range of typologies of buildings that exist. It also seems intimidating to pick your site program and do all the groundwork on your own. While choosing an architectural thesis topic, it is best to pick something that aligns with your passion and interest as well as one that is feasible. Out of the large range of options, here are 20 architectural thesis topics .

1. Slum Redevelopment (Urban architecture)

Slums are one of the rising problems in cities where overcrowding is pertinent. To account for this problem would be one of great value to the city as well as the inhabitants of the slum. It provides them with better sanitation and well-being and satisfies their needs.

2. Maggie Center (Healthcare architecture)

This particular typology of buildings was coined by a cancer patient,  Margaret Keswick Jencks,   who believed that cancer-treatment centres’ environment could largely improve their health and wellbeing by better design. This led a large number of starchitects to participate and build renowned maggie centres.

3. Urban Sprawl Redesign (Urban design)

The widening of city boundaries to accommodate migrants and overcrowding of cities is very common as of late. To design for the constant urban sprawl would make the city life more convenient and efficient for all its users.

4. Redesigning Spaces Under Elevated Roads and Metros (Urban infrastructure)

A lot of space tends to become dead space under metros or elevated roads. To use these spaces more efficiently and engage them with the public would make it an exciting thesis topic.

5. Urban Parks (Urban landscape)

Urban parks are not only green hubs for the city, which promotes the well-being of the city on a larger level, but they also act as great places for the congregation and bring a community together.

6. Reusing Abandoned Buildings (Adaptive reuse)

All buildings after a point become outdated and old but, what about the current old and abandoned buildings? The best way to respond to these is not by demolishing them; given the amount of effort it takes to do so, but to enhance them by restoring and changing the building to current times.

7. Farming in Cities (Green urban spaces)

With climate change and population on the rise, there is statistical proof that one needs to start providing farming in cities as there is not sufficient fertile land to provide for all. Therefore, this makes a great thesis topic for students to explore.

8. Jails (Civil architecture)

To humanize the function of jails, to make it a place of change and rehabilitation, and break from the stereotypical way of looking at jails. A space that will help society look at prisoners as more than monsters that harm, and as fellow humans that are there to change for everyone’s betterment.

9. Police Academies (Civil architecture)

Academies that train people to be authoritative and protective require spaces for training mentally and physically; focussing on the complexity of the academy and focussing on the user to enhance their experience would work in everyone’s favour.

10. High Court (Civil architecture)

Courtrooms are more often than not looked at as spaces that people fear, given the longevity of court cases. It can be a strenuous space; therefore, understanding the user groups’ state of mind and the problems faced can be solved using good design. 

11. Disaster-resilient structures (Disaster-relief architecture)

Natural disasters are inevitable. Disaster-resilient structures are build suitably for the natural disasters of the region while also incorporating design into it, keeping in mind the climatic nature of the location.

12. Biophilic design (Nature-inspired architecture)

As humans, we have an innate love for nature, and the struggle between integrating nature and architecture is what biophilic design aims towards. To pick a topic where one would see minimal use of natural elements and incorporate biophilic design with it would be very beneficial.

13. Metro stations and Bus terminals (Transportation spaces)

Bus terminals and metro stations are highly functional spaces that often get crowded; and to account for the crowd and the problems that come with it, plus elevate the experience of waiting or moving, would contribute to making it a good thesis topic.

14. Airport design (Transportation spaces)

Airport designing is not very uncommon; however, it is a rather complex program to crack; thereby, choosing this topic provides you with the opportunity to make this space hassle-free and work out the most efficient way to make this conducive for all types of users.

15. Sports Complex (Community architecture)

If your passion lies in sports, this is a go-to option. Each sport is played differently, different materials are used, and the nature of the sport and its audience is rather complicated. However, to combine this and make it a cohesive environment for all kinds of users would make a good thesis topic.

16. Stadium (Community architecture)

Unlike a sports complex, one could also pick one sport and look at the finer details, create the setting, and experience for it; by designing it to curate a nice experience for the players, the public, and the management.

17. Waste-recycling center (Waste management)

Reducing waste is one of the most fundamental things we must do as humans. Spaces where recycling happens must be designed consciously. Just like any other space, it has been given importance over the years, and this would make a good thesis topic to provide the community with.

18. Crematorium (Public architecture)

Cremation of a loved one or anyone for that matter is always a rather painful process and a range of emotions is involved when it comes to this place. Keeping in mind the different types of people and emotions and making your thesis about this would mean to enhance this experience while still keeping the solemnity of it intact.

19. Museums (Community architecture)

Museums are spaces of learning, and the world has so much to offer that one could always come up with different typologies of museums and design according to the topic of one’s interest. Some of the examples would be cultural heritage, modern art, museum of senses, and many more.

20. Interpretation center (Community architecture)

An interpretation center is a type of museum located near a site of historical, cultural, or natural relevance that provides information about the place of interest through various mediums.

References:

• 2022. 68 Thesis topics in 5 minutes . [image] Available at: <https://www.youtube.com/watch?v=NczdOK7oe98&ab_channel=BlessedArch> [Accessed 1 March 2022].
• Bdcnetwork.com. 2022. Biophilic design: What is it? Why it matters? And how do we use it? | Building Design + Construction . [online] Available at: <https://www.bdcnetwork.com/blog/biophilic-design-what-it-why-it-matters-and-how-do-we-use-it> [Accessed 1 March 2022].
• RTF | Rethinking The Future. 2022. 20 Thesis topics related to Sustainable Architecture – RTF | Rethinking The Future . [online] Available at: <https://www.re-thinkingthefuture.com/rtf-fresh-perspectives/a1348-20-thesis-topics-related-to-sustainable-architecture/> [Accessed 1 March 2022].
• Wdassociation.org. 2022. A List Of Impressive Thesis Topic Ideas In Architecture . [online] Available at: <https://www.wdassociation.org/a-list-of-impressive-thesis-topic-ideas-in-architecture.aspx> [Accessed 1 March 2022].

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Flora is a student of architecture, with a passion for psychology and philosophy. She loves merging her interests and drawing parallels to solve and understand design problems. As someone that values growth, she uses writing as a medium to share her learning and perspective.

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